“Thus, I do not see what use there is in those mills of the gods said to grind so late as to render punishment hard to be recognized, and to make wickedness fearless”

– Plutarch, Moralia (1 A.D.)

“Hitching at this hour.”

Feeling rather peckish.

“Are the birds gonna eat us, Mommy?”

Set in 1950s Calcutta, মহানগর is a story of emancipation in a changing society. Arati (Madhavi Mukherjee) is a housewife from a traditionalist family, who – in order to support her relatives' lavish demands – goes out to work as a door-to-door saleswoman. Slowly, she discovers her independence.

“I've got it. Film star! You'd be perfect. Dark glasses, lots of red lipstick, and 100,000 rupees per picture. And if it's a Hindi film, we'll all fly to Bombay.”

– Bani

The Hypnotic Eye utilises what's called the movie gimmick. This one doesn't deploy anything hugely spectacular, no Percepto! seat vibrators (The Tingler (1959)) or Witchcraft (1964) witch deflectors or even a trained nurse on standby. There's a balloon. No spoilers here

“And now I am going to demonstrate to you the power of your own mind.”

– Desmond

There are also multiple moments where hypnotist Desmond (handsome future-Revlon-exec Jacques Bergerac) directly addresses you, the (wo)man in the audience. Because you too may laugh at that folly, that gimmick, that parlour trick. But who says it isn't real? Who says you really never went to see a hypnotism show…?

– What do you want?

– We just want that horse of yours.

– You want my horse, there's an awful lot of ya. What are you gonna do with just one horse, anyhow?

– Eat it. We're gonna feed off that beast for at least a week.

Like Rome, Cleopatra wasn't built in a day. Joseph L. Mankiewicz's epic studio breaker took six years to make and, despite it being the highest-grossing film of 1963, didn't break even until 1973. Was it a #flop? A classic flop but a flop nevertheless?

“There are never enough hours in the days of a queen, and her nights have too many.”

– Cleopatra

The star – the Queen – Elizabeth Taylor demanded an unprecedented one million dollar fee, 10,3 million in 2023 US dollars. Liz's movie dressing table hold trinkets especially designed by luxury brand Bulgari, blink and you'll miss them. The Pharaoh's lavish costumes, all 65 of them (created by Irene Sharaff who would dress Taylor again as #Cleopatra's counterpart Martha in Who's Afraid of Virginia Woolf? (1966)), cost almost 195K dollar (ca. 2 million today), and of course those 20 000 extras, shipped from God-knows-where to Hollywood on the Tiber to shoot one scene, had to look like their 2000 year old counterparts, and be fed, and housed.

 

Is it all bad? Cleopatra is one of those movies that so many – and that includes obsessive cinephiles – will get around to watch. Eventually. All four hours of it. I'm still holding out, but ooh, the spectacle!