settima

@settima@mograph.social

Corridor of Mirrors (Terence Young, 1948)

Sep

3

Corridor of Mirrors (1948)

Mifanwy (Edana Romney) anachronistically smoking a cigarette. DP: André Thomas.

Taxi zum Klo (Frank Ripploh, 1980)

Sep

2

Christa McAuliffe 1948 – 1986

Taxi zum Klo (1980)

Frank (Frank Ripploh) teaching kids about the human body on an anatomy dummy. DP: Horst Schier.

A teacher for what would have been Christa McAuliffe's birthday.

“Ich mag Männer, bin 30 Jahre alt, von Beruf Lehrer.”

– Frank Ripploh

Frank Ripploh is a sexual ethics and biology teacher by day, and hedonistic gay man and aspiring pornographer by night. When Frank Ripploh, the man, publicly came out in 1978 in the tabloid Stern, he lost his teaching job and did become that filmmaker. Taxi zum Klo – litt. taxi to the john/loo – is his story. A frank pre-AIDS pre-Internet pre-victimhood depiction of male gay culture in West Germany. Maybe raw, possibly misogynist, definitely true to life.

Red [The Red Half-Breed / Red the Half Breed] (Gilles Carle, 1970)

Sep

2

Red (1970)

A counter at a Québécois branch of the Banque de Montréal – oddly enough using its English-language name. A wall calender reads September 2. DP: Bernard Chentrier.

Endişe [Anxiety] (Yılmaz Güney + Şerif Gören, 1974)

Sep

1

Labor Day

Endişe (1974)

A Kurdish worker in the cotton fields. She looks straight into the camera while two others continue their work. DP: Kenan Ormanlar.

The Industrial Revolution, or unions, for Labor Day (USA)

 

Kurdish seasonal cotton pickers fear losing their job when mechanisation is preferred by their overseers. While unionising, Cevher, one of the workers – tries to stay out of the hands of his enemies, who want him because of a blood feud.

Человечка нарисовал я [Chelovechka narisoval ya / It Was I Who Drew the Little Man] (Valentin Lalayants, Zinaida Brumberg + Valentina Brumberg, 1960)

Sep

1

День знаний

Человечка нарисовал я (1960)

Mesmerised schoolboy Fedya holds up a huge bubble. DP: Elena Petrova.

On September 1, also known as Knowledge Day (День знаний) in Russia, an enthusiastic schoolboy draws a little man on the classroom wall, and causes a whole lot of trouble.

 

Happy End (Oldřich Lipský, 1967)

Sep

1

1889

Happy End (1967)

Butcher Bedřich Frydrych (Oldřich Lipský), born September 1, 1889 in Trumberk. DP: Vladimír Novotný.

Mon oncle (Jacques Tati, 1958)

Aug

29

Mon oncle (1958)

Mr Hulot and three women enjoy an outdoor lunch in Villa Arpel's concrete backyard. A woman in furs laughs heartily, head thrown back, with Hulot looking into her open mouth, halting a woman reaching for a carafe mid-movement. The third woman, in an avant-garde Eastmancolor-red poncho, calmly smokes through her cigarette holder. DP: Jean Bourgoin.

 

Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)

Aug

29

grey

Mon oncle (1958)
Koolhaas Houselife (2008)

A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.

[A favourite] colour: grey*

 

Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).

– A house like yours must be such a job! – Oh, a leaf! Ah, yes it's a chore. – Admit it, you love it.

In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.

 

Bed Peace [John and Yoko: The Bed-In] (John Lennon + Yoko Ono, 1969)

Aug

27

white

Bed Peace (1969)

John and Yoko in their bed, dressed in all-white, framed by flowers. DP: Nicholas D. Knowland.

White, in food or fashion*

“Remember love, remember love Love is what it takes to dream”

– Yoko Ono, Remember Love (1969)

While the press expected the newlyweds' “bed-in” to be a scandalous nude affair, the two lovers showed up in all-white – like angels, as John put it. Surrounded by journalists and friends, John and Yoko imaged peace.

 

Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)

Aug

24

black

Les Vampires (1915)

A signed promotional photograph of Irma Vep (Musidora) in her iconic black catsuit. DPs: Georges Guérin & Manichoux.

Black, in food or fashion*

“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”

– Musidora

Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.