settima

@settima@zirk.us

Accidente 703 [Los culpables] (José María Forqué, 1962)

Dec

21

Accidente 703 (1962)

A darkened room. People take care of a man slumped on a coach. A wall calendar tells us it's the 21st. DP: Juan Mariné.

Santa and the Ice Cream Bunny (Richard Winer + Barry Mahon, 1972)

Dec

20

Santa and the Ice Cream Bunny (1972)

A bunch of screaming children on top of a red firetruck stand right behind the driver, a stoic person in a pink bunny costume. DPs: William Tobin & Richard Winer.

“What is that? What is that I hear? Where's it coming from? I hear a siren, but I don't see any fire, I don't see any smoke. Whenever there's a siren, it means there's a fire, but I don't see any smoke. That siren. Where is it coming from? Where's that sound coming from?”

– Santa Claus

Le voyage dans la lune [A Trip to the Moon] (Georges Méliès, 1902)

Dec

19

Apollo 17

Le voyage dans la lune (1902)

A gif from the hand-coloured edition that is now in the Filmoteca de Catalunya. Poor Mister Moon has the adventures' rocket stuck in his eye. DPs: Théophile Michault & Lucien Tainguy.

The Moon (any moon) to commemorate the end of the final man-manned moon landing.

“Laugh, my friends. Laugh with me, laugh for me, because I dream for you.”

– Georges Méliès, 1937

In true Méliès style, a wild menagerie of showgirls and scientists meet on the Moon in this groundbreaking sci-fi spectacle.

Le pacha [Pasha / Showdown] (Georges Lautner, 1968)

Dec

19

Le pacha (1968)

Jean Gabin and Dany Carrel in a still on the cover of Serge Gainsbourg's Requiem pour un con 7” (via). DP: Maurice Fellous.

“Écoute les orgues Elles jouent pour toi Il est terrible, cet air-là J'espère que tu aimes C'est assez beau, non ? C'est le requiem pour un con”

– Serge Gainsbourg, Requiem pour un con (1968)

Children's Party (Joseph Cornell, c. 1938/1969)

Dec

18

Las Posadas

Children's Party (1938)

Exuberant dancers at the children's party.

A festive child for Las Posadas

“Shadow boxes become poetic theaters or settings wherein are metamorphosed the element of a childhood pastime.”

– Joseph Cornell

Children of all ages are entertained by a menagerie of dancers, acrobats, talented fauna and bobbing apples in this exhilarating found-footage party. Part of The Children's Trilogy, together with Cotillion (c. 1938/1969) and The Midnight Party (c. 1938/1969).

Wojna Światów – Następne Stulecie [The War of the Worlds: Next Century] (Piotr Szulkin, 1981)

Dec

18

1999

Wojna Światów - Następne Stulecie (1981)

Reporter Iron Idem (Roman Wilhelmi) bringing the news. DP: Zygmunt Samosiuk.

The Automatic Motorist (Walter R. Booth, 1911)

Dec

17

Saturnalia

The Automatic Motorist (1911)

While on the ringed planet, they pick up a cop to save him from spear-wielding rascals, but he elopes with the planet's fairy. Look at those lovebirds on the rings of Saturn!

A planet with rings for Saturnalia

 

Two lovely newlyweds and their robot chauffeur take a trip to Saturn for their honeymoon, followed by a jolly ride under the sea. A remake of Booth's own The '?' Motorist from 1906.

L'Atalante (Jean Vigo, 1934)

Dec

16

on a river

L'Atalante (1934)

Juliette (Dita Parlo) in her bridal dress walks the cover of her husband's river barge L'Atalante. A steam barge putputs by (via). DP: Boris Kaufman.

Set on a river*

Jean: Are you bored? Juliette: Oh, no. Jean: Don't worry. There'll be places to see. Juliette: Riverbanks.

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

祇園囃子 [Gion bayashi / Gion Festival Music] (Kenji Mizoguchi, 1953)

Dec

15

Gion bayashi (1953)

Studying the tea ceremony, accompanied by director Mizoguchi (via). DP: Kazuo Miyagawa.

Having tea*

“A geisha’s lie is not a real lie. It’s a cornerstone of our profession.”

– Miyoharu

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

The Last Broadcast (Stefan Avalos + Lance Weiler, 1998)

Dec

15

1995

The Last Broadcast (1998)

An anxious looking camera man in the woods on grainy VHS stock. DP: Lance Weiler.

“At 10 PM, in what will be the last broadcast, Fact or Fiction goes live.”

– David Leigh, the filmmaker