settima

@settima@zirk.us

Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)

Mar

30

Supermarkt (1974)

Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano.

Die Patriotin [The Patriotic Woman] (Alexander Kluge, 1979)

Mar

29

秦始皇兵马俑

Die Patriotin (1979)

Teacher Gabi Teichert (Hannelore Hoger), knee-deep in a puddle with a shovel, inspecting a find. DPs: Guenter Hoermann, Werner Lüring, Thomas Mauch & Jörg Schmidt-Reitwein.

Something buried: discovery of the Terracotta Army on March 29, 1974

 

A German history teacher, unhappy with the standardised history textbooks she has to work with, literally digs up her nation's past and sees how it is reflected in modern society.

Rosalie et son phonographe [Rosalie and Her Phonograph] (Romeo Bosetti, 1911)

Mar

28

Something-on-a-Stick Day

Rosalie et son phonographe (1911)

Rosalie (Sarah Duhamel) dances to her new phonograph. Duhamel makes eye contact with the viewer throughout the film, and even formally introduces herself during the intro.

A laugh out loud scene for Something on a Stick Day (USA)

 

Bonsoir. Je m'appelle Rosalie!

 

Rosalie (the wonderful Sarah Duhamel) buys herself a phonograph and is delighted by the wonders it brings. Quick, the whole household should know!

 

Not only the obvious moments (no spoilers here), but the small, seemingly improvised bits is what makes Rosalie stand out above American productions of the time – with the exception of Roscoe Arbuckle's; his water bucket pun in His Wife's Mistakes (1916) still has me in stitches.

 

Duhamel makes great use of her physique, and doesn't shy away from looking inelegant, boorish even. Her hips are for pushing things and men out of her way, and her mighty paws easily toss any unwieldy piece of furniture out of the window.

 

Like Rosalie's irresistible gusto and her delightful ditties, the combination of Duhamel's physical comedy and (former #vaudeville-ian) Bosetti's Italian-flavoured slapstick, plus some of the best stop-motion trickery I've ever seen, is simply magical.

Paris, Texas (Wim Wenders, 1984)

Mar

27

94th Academy Awards

Paris, Texas (1984)

Travis (Harry Dean Stanton) wandering the desert. DP: Robby Müller.

A film that I wish would have won the Academy Award for Best Picture in honour of the 94th Academy Awards (2022).

“The Dust has come to stay. You may stay or pass on through or whatever.”

– gas station sign

The Gruesome Twosome (Herschell Gordon Lewis, 1967)

Mar

27

1967

The Gruesome Twosome (1967)

The March 27, 1967 newspaper headlining CAMPUS PUZZLED! and GIRLS VANISH and FATE STILL A MYSTERY. It's Monday. DP: Roy Collodi.

Sisters [Blood Sisters] (Brian De Palma, 1972)

Mar

27

Sisters (1972)

Danielle and Dominique Blanchion (Margot Kidder) – one beaming one gloomy – wearing bathing suits. In the background, Emil Breton (William Finley) in a therapy pool – fully clothed – with a woman and small child. DP: Gregory Sandor.

“Did you know that the germs can come through the wires? I never call and I never answer. It's a good way to get sick. Very, very sick… That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!”

ドキュメント 路上 [Document Rojo / On the Road: The Document] (Noriaki Tsuchimoto, 1964)

Mar

26

Road Traffic Act 1934

ドキュメント 路上 (1964)

A look from a Tokyo cab driver's perspective. We see the dashboard, heavy trucks ahead, and behind, and the reflection of the driver in his rearview mirror. DP: Tatsuo Suzuki.

Bad drivers: the start of compulsory driving tests in the UK was established on March 26, 1934* with the Road Traffic Act.

“This film portrays the traffic war that goes on every day. — Tokyo, 1964”

– opening title

*I find no solid proof to support this statement

Ludwig (Luchino Visconti, 1973)

Mar

25

Elton John – 1947

Ludwig (1973)

Elisabeth “Sissi” of Austria (Romy Schneider) and King Ludwig II of Bavaria (Helmut Berger) in his beloved Venus Grotto below Schloss Linderhoff. Ludwig wanted blue light in reference to the Grotta Azzurra in #Capri, and had electricity installed in the grotto, which was the first usage of electricity in Austria. DP: Armando Nannuzzi.

A flamboyant character for Elton John’s birthday (1947).

“I want to remain an enigma forever. To others, and also to myself.”

– Ludwig II

Mr. Freedom (William Klein, 1968)

Mar

23

freebie: liberty

Mr. Freedom (1968)

Mr. Freedom (John Abbey) in his American football outfit carries Marie-Madeleine (Delphine Seyrig) is his muscular manly arms. Tagline: OH! OHHH! MR. FREEDOM! YOU KILL ME. DP: Pierre Lhomme.

Freebie: “Give me liberty or give me death!” (Patrick Henry, March 23, 1775)

“F-R-double-E-D, D-O-M spells Freedom! We fight for freedom, for one and for all! It's you-and-me-dom, and ten foot tall! Freedom, freedom, and oh-can-you-see-dom, we'll always beat 'em with star-spangled freedom!”

– Mr. Freedom singing his theme song

200 Motels (Tony Palmer + Frank Zappa, 1971)

Mar

23

200 Motels (1971)

Ringo Starr dressed up like Frank Zappa, with Frank Zappa dressed up like Frank Zappa in the background. Both wear identical blue jeans and turtleneck sweaters and sport the same shoulder-length hairstyle and moustache/goatee combination. DP: Tony Palmer.

I'm sure the people at home would be interested to know why such a large force as you is all dressed up like Frank Zappa. Tell us Larry, whats the deal?

– Rance Muhammitz speaking to Larry The Dwarf