settima

@settima@zirk.us

Sommaren med Monika [Summer with Monika] (Ingmar Bergman, 1953)

Jul

27

Sommaren med Monika (1953)

Monika (Harriet Andersson) and Harry (Lars Ekborg) rest in each other's arms. DP: Gunnar Fischer, still photography by Louis Huch.

Someone naps or sleeps*

“I guess we like each other a lot, huh?”

– Monika Eriksson

Il sorpasso [The Easy Life] (Dino Risi, 1962)

Jul

26

a boys' night out

Il sorpasso (1962)

Bruno (Gassman) and Roberto (Trintignant) driving along Italy in their sports car (via). DP: Alfio Contini.

A boys' night out: men having fun on their own*

“Bruno, I've spent the best two days of my life with you… I mean it!”

– Roberto Mariani

Serious law student Roberto (Jean-Louis Trintignant) goes on an accidental road trip with bon vivant Bruno (Vittorio Gassman).

 

Sedmikrásky [Daisies] (Věra Chytilová, 1966)

Jul

25

a girls' night out

Sedmikrásky (1966)

Marie I and Marie II (Jitka Cerhová and Ivana Karbanová respectively) having a heck of a time. DP: Jaroslav Kučera.

A girls' night out: women having fun on their own[???]*

Marie II: “But I'm happy.” Marie I: “I'm so happy, too.”

Two young women called Marie pull destructive, anarchist pranks.

 

Dillinger è morto [Dillinger Is Dead] (Marco Ferreri, 1969)

Jul

25

1934

Dillinger è morto (1969)

Glauco (Michel Piccoli) reading the July 25, 1934 Chicago Daily Tribune that he found in the pantry. The headline states CLEAR UP DILLINGER MYSTERY. DP: Mario Vulpiani.

Les trois couronnes du matelot [Three Crowns of the Sailor] (Raúl Ruiz, 1983)

Jul

25

1958

Les trois couronnes du matelot (1983)

Prostitute María (Nadège Clair) sitting on her bed. The bed is covered in dolls. DP: Sacha Vierny.

“On the night of July 25, 1958 I killed Ladislaw Zukarevitch, antique dealer, my mentor, my master in the art of polishing diamonds, my tutor at Warsaw Theological School.”

– the student

Estate violenta [Violent Summer] (Valerio Zurlini, 1959)

Jul

25

1943

Estate violenta (1959)

A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.

 

簪​ [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)

Jul

24

relaxation

簪 (1941)

Men relaxing at a roten-buro, an outdoor onsen. DP: Suketarō Inokai.

Someone goes to a spa, beach, or retreat*

“There’s something almost poetic about finding a hairpin in the bath. It’s like the sole of my foot has been pierced by poetry.”

– Nanmura, via

Relaxing at an onsen, a soldier steps on the titular kanzashi. Now injured with too much time on his hands, he and his fellow nosy patrons go out looking for its owner.

 

Vysoká zeď [The High Wall] (Karel Kachyňa, 1964)

Jul

23

Vysoká zeď (1964)

The young man (Vít Olmer) rests in the sun with Jitka (Radka Dulíková) observing him. DP: Josef Vaniš.

Someone is in an ambulance or hospital*

“We still remember our high wall. Even the day we first climbed it, filled with curiosity. The sadness of the discoveries of those years seemed devastating to us. Then we wondered how we could have forgotten it so suddenly.”

– prologue

It's summer in Prague. Jitka, a girl on the cusp of womanhood, follows a stray cat and finds a tall hospital wall. Behind it, a young man in a wheelchair rests. The girl and the man connect.

 

L'argent [Money] (Robert Bresson, 1983)

Jul

22

L'argent (1983)

A man at an ATM holds on to a Visa credit card with tweezers. DPs: Pasqualino De Santis & Emmanuel Machuel.

Everything's expensive: someone is a at bank or ATM*

 

La grande bouffe (Marco Ferreri, 1973)

Jul

21

La grande bouffe (1973)

Andréa Ferréol in a promotional photo. Food styling by actor/food writer Giuseppe Maffioli, DP: Mario Vulpiani.

A character pigging out*

“The most revolting film I have ever seen”

– Mary Whitehouse, via

Four hedonistic gourmands throw a party of the flesh, of meat, of lust, and death.