settima

@settima@zirk.us

Night Has a Thousand Eyes (John Farrow, 1948)

Aug

3

Night Has a Thousand Eyes (1948)

Mentalist John Triton (Edward G. Robinson, middle) and two of his conspirators. DP: John F. Seitz.

A continuity error later on in the movie makes it August 4.

“I'd become a sort of a reverse zombie. I was living in a world already dead, and I alone knowing it.”

– John Triton

Mitt hem är Copacabana [My Home Is Copacabana] (Arne Sucksdorff, 1965)

Aug

2

Mitt hem är Copacabana (1965)

The favela children on the beach, playing with kites and mingling with the rich kids. DP: Arne Sucksdorff.

A kite in celebration of 浜松まつり, the Hamamatsu Kite Festival, which takes place on May 3–5*

 

Favela kids steal kites and sell them on in this Copacabana-set Nordic drama.

 

Toninho Carlos de Lima, Rico in the movie, was not a homeless kid from the favelas but lived in a house with his family when he was send to Sweden to promote Mitt hem är Copacabana. A wealthy Swedish couple offered to adopt him, and his natural mother reluctantly gave in hoping to prevent a life of crime for her son (source). That too, dear reader, is colonialism.

 

Viskningar och rop [Cries and Whispers] (Ingmar Bergman, 1972)

Aug

1

red

Viskningar och rop (1972)

The three sisters in the red room (via). DP: Sven Nykvist.

Red: a building or structure*

“It's just a dream, Agnes.”

– Anna

Red as an expression of inner and outer worlds. Even the scene transitions are red.

 

White Woman (Stuart Walker, 1933)

Aug

1

White Woman (1933)

Horace H. Prin (Laughton) and Judith Denning (Lombard) in a promotional photo. DP: Harry Fischbeck.

“You'll go under like all the others.”

– Judith Denning

Menschen am Sonntag [People on Sunday, a Film Without Actors] (Robert Siodmak, Edgar G. Ulmer, Rochus Gliese, Curt Siodmak + Fred Zinnemann, 1929)

Jul

31

Menschen am Sonntag (1929)

Brigitte Borchert savours her Sunday. The workweek is still lightyears away (via). DP: Eugen Schüfftan.

Someone goes to work*

“Du, Wolf, nächsten Sonntag — ?”

– title card

Berliners rest on Sunday, we still do. People lounge in the many parks, and on the shores of the city's many lakes. And then, it's Monday.

 

Released in 1929, according to Atlas Film, who restored this important Weimar classic long before Criterion put their grubby hands on it.

 

Το κορίτσι με τα μαύρα [To koritsi me ta mavra / A Girl in Black] (Mihalis Kakogiannis, 1956)

Jul

30

To koritsi me ta mavra (1956)

Marina (Ellie Lambeti) in the port of Hydra. DP: Walter Lassally.

Someone is sad, or cries*

 

A wealthy Athenian writer on holiday on Hydra falls for the morose Marina (Ellie Lambeti), one of the daughters of his widowed innkeeper, causing disruption in the close-knit island community.

 

Gli intoccabili [Machine Gun McCain] (Giuliano Montaldo, 1969)

Jul

30

1968

Gli intoccabili (1969)

Man's hands hold up the July 30, 1968 San Francisco Chronicle. The headline reads GANGLAND FEUD EXPLODES: TWO CUT DOWN BY MACHINE GUN. It's a Tuesday. DP: Erico Menczer.

“It's a lot of work, ya know, just staying alive.”

– Rosemary Scott

Paparazzi (Jacques Rozier, 1963/1964)

Jul

29

Paparazzi (1964)

Brigitte Bardot and her co-star Michel Piccoli making a show of ascending the stairs of Casa Malaparte as seen through a paparazzo's lens. DP: Maurice Perrimond.

A character has a camera or takes photos*

 

It buzzes on the set of Le mépris. These mosquitos, the Italians say paparazzi, swarm La Bardot and making it merely impossible for anyone – themselves included – to do their job. But Bardot knows them, too well, and gives them what they want, when she wants it.

 

The Tempest (Derek Jarman, 1979)

Jul

28

The Tempest (1979)

Sailors dancing in a room wildly decorated with guirlandes and flowers (via). DP: Peter Middleton.

Local nightlife: people dancing or at a show*

“Don't know why There's no sun up in the sky Stormy weather Since my man and I ain't together Keeps raining all of the time

Oh, yeah Life is bad Gloom and misery everywhere Stormy weather, stormy weather And I just can get my poor self together Oh, I'm weary all of the time The time, so weary all of the time

When he went away The blues walked in and met me Oh, yeah if he stays away Old rocking chair's gonna get me All I do is pray The Lord will let me Walk in the sun once more

Oh, I can't go on, can't go on, can't go on Everything I have is gone Stormy weather, stormy weather Since my man and I, me and my daddy ain't together Keeps raining all of the time Oh, oh, keeps raining all of the time Oh, yeah, yeah, yeah raining all of the time Stormy stormy Stormy weather Yeah”

– Elisabeth Welch, Stormy Weather (Harold Arlen & Ted Koehler, 1933)

A radiant Goddess (Elisabeth Welch) performs the torch song Stormy Weather. Enchanted sailors dance.

 

Sommaren med Monika [Summer with Monika] (Ingmar Bergman, 1953)

Jul

27

Sommaren med Monika (1953)

Monika (Harriet Andersson) and Harry (Lars Ekborg) rest in each other's arms. DP: Gunnar Fischer, still photography by Louis Huch.

Someone naps or sleeps*

“I guess we like each other a lot, huh?”

– Monika Eriksson