A Gen X-er, I grew up in a completely different world where so many films and TV that kids watched – if watched with today's eyes — were not particularly kid-oriented at all. I fondly remember Monty Python and the Holy Grail (1975) and reenacting the Black Knight scene in the school grounds. Yul Brynner as a faceless, rampaging cyber cowboy in Westworld (1973)? Sure, bring it on! Not that the official kid's movies were “clean”. Did you spot the chicken decapitation in Willy Wonka & the Chocolate Factory (1971)? Well, you will now.

“Once upon a time, or maybe twice, there was an unearthly paradise called Pepperland. 80,000 leagues beneath the sea it lay, or lie. I'm not too sure.”

– narrator

Alright, I'll keep it clean and suggest a dose of Yellow Submarine. A fantastic adventure starring The #Beatles (well, their likeness mostly) who are summoned to save utopian, music-loving #Pepperland from the music-hating Blue Meanies. Trippy fun, and lots to discover the older you get.

“The Kola Loka is the law!”

– Limonádový Joe

Hitman Jef Costello (Alain Delon) coolly drives a #Citroën DS 21 to his garagiste (André Salgues), who routinely switches the license plates in a beautifully wordless, efficiently lit scene.

“I never lose. Never really.”

In Mayan worldview, mortals move along the horizontal, gods along the vertical plane. A boy travels both worlds, united by music and wonder.

 

Juanito, a #Mixquic boy with hypersensitive hearing, finds solace from the hustle of #MexicoCity in the silence of the chinampas – the pre-Hispanic man-made agricultural plots in lake #Xochimilco. There he plays his cardboard fiddle for the nature around him, until the sound from a real violin reaches him. The violinist, an old hermit who lives on one of the chinampas, takes the boy in and teaches him how to master Yanco, his hand-built instrument. When the man dies, the boy goes out at night to be able to play Yanco. In a changing world where the living and the dead used to naturally cross paths, the strings stir different to some.

 

The #Nahuatl film Yanco is a small cinematic miracle that begs for a beautiful restoration akin to how Govindan Aravindan's കുമ്മാട്ടി [Kummatty] (1979) opened up the world to indigenous filmmaking.

Part of the never-realised #SuperStar-studded The Poor Little Rich Girl Saga, #Warhol's Afternoon documents a day in the life of doomed socialite Edie Sedgwick. Miss Sedgwick and her entourage (Ondine, Dorothy Dean, Arthur Loeb, and Donald Lyons) spend an afternoon at #Edie's place. The superstars, the bored and the beautiful, chat, drink and do drugs.

“Isn’t it wonderful that we can be just friends?”

Jōhatsu, literally “evaporation” is the Japanese term for people disappearing without a trace. Salesman Tadashi Oshima is one of them. Director Shōhei Imamura, together with Oshima's fiancé Yoshie Hayakawa and actor Shigeru Tsuyuguchi created an investigative documentary that looks into this man, his motives, his possible whereabouts, and the others that are gone.

 

人間蒸発 is a fascinating exploration of aspects of 1960s Japanese society that make jōhatsu distinct from similar phenomena elsewhere.

#Sisters Ester and Anna arrive with Anna's son Johan in the small Central European town of Timoka. The country verges on the brink of war. Unwell Ester is confined to her hotel room, Anna roams Timoka's establishments, Johan wanders the hotel corridors.

“You need to watch your step among all the ghosts and memories.”

– Ester

It's hard to watch #Bergman's Tystnaden without #StanleyKubrick's ghosts sidling in. Tystnaden however doesn't need consternation to cause dread. The interaction and lack thereof between the three leads and the few extras translate into something merely tangible and evermore frightful.

Warren Beatty plays Mickey, a #StandUpComedian who has it all, then gambles it all away. Well, that's the first 5 minutes of Arthur Penn's Mickey One. Beatty is out of his element, and the movie's still too indebted to the cheery 60s to carry that New American Cinema grit.

“I'm the king of the silent pictures. I'm hiding out till talkies blow over.”

– Mickey One

Having said that, there are several great small surreal moments that are carried by uncredited character actors alone. And then there's a sole spotlight, stealing it all away.

A scandal, that's what it was! In the late 1960s, Peter Fleischmann picked the picturesque Catholic village of #Landshut as the backdrop for Jagdszenen aus #Niederbayern, the film adaptation of Martin Sperr's #TheatrePlay with the same name.

 

A young man named Abram – played by Sperr – returns to his family village. Soon the townspeople's thorns move from the in their eyes other disgraceful villagers to the much-needed mechanic.

“Ich habe ihn halb tot geschlagen, ich schwör's. Ich kann nichts dafür, dass eine Drecksau draus geworden ist.”

Where did he return from? He was in prison. What for? For being a homosexual. He's a Drecksau (a filthy pig), his mother says. The village whore can't turn him around. A sow is slaughtered in real time in celebration of a successful #harvest and plans for the town's future are forged.

 

While created when West Germany's #Paragrafen175 was in place [1872–1994], illegality of same-sex relations], the homosexual aspect wasn't the main cause of the outrage. Some of the Landshutter villagers who played alongside the professional actors felt they were depicted as being backwards. This isn't a movie about hunting, sigted some. Lifting the veil of the prevalence of, a #Fernweh in a sense, that Germany (hush) was another.

 

Catholic Mass is a theatrical re-enactment of the life and suffering of the son of God. When rites outstay their meaning, when invocations turn routine, the worshippers lose sight.

The one that got bombed by Strangelove.

“You're talking about a different kind of war.”

– General Stark

Both Lumet's Fail Safe and #Kubrick's #ColdWar comedy came out in 1964, right after the #CubaCrisis. The world was awash with the realisation that the bomb, The Bomb, wasn't merely proverbial flexing. And when crisis happens, there are two options. One is to laugh, the other is to grasp. Sadly for Lumet, and the world, his Fail Safe was released while everyone was still too busy chuckling.