settima

@settima@zirk.us

Ihmemies [Wonderman] (Antti Peippo, 1979)

Sep

21

Peace Day

Ihmemies (1979)

Olli Ruusunen (Antti Litja) in a diner enjoying a small hamburger with a cup of coffee (via). DPs: Pekka Aine & Juha-Veli Äkräs.

The words “world peace” are spoken on Peace Day aka International Day of Peace

TV reporter: We are not alone in the world. An increase of national income in developing countries is absolute requirement for world peace at the end of this century.

Martti Tuomola: Bullshit.

Former child prodigy Olli Ruusunen (Antti Litja) has received special brain capacity training at the Buffalo Institute in the US. Paid for by a Finish company, the idea is that Olli will act as a “rationaliser”, drastically overhauling the inner workings of the company. After getting rid of the entire management team, Olli – like others who have gone through the same training program – becomes increasingly strange. Olli decides to disappear.

Het gangstermeisje [A Gangstergirl] (Frans Weisz, 1966)

Sep

20

Sophia Loren – 1934

Het gangstermeisje (1966)

Cast and crew study a map of Rome (via). DP: Gérard Vandenberg.

Italy or Sophia Loren for La Loren's birthday (1934).

“Film is kijken naar mensen die kijken.”

– Remco Campert, Het gangstermeisje (1965)

A writer tasked with writing a screenplay based on his novel Het gangstermeisje suffers from writer's block. Some time at his friends' house in France brings the inspiration needed but also a few twists and turns, similar to his book, leading him to Cinecittà.

Die Republik der Backfische [The Republic of Flappers] (Constantin J. David, 1928)

Sep

20

1928

Die Republik der Backfische (1928)

The Berliner Zeitung (a rag of a paper that's still around to this day) of September 20, 1928. It blares something about America and Graf Zeppelin, the then-new airship. DP: Mutz Greenbaum.

Depending on the language version you watch, you'll see a 1928 newspaper headline dated September 20 (a Thursday), January 10 (a Tuesday), or January 9 (a Monday).

 

Smrt si říká Engelchen [Death Is Called Engelchen] (Ján Kadár + Elmar Klos, 1963)

Sep

19

ER – 1994

Smrt si říká Engelchen (1963)

Pavel (Jan Kačer) recovering face-down in his hospital bed. DP: RudolfMilič.

An emergency room: ER debuts on this date in 1994.

 

A paralysed Czechoslovak partisan recovering from a shot in the back in an emergency ward, feverishly remembers the events that brought him to that moment. He particularly remembers Engelchen, the SS Sturmbannführer who killed his best friend and massacred the local villagers.

The UFO Incident [Interrupted Journey] (Richard A. Colla, 1975)

Sep

19

The UFO Incident (1975)

Betty Hill (Estelle Parsons) observed from above. It's night, and tire tracks are visible. DP: Rexford L. Metz.

Слънцето и сянката [Slantzeto i syankata / Sun and Shadow] (Rangel Vulchanov, 1962)

Sep

18

National First Love Day

Слънцето и сянката (1962)

The two young lovers (Georgi Naumov and Anna Prucnal). DP: Dimo Kolarov.

First love for National First Love Day (USA).

 

A boy and a girl fall in love at a resort at the Black Sea. He's the son of an architect, an optimist who sees creation where possible. She's the daughter of a nuclear scientist, the future an inevitable apocalypse.

Äppelkriget [The Apple War] (Tage Danielsson, 1971)

Sep

17

National Apple Dumpling Day

Äppelkriget (1971)

Locals and a centaur – half man, half papier-mâché – enjoy a drink. DP: Lars Swanberg.

Apples, or dumplings, for National Apple Dumpling Day (USA)

– What are you gonna do with tons of apples? They can't be sold! Ask any apple farmer! They just pile up and rot! – The apple farmers? – No. The apples!

A beautiful, picturesque part of Sweden will become… Deutschneyland! At least, that's the brilliant business plan Herr Volkswagner has. But the local apple farmers – a large family that's half human, half mythological creatures – have no need for an amusement park on their grounds.

A Sunday in September (James Hill, 1961)

Sep

17

1961

A Sunday in September (1961)

A large group of bobbies attempts to block off the street in front of an Underground station. They're greatly undone by the large group of protesters behind them (via).

 

La fórmula secreta [Coca-Cola en la sangre / The Secret Formula] (Rubén Gámez, 1965)

Sep

16

El Grito de Independencia

La fórmula secreta (1965)

Grinning seminary boys hang from monkey bars. DPs: Salvador Gijón, Rubén Gámez & Segismundo Pérez de Pedro 'Segis'.

El Grito de Independencia: ¡Viva México!

“¡Mexicanos! ¡Vivan los héroes que nos dieron patria! ¡Viva Hidalgo! ¡Viva Morelos! ¡Viva Josefa Ortiz de Domínguez! ¡Viva Allende! ¡Vivan Aldama y Matamoros! ¡Viva la independencia nacional! ¡Viva México! ¡Viva México! ¡Viva México!”

El Grito

Accompanied by Juan Rulfo's poem, Gámez explores Mexico's identity, and loss thereof. Crying out for the Mexican with Coca-Cola in the blood.

The War Game (Peter Watkins, 1966)

Sep

16

The War Game (1966)

An old man in uniform, possibly a mailman or traffic warden, stands motionless in a crowd of people. He looks off into the distance. DPs: Peter Bartlett & Peter Suschitzky.

“In the next world war, I believe that both sides could stop before the ultimate destruction of cities so that both sides could retire for a period of ten years or so of post-attack recuperation, in which world wars four to eight could be prepared.”

– a leading American nuclear strategist