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花樣年華 [Fa yeung nin wah / In the Mood for Love] (Wong Kar-Wai, 2000)
Mar
17
Irish-American Heritage Month
A close-up of a pea-green phone with Mrs. Chan's (Maggie Cheung) hands resting on the receiver. Her dress is a bright green, with an abstract graphic in white. DPs: Christopher Doyle, Pun Leung Kwan & Ping Bin Lee.
“He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch. And everything he sees is blurred and indistinct.”
– caption
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La Chambre verte [The Green Room / The Vanishing Fiancée] (François Truffaut, 1978)
Mar
17
Julien Davenne (Truffaut). DP: Néstor Almendros.
“Our past doesn't belong to us.”
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Le fils [The Son] (Jean-Pierre Dardenne + Luc Dardenne, 2002)
Mar
15
Idus Martiae
Olivier (Olivier Gourmet) and Francis (Morgan Marinne) both seen from the back, with the pupil following the teacher. DP: Alain Marcoen.
For Idus Martiae, the Ides of March, a scene showing the main character's back.
Olivier, a carpentry teacher at a youth rehabilitation center, has a new apprentice, 16 year old Francis. Fascinated by the boy and his unspoken backstory, he starts following him around.
“With these shots from the back and the neck, we hope to confront the spectator with a mystery, the impossibility of knowing and seeing. The face and the eyes should not try to express a situation that already sufficiently stirs up the spectator’s interests. This expression would direct, limit or even prevent expectations, whereas the back and the neck allow the spectator to go deeper, like a car driving into the night.”
– Luc Dardenne, via [spoilers]
“The Dardennes' brothers’ camera follows Olivier in his enigmatic, ominous obsession with the boy and almost constantly films him up close and from behind. In the absence of a true gaze, the back turns into a face that speaks but doesn’t explain anything, “a body that becomes a vibrating membrane”, as Jean-Pierre Dardenne so beautifully put it.” (via)
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Cockfighter (Monte Hellman, 1974)
Mar
15
Frank Mansfield (Warren Oates) holding up a reluctant, wildly flapping white rooster. DP: Néstor Almendros.
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Нощта срещу тринадесети [Noshtta sreshtu 13-i / On the Eve of the 13th] (Anton Marinovich, 1961)
Mar
13
Three men packed in a car. It's night and it's raining. DP: Trendafil Zahariev.
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L'immortelle (Alain Robbe-Grillet, 1963)
Mar
12
National Hitchcock Day
A woman in silhouette (Françoise Brion) enters a building. The setup is perfectly symmetrical except a beam of light passing through the opened doors that highlight's the woman's presence, adding a sense of wrong to the scene. DP: Maurice Barry.
“You're a foreigner and you're lost.”
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Hell Bound (William J. Hole Jr., 1957)
Mar
12
Saturday
A man writes a name in the 9:30 a.m. time slot of the calendar page for Saturday March 21. DP: Carl E. Guthrie.
“Three days ago, at exactly 0600 – because that is really not the time – on February 5 – because that is really not the date – this freighter, which shall be nameless, sailed from a certain Far Eastern port. Its destination: The Port of Los Angeles, Wilmington, California. This is fact.”
– narrator
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L'homme à la valise [The Man with the Suitcase] (Chantal Akerman, 1983)
Mar
11
close quarters
Henri (Jeffrey Kime) and the woman (Chantal Akerman) at a claustrophobically small table, each eating their breakfast. The woman has a baguette, a bowl of coffee, and a cigarette. Henri takes up most of the table with a serving tray holding a whole box of Pelletier toast, a plastic milk bottle, and a coffee pot. He's also manspreading. DP: Maurice Perrimond.
Close quarters: US premiere of 10 Cloverfield Lane (2016).
A filmmaker (Akerman) reluctantly hosts a guest (the always imposing Jeffrey Kime) in her already cramped quarters. His increasingly expanding presence in volume, sight and sound are insufferable for the quiet cineast.
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Invasión [Invasion] (Hugo Santiago, 1969)
Mar
9
Bobby Fischer – 1943
Don Porfirio (Juan Carlos Paz) in front of a map of Aquileia. DP: Ricardo Aronovich.
Strategy for Bobby Fischer's birthday (1943).
People meticulously plan, move, and countermove in response to an invasion.
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Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)
Mar
9
Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.
