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Le tombeau d'Alexandre [The Last Bolshevik] (Chris Marker, 1993)
Feb
25
Warsaw Pact
Still from a Medvedkin film. Silhouettes in light of Lenin and Stalin facing each other are projected above a crowd of people. DP of Le tombeau d'Alexandre: Chris Marker.
“Alexandre Ivanovitch Medvedkine est le seul cinéaste russe né en 1900. (…) Son énergie, son courage, ses illusions, ses désillusions, ses compromissions, ses bagarres avec les bureaucrates, ses illuminations prophétiques, ses aveuglements, volontaires ou non, son humour indestructible et la lumière déchirante que l’effondrement de l’URSS jette rétrospectivement sur toute sa vie, ce sont ceux de toute une génération, et c’est le portrait de cette génération que j’entends tracer à travers le portrait d’un ami.”
– press kit (via)
A film essay using the life and work of filmmaker Aleksandr Medvedkin to tell the story of communism. Medvedkin traveled the Soviet Union with his Kinopoezd or Cinetrain (also Agit-train), a moving film production train with the sole purpose to create Agitprop while documenting the Five Year Plan.
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Have I Told You Lately That I Love You? (Stuart Hamisch, 1958)
Feb
24
technology
Straight after dinner, the child returns to his teevee while his mother stands silently in the doorway.
A film about technology on what would've been Steve Jobs' 70th birthday
“The most precious thing that we all have with us, is time.”
– Steve Jobs
A nuclear family goes about their machine-driven day while slowly forgetting to communicate.
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Trash (Paul Morrissey, 1970)
Feb
23
freebie: Paul Morrissey born
Freebie: Paul Morrissey born (1938 – 2024)
“Just because people throw it out and don't have any use for it, doesn't mean it's garbage.”
– Holly
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Unsere Afrikareise [Our Trip to Africa] (Peter Kubelka, 1966)
Feb
22
National Wildlife Day
Wild animals for this year's first National Wildlife Day (USA). A second one is on September 4.
“For me, Afrikareise is, in its own genre, the most intense sound film that exists. Sound and images are in synch like in nature (even if it isn’t about the natural sound of something). The sound becomes the acoustic portrait of the visual action.”
– Peter Kubelka, via
Commissioned to film a rich Austrian couple's hunting trip, Kubelka sat on the material for several years before editing it in something more than the sum of its parts.
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Laukaus tehtaalla [A Shot in the Factory] (Erkko Kivikoski, 1973)
Feb
21
Nixon goes to China
Workers and bosses negotiate the situation. DP: Esko Nevalainen.
The killing of the factory's boss by one of the workers leads to endless negotiations between the two parties.
Shot in cinéma vérité style, with a mostly amateur cast, Laukaus tehtaalla mirrors the working classes' insecurity caused by the 1973 energy crisis in more ways than one.
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猫と庄造と二人のをんな [Neko to Shōzō to futari no onna / A Cat, Shozo, and Two Women] (Shirō Toyoda, 1956)
Feb
20
Love Your Pet Day
Shōzō (Hisaya Morishige) on the beach with his beloved cat Lily. DP: Mitsuo Miura.
Someone owns a pet on Love Your Pet Day.
“I'm sharing my husband with a cat. This is humiliating!”
– Nakajima
Shōzō is torn between his ex-wife and his current spouse, but really just wants to spend time with Lily, his cat.
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Murders in the Zoo (A. Edward Sutherland, 1933)
Feb
20
A couple walks into a room, only to discover a lifeless man and a headless snake. DP: Ernest Haller.
“You don't think I sat there all evening with an eight-foot mamba in my pocket?”
– Eric Gorman
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Der große Verhau [The Big Mess] (Alexander Kluge, 1971)
Feb
19
Copernicus born
Space ships made out of all sorts of junk pass a moon. DPs: Thomas Mauch & Alfred Tichawsky.
A film about outer space for Nicolaus Copernicus' birthday (1473).
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Les abysses [The Depths] (Nikos Papatakis, 1963)
Feb
18
pancakes
Michèle and Marie-Louise (real-life sisters Francine and Colette Bergé) as the real-life Papin sisters prepare crêpes for Monsieur. DP: Jean-Michel Boussaguet.
– Why are we making pancakes?
– Monsieur likes them. Besides, what else is there?
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Sebastiane (Paul Humfress + Derek Jarman, 1976)
Feb
18
Pluto Day
Sebastian (Leonardo Treviglio) sits on a rock in a barren landscape. Two men in the distance, and a sheep, all have their backs turned to him. DP: Peter Middleton.
“His body is golden like molten gold. This hand of his… will smooth away these wounds. Justin, he is as beautiful as the sun. This sun which caresses me… is his burning desire. He is Phoebus Apollo. The sun… is his… burning kiss.”
– Sebastian
Sebastian, member of the Emperor's personal guard, is exiled after an incident. He finds himself on a rocky outpost, and the object of the other men's lust. One of them – a centurion rejected by the Christian boy – subjects Sebastian to torture and eventually lifts him up martyrdom.