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Night Has a Thousand Eyes (John Farrow, 1948)
Aug
3
Mentalist John Triton (Edward G. Robinson, middle) and two of his conspirators. DP: John F. Seitz.
A continuity error later on in the movie makes it August 4.
“I'd become a sort of a reverse zombie. I was living in a world already dead, and I alone knowing it.”
– John Triton
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Mitt hem är Copacabana [My Home Is Copacabana] (Arne Sucksdorff, 1965)
Aug
2
The favela children on the beach, playing with kites and mingling with the rich kids. DP: Arne Sucksdorff.
Favela kids steal kites and sell them on in this Copacabana-set Nordic drama.
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Viskningar och rop [Cries and Whispers] (Ingmar Bergman, 1972)
Aug
1
red
The three sisters in the red room (via). DP: Sven Nykvist.
Red: a building or structure*
“It's just a dream, Agnes.”
– Anna
Red as an expression of inner and outer worlds. Even the scene transitions are red.
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White Woman (Stuart Walker, 1933)
Aug
1
“You'll go under like all the others.”
– Judith Denning
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Menschen am Sonntag [People on Sunday, a Film Without Actors] (Robert Siodmak, Edgar G. Ulmer, Rochus Gliese, Curt Siodmak + Fred Zinnemann, 1929)
Jul
31
Someone goes to work*
“Du, Wolf, nächsten Sonntag — ?”
– title card
Berliners rest on Sunday, we still do. People lounge in the many parks, and on the shores of the city's many lakes. And then, it's Monday.
Released in 1929, according to Atlas Film, who restored this important Weimar classic long before Criterion put their grubby hands on it.
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Το κορίτσι με τα μαύρα [To koritsi me ta mavra / A Girl in Black] (Mihalis Kakogiannis, 1956)
Jul
30
Marina (Ellie Lambeti) in the port of Hydra. DP: Walter Lassally.
Someone is sad, or cries*
A wealthy Athenian writer on holiday on Hydra falls for the morose Marina (Ellie Lambeti), one of the daughters of his widowed innkeeper, causing disruption in the close-knit island community.
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Gli intoccabili [Machine Gun McCain] (Giuliano Montaldo, 1969)
Jul
30
1968
Man's hands hold up the July 30, 1968 San Francisco Chronicle. The headline reads GANGLAND FEUD EXPLODES: TWO CUT DOWN BY MACHINE GUN. It's a Tuesday. DP: Erico Menczer.
“It's a lot of work, ya know, just staying alive.”
– Rosemary Scott
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Paparazzi (Jacques Rozier, 1963/1964)
Jul
29
A character has a camera or takes photos*
It buzzes on the set of Le mépris. These mosquitos, the Italians say paparazzi, swarm La Bardot and making it merely impossible for anyone – themselves included – to do their job. But Bardot knows them, too well, and gives them what they want, when she wants it.
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The Tempest (Derek Jarman, 1979)
Jul
28
Local nightlife: people dancing or at a show*
“Don't know why
There's no sun up in the sky
Stormy weather
Since my man and I ain't together
Keeps raining all of the time
Oh, yeah
Life is bad
Gloom and misery everywhere
Stormy weather, stormy weather
And I just can get my poor self together
Oh, I'm weary all of the time
The time, so weary all of the time
When he went away
The blues walked in and met me
Oh, yeah if he stays away
Old rocking chair's gonna get me
All I do is pray
The Lord will let me
Walk in the sun once more
Oh, I can't go on, can't go on, can't go on
Everything I have is gone
Stormy weather, stormy weather
Since my man and I, me and my daddy ain't together
Keeps raining all of the time
Oh, oh, keeps raining all of the time
Oh, yeah, yeah, yeah raining all of the time
Stormy stormy
Stormy weather
Yeah”
– Elisabeth Welch, Stormy Weather (Harold Arlen & Ted Koehler, 1933)
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Sommaren med Monika [Summer with Monika] (Ingmar Bergman, 1953)
Jul
27
Monika (Harriet Andersson) and Harry (Lars Ekborg) rest in each other's arms. DP: Gunnar Fischer, still photography by Louis Huch.
Someone naps or sleeps*
“I guess we like each other a lot, huh?”
– Monika Eriksson