settima

fantasy

Vynález zkázy (1958)

Vynález zkázy (1958)

April 11: ride a #submarine on #NationalSubmarineDav

Vynález zkázy [A Deadly Invention] (Karel Zeman, 1958)

“Jules Verne was a dreamer. He was a dedicated follower of technology, but he saw it through his own eyes, and the eyes of his time. But with his vast imagination, he created a whole world of magical things imbued with a delightful naiveté, which charms us even today.” —Karel Zeman

Karel Zeman was a Czech film maker who seemingly magically combined live action with stop motion animation. In his Vynález zkázy, loosely based on Jules Verne's Face au Drapeau [Facing the Flag aka For the Flag] (1896), a fiendish count kidnaps a professor to get his hands on a terrible super-weapon. Underwater pursuits commence!

Vynález zkázy (1958)

Based on the engravings that accompany the Verne story, Zeman came up with fantastic, highly stylised in-camera effects that make the sets, actors and props resemble cross-hatched etchings.

That's more than enough words for such a spectacle. Watch the trailer

#Bales2023FilmChallenge #KarelZeman #JulesVerne #LuborTokos #StopMotion #animation #fantasy #adventure #SciFi #BookAdaptation #trailer #Czechoslovakia #1950s ★★★½

#ToDo

Harvey (Henry Koster, 1950)

Apr

9

freebie: Easter Sunday

Harvey (1950)

Promotional photo. James Stewart as Elwood P. Dowd, holding a stuffed anthropomorphic rabbit. Both man and bunny wear black hats and smile at the camera. DP: William H. Daniels.

James Stewart is Elwood P. Dowd. An ordinary man with an extraordinary claim: his best friend is an invisible, six feet three and a half inches-tall #pooka – a mythological Celtic, shapeshifting creature – who in Mr Dowd's case resembles a rabbit called Harvey. Elwood's sister and niece, who also occasionally see the furry goblin, have their relative send to a sanatorium where the doctors and us viewers learn more about this curious case.

“Harvey and I sit in the bars… have a drink or two… play the juke box. And soon the faces of all the other people they turn toward mine and they smile. And they're saying, 'We don't know your name, mister, but you're a very nice fella'.”

– Elwood P. Dowd

Harvey, based on Mary Chase's #PulitzerPrize​Play with the same name, is guaranteed to bring a smile on your face, this humbug's scout's honour! Have a nice #Easter, CineMastodons!

洞 ​[Dóng / The Hole] (Tsai Ming-liang, 1998)

Mar

22

National Sing It Out Day

洞 (1998)

The man upstairs and the woman upstairs, both dressed in that perfectly cool, 1960s Chinese style, break out in song in their crumbling apartment block The woman's singing voice is legendary Grace Chang's. DP: Pen-Jung Liao.

In a #plague-ridden Taiwan, it rains relentlessly. The #rain and a #virus forces people to retreat. In Hsiao Kang's crumbling building, a plumber inadvertently punches a hole from his floor to the unnamed woman's below. While she, another victim of the #disease, holes up in her apartment they struck up a strange detached relationship.

 

Between the endless downpour and frantic #food hoarding, in her heart a #musical sings.

Un chant d'amour [A Song of Love] (Jean Genet, 1950)

Jan

30

National Escape Day

Un chant d'amour (1950)

From one prison window to another, a bunch of flowers swings towards a grasping hand. DP: Jacques Natteau.

An escape of sorts, in love and lust.

“He puts his cheek to the wall. With a kiss he licks the vertical surface and the greedy plaster sucks in his saliva. Then a shower of kisses.”

– Jean Genet, Notre-Dame des Fleurs (1942/43)

Иконостасът [Ikonostasat / The Icon Stand] (Todor Dinov & Christo Christov, 1969)

Jan

15

World Religion Day

Иконостасът (1969)

Icon maker Raphe (Dimitar Tashev) and Katerina (Violeta Gindeva) surrounded by the icon stand. The Holy Virgin can be seen in the background. DP: Atanas Tasev.

The cyclical story of the Christ envisioned as an icon maker, the creator of sacred images of the saints and the Holy.

 

When you know what to look for – the significance of bread, the judgement of the Pantocrator, the wheel that begets martyrs – Иконостасът speaks the language of the people, not of the ecclesiastic.