settima

@settima@zirk.us

El escapulario [The Scapular] (Servando González, 1968)

Nov

20

El escapulario (1968)

Padre Andrés (Enrique Aguilar). DP: Gabriel Figueroa.

Shoot (Barbara Burden, 1971)

Nov

19

1971

Shoot (1971)

Dunlap aiming at Burden at F Space, Santa Ana, California (via). DP: Barbara Burden.

“At 7:45 p.m. I was shot in the left arm by a friend.”

– Chris Burden

Women in Love (Ken Russell, 1969)

Nov

18

Women in Love (1969)

Bates and Reed in post-jostle bliss, bathing in the fireplace's glow (via). DP: Billy Williams.

A memorable fire or fireplace scene*

“Oh, my God, Gerald! Shall I die?”

– Gudrun Brangwen

Oddly, one barely remembers the fireplace.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

18

1936

Mix-Up ou Meli-melo (1986)

Mother and daughter in one of the surreal reenactment scenes. DP: Emile Navarro.

A bit – occasionally a lot – Greenaway without the room for interpretation. Lovely though and impossible to make in this overly self-aware selfie universe.

Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind [We Who Dwell in the Mountains Cannot Be Blamed for Being There] (Fredi M. Murer, 1974)

Nov

17

Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind (1974)

A mountain man smokes his pipe, accompanied by a sow and a toddler in a wooden playpen. The Alps are all around them (via). DP: Iwan P. Schumacher.

A movie set in the woods or mountains*

“Anderntags hat man sofort getauft, weil jede Mutter lieber ein «Gotteskindli» auf die Arme nahm.”

– Gisler-Arnold Babette, midwife (via)

Murer describes the people from Switzerland's gorges in three movements, along the lines of a symphony

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

The Walking Dead (Michael Curtiz, 1936)

Nov

16

The Walking Dead (1936)

John Ellman (Karloff), dead man walking. DP: Hal Mohr.

“You take away my life and offer me a favor in return. That's what I call a 'bargain'.”

– John Ellman

The Big Combo (Joseph H. Lewis, 1955)

Nov

15

1946

The Big Combo (1955)

A man's hand holds up a photo negative of a black-and-white picture, showing two men and a woman, and the date 11-15-46 underneath. DP: John Alton.

“I'm trying to run an impersonal business. Killing is very personal. Once it gets started, it's hard to stop.”

– Mr. Brown

Requiem for a Village (David Gladwell, 1975)

Nov

14

Requiem for a Village (1975)

The wedding's party revellers sing. DP: Bruce Parsons.

A movie about community*

“Early one morning, just as the sun was rising, I heard a maid sing in the valley below; ‘O don’t deceive me, O never leave me! How could you use a poor maiden so?”

Early one morning, via

A sort of Wicker Man visits Mon oncle, this painting of an old England is. Painter filmmaker David Gladwell's impressionist work takes us to a small Suffolk community that, like all other communities, is both frozen in time and unable to escape its progression. The churchyard's caretaker, amongst the living and the dead, watches, works, and knows.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

E tanta paura [Plot of Fear] (Paolo Cavara, 1976)

Nov

14

1975

spoiler warning: click to toggle image E tanta paura (1976)

Two newspaper clippings in a scrapbook, one of them with the date November 14. DP: Franco Di Giacomo.

 

하녀 [Hanyeo / The Housemaid] (Kim Ki-young, 1960)

Nov

13

Hanyeo (1960)

Adding one more ingredient. DP: Deok-jin Kim.

A memorable kitchen or cooking scene*

“Look at us. We're almost totally dependent on our maid. She cooks and washes for us, and is the first person to greet me when I come home from work. She is entirely at our service.”

– Dong-sik Kim

A housemaid works her way into a middle-class household and takes over the wife's tasks – cleaning, cooking, child rearing.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.