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Ucho [The Ear] (Karel Kachyňa, 1970)

Jul

17

Ucho (1970)

Party member, and rather drunk, Anna (Jiřina Bohdalová) and her newspaper hat at the officials' party. DP: Josef Illík.

“The 17th of July. Comrade Anna is not lying!”

Figures in a Landscape (Joseph Losey, 1970)

Jul

17

Figures in a Landscape (1970)

MacConnachie (Robert Shaw, standing and peering upwards) and Ansell (Malcolm McDowell, squatting and facing away) in a barren landscape. Both have their hands tied behind their back. DPs: Henri Alekan, Peter Suschitzky & Guy Tabary.

“I'll tell you what though, Mac. There'll be no more games from now on.”

– Ansell

點指兵兵 [Dian zhi bing bing / Cops and Robbers] (Kwok-Ming Cheung, 1979)

Jul

15

點指兵兵 (1979)

妻は告白する [Tsuma wa kokuhaku suru / A Wife Confesses] (Yasuzō Masumura, 1961)

Jul

15

1961

妻は告白する (1961)

An expert called into the court case studies an enlarged photograph of the supposed crime scene. DP: Setsuo Kobayashi.

Ansiktet [The Face / The Magician] (Ingmar Bergman, 1958)

Jul

14

Ansiktet (1958)

Granny Vogler (Naima Wifstrand) telling a sobbing Sara (Bibi Andersson) that yes, she may indeed be a witch. DP: Gunnar Fischer.

“I see what I see, and I know what I know. But nobody believes me.”

– Granny Vogler

David Holzman's Diary (Jim McBride, 1967)

Jul

14

David Holzman's Diary (1967)

L.M. Kit Carson as David Holzman. DP: Michael Wadleigh.

“Truffaut said that in 'Singing in the Rain', Debbie Reynolds jumps over a couch and holds in her skirt as she does it, and this movement gives her away. Now the movement that Sandra just made and I just caught, she gives herself away. Now in each movement, she gives herself a little more away, to me.”

– David Holzman

La mort d'un bûcheron [The Death of a Lumberjack] (Gilles Carle, 1973)

Jul

12

1920

La mort d'un bûcheron (1973)

Blanche Bellefeuille (Denise Filiatrault) in front of a wall covered in catholic knickknacks. Through a door, nightclub entrepreneur Armand St. Amour (Willie Lamothe) can be seen asleep, his beloved cowboy boots carefully placed next to his improvised bed. DP: René Verzier.

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Jul

10

Mon

L'eclisse (1962)

Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.

“Everything's crashing here.”

– Vittoria's mother

La dame dans l'auto avec des lunettes et un fusil [The Lady in the Car with Glasses and a Gun] (Anatole Litvak, 1970)

Jul

10

Vendredi

La dame dans l'auto avec des lunettes et un fusil (1970)

A man with a lot of swagger and rolled up blueprints is about to enter a room with a prominent Coca-Cola machine and a jazzy leather swivel chair on display. An electronic flip clock tells the time and date. It's 17:52. DP: Claude Renoir.

The Naked Kiss (Samuel Fuller, 1964)

Jul

4

1961

The Naked Kiss (1964)

A desk calendar reading July 4, 1961, with dirty, crumpled dollar bills thrown on top of it. DP: Stanley Cortez.

“Nobody shoves dirty money in my mouth.”

– Candy