A [favourite] silent horror film*

 

Incomplete and, despite the generally accepted popular Occidental opinion, not a horror film. Oh, to have seen this narrated by Musei Tokugawa…

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

(A favourite) zombie movie*

 

Now, settima. Of all the zombie movies in the world you had to pick a vampire story? Why yes. Yes I did.

“Again he shook his head. The world's gone mad, he thought. The dead walk about and I think nothing of it. The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it enough!”

– Richard Matheson, I Am Legend (1954)

Just like my actual favourite zombie film, that one from 1968, Soy leyenda is based on Richard Matheson's post-apocalyptic horror novel I Am Legend (1954). The story describes a world where the living have become undead vampire-like creatures. A lone man tries to rationalise that new world through reason and science, and legend.

 

In the man's mind, the undead become the familiar, the vampire. In our mind, watching this, we believe to see the foreshadowing of the popculture zombie. The abandoned well-known landscapes, the ceaseless repetition of what the old life had instilled, the normalcy of the grotesque. Oh how familiar they have become.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

A favourite Dracula movie. As my very most favourite Dracula movie has been claimed, I go with its nearest competitor that somehow also features my favourite Jesus*

 

Linda (Ewa Strömberg) has been summoned by Countess Nadine Carody (Soledad Miranda) to handle a real estate inheritance from a certain Count Dracula. Spellbound, she finds herself on a small island, and helpless in the Countess' embrace.

“You are one of us now. The Queen of the Night will bear you up on her black wings.”

– Countess Nadine Carody

A film that can easily hold up against Jean Rollins' dreamy vampire erotica, this love letter to Soledad Miranda's brooding torment is a delight to watch and a pinnacle in Jess Franco's filmography. Its influence on neo-Giallo Amer and Dario Argento – particularly his Suspiria – is evident, and that in itself should give you enough clues of how much of an essential chapter Vampyros Lesbos is in adult European filmmaking.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

A [favourite] Frankenstein film.

 

One wet, ungenial summer in 1816, lovers Mary Godwin and Percy Shelley, and Mary's stepsister Claire Clairmont, visited a dear friend at Villa Diodati. That friend was Lord Byron, exiled and residing in the Swiss villa with his physician Dr John Polidori

“There are no ghosts in daylight. You'll get used to our nights at Diodati. A little indulgence to heighten our existence on this miserable Earth. Nights of the mind, the imagination. Nothing more.”

– Lord Byron

Forced indoors, over the cause of three days they turned to the occult, to laudanum, to stories from the Fantasmagoriana, and the horrors of their own. That summer, Frankenstein saw the light of day.

A translator for International Translation Day

“This mirror reflected a painting… with words. Chinese idiograms. 'The she-crane calls in the shadow. Her cheek answers.'”

– Alice Campos

Alice, the always fantastically brooding Florinda Bolkan, works as a translator when all of sudden she loses her job and finds herself on the small island of Garma. People tell her she has been there before, recently, but she knows this is not possible.

 

Some English-language posters try to sell Le orme as an action-ridden sci-fi giallo, but oh boy leave that perception behind and you're in for one unsettling treat! Le orme can be placed somewhere between Don't Look Now and that other Alice film, Chabrol's Alice ou la dernière fugue. Drifting and elegant, distant and claustrophobic.

Home video games: Nintendo was founded on this day in 1889.

 

It's the late 80s and Japan is in the midst of an economic and technological bubble. Like so many kids, Makoto (litt. “truth”) and his friends are obsessed with their game console. In anticipation of the release of the fourth instalment of their favourite game, rumours start doing the rounds. Some cartridges are cursed with the “No Life King”, meaning players who cannot complete the game, will die. The curse appears to spill over into the boys' real world. What if when you die in the game, you really really die…?

Italy or Sophia Loren for La Loren's birthday (1934).

“Film is kijken naar mensen die kijken.”

– Remco Campert, Het gangstermeisje (1965)

A writer tasked with writing a screenplay based on his novel Het gangstermeisje suffers from writer's block. Some time at his friends' house in France brings the inspiration needed but also a few twists and turns, similar to his book, leading him to Cinecittà.

An emergency room: ER debuts on this date in 1994.

 

A paralysed Czechoslovak partisan recovering from a shot in the back in an emergency ward, feverishly remembers the events that brought him to that moment. He particularly remembers Engelchen, the SS Sturmbannführer who killed his best friend and massacred the local villagers.