Maratón [The Marathon] (Ivo Novák, 1968)
May
5
1945
Karla (Jana Brejchová) and Ruda (Jaromír Hanzlík). DP: Václav Hanuš.
Goya 3 de mayo [Goya, May 3rd] (Carlos Saura, 2021)
May
3
1808
Saura's reconstruction of Goya's anti-war painting El tres de mayo de 1808 en Madrid (1814). DP: Sergio De Uña.
“With nothing to do, no news and in terrible solitude, we were 100 unfortunates awaiting our fate. I had no illusions about my own. If I could only escape, run away…”
Un condamné à mort s'est échappé ou Le vent souffle où il veut [A Man Escaped] (Robert Bresson, 1956)
May
2
A hand with dirty nails writing on a scrap of paper with a pencil stump. It starts “Mai 2 Ma chère maman, Je suis à la pris[…]“. DP: Léonce-Henri Burel.
– Fontaine
– Do you realise what today's date is, Rex? – April the, er, 29th, why?
The Devil Rides Out (Terence Fisher, 1968)
Apr
29
The menacing Mocata (Charles Gray). DP: Arthur Grant.
“We broke up on April's fools day, so I took it as a joke. I'm willing to humor her for a month.”
重慶森林 [Chung Hing sam lam / Chungking Express] (Wong Kar-Wai, 1994)
Apr
28
8:59
A flipclock. It's April 28, a Friday, and 8:59 pm. DPs: Christopher Doyle & Wai Keung Lau.
– He Zhiwu, Cop 223
Willi Tobler und der Untergang der 6. Flotte [Willi Tobler and the Decline of the 6th Fleet] (Alexander Kluge, 1969)
Apr
27
One of many many handmade, overly complicated title cards. The date is May/June 42. DPs: Dietrich Lohmann, Thomas Mauch & Alfred Tichawsky.
And November 9, January 14, and January 21.
“Based on a true occult event”
The Kirlian Witness (Jonathan Sarno, 1978)
Apr
27
A ficus hooked up to a polygraph. DP: João Fernandes.
– tagline
“Because, in the way I see it, the killer could only be one of two types. Either a person who was seized by a sudden impulse and in all probability has no police record, or else, a sex maniac.”
Una farfalla con le ali insanguinate [The Bloodstained Butterfly] (Duccio Tessari, 1971)
Apr
26
Fri
Sarah Marchi (Wendy D'Olive) with Giorgio (Helmut Berger) in the background, just out of focus behind her. DP: Carlo Carlini.
Распад [Raspad / Collapse / Decay] (Mikhail Belikov, 1990)
Apr
25
1986
A young boy looks over his shoulder into the camera. He's seated at an extended table, set with food for many. A man in the back is on the phone; a woman walks around cradling a newborn child. In the corner of the room a baby cot. DP: Vasiliy Trushkovskiy.
