A heartfelt reunion scene*

“Oh, it's you.”

– Margaret Wheeler, welcoming the viewers to this curious retelling of her life's events

Through an unexplained muddle, the Wheeler and the Rylatt girls were mixed up at the maternity ward. One of the mothers, Mrs Wheeler, had a hunch something was off. Her girl was suspiciously long and skinny, unlike the one that was entrusted to her. Over the years and to Mrs Rylatt's increasing chagrin, Mrs Wheeler kept in touch with that woman from the maternity ward. And was proven to be correct. This film is one breezy yet tense reunion scene. Heartwarming, awkward, and – like all that's nostalgia – slightly surreal.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

A bit – occasionally a lot – Greenaway without the room for interpretation. Lovely though and impossible to make in this overly self-aware selfie universe.

“Fantastic! You are a first class dilettante!”

– Kidlat's proud parents

An LGBTQ actor, director, or character over 55 for Honor Our LGBT Elders Day (USA)

“Ich bin meine eigene Frau” (“I am my own woman/wife”)

– Charlotte von Mahlsdorf, in response to her mother's request to settle and get married

The extraordinary life of Charlotte von Mahlsdorf, Berliner, gender bender, Nazi killer (her own father, with a wooden rolling pin, mind you), prisoner, custodian, museum founder, barmaid, Stasi informer (arguably), den mother to the GDR's LGBT+ youngsters, but most of all, her own woman.

A film set in a hotel, or involving Elvis Presley, on the date Heartbreak Hotel topped the charts in 1956.

“I love to see myself in Technicolor.”

Once home to the stars, Hollywood's crumbling Montecito Hotel is now populated by drug dealers, prostitutes and the Tinseltown hopeful — extras hoping for that big break. They play the bit parts of their own re-enacted lives and dreams – some imagined, some real – whatever that may mean in Hollywood.

Something buried: discovery of the Terracotta Army on March 29, 1974

 

A German history teacher, unhappy with the standardised history textbooks she has to work with, literally digs up her nation's past and sees how it is reflected in modern society.

Student activism to commemorate the March 19 1968 Howard University Protest

“One must confront vague ideas with clear images”

– slogan on a wall

Five Maoist students theorise, then practice a radical overthrow via terrorism.

 

Loosely based on Dostoyevsky's Бѣсы [The Possessed] (1871–72).

Some of the leads play out their hopes and dreams and are named after famous actors from Western films. Petit Touré is #EddieConstantine.

R… ne répond plus is Jean-Pierre and Luc Dardenne's exploring the airwaves. Some is clearly political. Radio Schwarzi Chatz (“Radio Black Cat”) and the feminist witches from Wellenhexe (”[radio] wave witch”) have important messages, unheard of in the mainstream media. Others broadcast in languages on the verge of extinction, so may that tongue survive in a world that – already forty years ago – was rapidly homogenising.

“This is called the comeback of reality.”

And then there are those, they're unnamed, who travel the land and across the borders with walkie-talkies – those too are radios, two-way – using their meandering frequencies to hold on to reality. It's all very elusive, but it's there. Maybe #radio is not dead. We just need to learn how to tune into that Enochian frequency again. It's real after all.

Kidlat, while on Earth, wonders if on the Moon a yoyo behaves any differently. Thanks to his brilliant crew of Bavarian toddlers, his parents' collective aspirations, and generous donations from the First World in the form of assorted junk, he launches the first Filipino space program to find out.

“If you don't eat too many Gummy Bears you could be my co-pilot.”

– Kidlat Tahimik, speaking to a budding crew member

Sinong lumikha ng yoyo? is a remarkable display of imaginative filmmaking. Together with Kidlat we ponder about practicalities, suddenly see connections that were obscured by too much thinking, and realise all the new possibilities we have in life. Part documentary, part animation, part fantasy, part sci-fi, Kidlat transports us to yet unexplored spaces!