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Die endlose Nacht [The Endless Night] (Will Tremper, 1963)
Jul
6
The bold and the beautiful stuck at Tempelhof. And yes, one could smoke there. DP: Hans Jura.
(People at) an airport*
It's foggy at Flughafen Berlin-Tempelhof, the Allies' airbridge to the West, and all the planes into and out of West Berlin are grounded. In any other metropolis this could mean taking a train, enjoy the city's nightlife or maybe just a bed for the night. In post-Wall bureaucracy-happy West Berlin, this means endless waits with strangers. And so, with nowhere to go, a Polish jazz band mingles with British spouses, a lonely South African farmer, a model and her beau.
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The Naked Kiss (Samuel Fuller, 1964)
Jul
4
1961
A desk calendar reading July 4, 1961, with dirty, crumpled dollar bills thrown on top of it. DP: Stanley Cortez.
“Nobody shoves dirty money in my mouth.”
– Candy
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Lonesome (Pál Fejős, 1928)
Jul
3
Sat
“You've won a doll and a kiss. I'll give you the doll and your girl can give you the kiss!”
– Coney Island barker
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Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)
Jul
1
The actor (Umberto Orsini) looking out over the island. The claustrophobic framing of the hotel windows contrasts sharply with the openness of the sea. DP: Ennio Guarnieri.
My ideal vacation spot, country, city, town, or resort*
An island, in this case Capri (granted I've never been there), off-season, in a space and time lost in the mists. It'll occasionally rain and it's cold enough to dress up.
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Florentina Hubaldo, CTE (Lav Diaz, 2012)
Jul
29
International Day of the Tropics
A small river in the outskirts of the jungle. A young woman sits in the water cradling an older woman, like a Pietà. A man, in the same water, is slumped in a wooden chair. A third woman is standing there, looking at us, her head slightly tilted. DP: Lav Diaz.
“We Malays, we Filipinos, are not governed by the concept of time. We are governed by the concept of space. We don't believe in time. If you live in the country, you see Filipinos hang out. They are not very productive. That is very Malay. It is all about space and nature. [...] In the Philippine archipelago, nature provided everything, until the concept of property came with the Spanish colonizers. Then the capitalist order took control. [...] The concept of time was introduced to us when the Spaniards came. We had to do oracion [pray] at six o'clock, and start work at seven. Before it was free, it was Malay.”
– Lav Diaz, via
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Popiół i diament [Ashes and Diamonds] (Andrzej Wajda, 1958)
Jun
27
National Sunglasses Day
Maciek Chelmicki (Zbigniew Cybulski) wearing his sunglasses in a dark, almost German Expressionist space, embellished with meandros. DP: Jerzy Wójcik.
– Why do you always wear those dark glasses?
– A souvenir of unrequited love for my homeland.
According to IMDb, the sale of sunglasses in Poland went through the roof after this film was released and Cybulski became his country's very own James Dean.
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Die glücklichen Minuten des Georg Hauser [The Happy Minutes of Georg Hauser] (Mansur Madavi, 1974)
Jun
25
National Day of Joy
In a moment of total bliss, Georg Hauser (Walter Bannert) wrecks a car (via). DP: Mansur Madavi.
“Grünes Licht für ehrgeizige, strebsame und arbeitswillige junge Menschen.”
Georg Hauser's life is a drag. He gets up to drive his car to the same office to do the same thing surrounded by the same people everyday, just to make money to do the same thing all over again. Then, his glasses break and the new pair makes him see things a bit differently.
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Sodrásban [Current] (István Gaál, 1964)
Jun
24
Swim a Lap Day
Friends swimming in a summer haze. DP: Sándor Sára.
A group of friends go swimming to celebrate the start of summer vacation, and relish those final moments before adult responsibly begins. It is only much later when they realise that one of them is missing.
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Touki bouki [Journey of the Hyena] (Djibril Diop Mambéty, 1973)
Jun
23
National Pink Day
Mory (Magaye Niang) and Anta (Myriam Niang) in romanticised European outfits. DP: Georges Bracher.
“Paris, Paris, Paris
C'est sur la Terre un coin de paradis
Paris, Paris, Paris,
De mes amours c′est lui le favori
Mais oui, mais oui, pardi
Ce que j'en dis on vous l′a déjà dit
Et c'est Paris, qui fait la parisienne
Qu′importe, qu'elle vienne du nord ou bien du midi
Et c'est aussi le charme et l′élégance
Et l′âme de la France
Tout cela, mais c'est Paris”
Cowherd Mory and student Anta journey from Dakar to their new destination, the city of Paris.
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Il vangelo secondo Matteo [The Gospel According to Matthew] (Pier Paolo Pasolini, 1964)
Jun
22
National Kissing Day
Judas (Otello Sestili) kisses Jesus (Enrique Irazoqui) in intimate closeup. DP: Tonino Delli Colli.
A [favourite] movie kiss for National Kissing Day (USA*), not to be confused with International Kissing Day aka World Kiss Day which falls on July 6.
“I don’t have the inhibitions that a practicing Catholic would in that I’m not paralysed by the sacredness of the text, nor do I have the inhibitions of a lapsed Catholic who would view approaching the story of Jesus as compromising his Marxist beliefs, of sinking back into conformity.”
An neorealist, straightforward adaptation of the Gospel of Matthew, populated by non-actors (“Jesus” is a 19-year Catalan trade unionist picked for his resemblance to El Greco's Christ), intellectuals, and anachronistic characters based on biblical art through the ages.
According to said Gospel, apostle Judas kissed prophet Jesus to signal to the police who of the 13 men present was the one to arrest.
Interestingly, the word Matthew chose to describe the kiss is καταφιλέω, the same word used by philosopher Plutarch to describe the kiss between Alexander the Great and his eunuch Bagoas
* no one wants to kiss you anymore, America