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Les créatures [The Creatures] (Agnès Varda, 1966)
Aug
14
Edgar (Michel Piccoli) and Mylène (Catherine Deneuve) all dressed up for a home-cooked meal. On the wall behind them a huge framed mounted crab. DPs: Willy Kurant, William Lubtchansky & Jean Orjollet.
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The Blue Gardenia (Fritz Lang, 1953)
Aug
5
International Hangover Day
After a horrible birthday alone followed by a lovely night out, Norah wakes up with a terrible hangover and a hunch of being a murderess.
“How about you slip into something more comfortable, like a few drinks and some Chinese food?”
– Harry
The Blue Gardenia is Lang's hard-bitten take on the gruesome Black Dahlia murder case and part of his newspaper noir trilogy together with While the City Sleeps and Beyond a Reasonable Doubt, both from 1956.
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L'homme qui ment [The Man Who Lies] (Alain Robbe-Grillet, 1968)
Jul
25
soup
The titular man (Jean-Louis Trintignant) at a dinner table, observed by Sylvia (Sylvia Turbová) and Maria (Sylvie Bréal). The room is white and sparsely furnished. DP: Igor Luther.
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L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Jul
19
fruit
“I still can't figure out if it's an office, a market place, or a boxing ring. And maybe I don't even need to.”
– Vittoria
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La main du diable [The Devil's Hand / Carnival of Sinners] (Maurice Tourneur, 1943)
Jun
27
dinner (late)
A disgruntled man in a hotel restaurant. DP: Armand Thirard.
– Why so grumpy?
– I'm starved! Dinner is always late!
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Les trois couronnes du matelot [Three Crowns of the Sailor] (Raúl Ruiz, 1983)
Jun
5
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Les trois couronnes du matelot [Three Crowns of the Sailor] (Raúl Ruiz, 1983)
Jun
4
National Week Of The Ocean
The sailor (Jean-Bernard Guillard) on his ship. DP: Sacha Vierny.
A man murders another and meets a drunk sailor. The drunk then tells the murderer about his life on the sea. Les trois couronnes du matelot is of course never a straightforward crime film. It's Raúl Ruiz, it never is.
“I got nothing out of this crime except the ring he offered me many times; several hundred marks; a collection of old coins, of no value; and a long letter where he advised me to leave the country.”
– the student
The sailor drinks, celebrates and mourns the women and men of his past, we all get drunk on life while the dark water closes itself again above our heads.
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Grauzone [Zones] (Fredi M. Murer, 1979)
May
29
Mount Everest Day
Julia (Olga Piazza) waking from a unusually deep sleep. DP: Hans Liechti.
Grauzone takes place in one of the three spaces documented in Murer's beautifully titled documentary Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind [We, the mountain people, who live in the mountains are not really to blame for being there] (1974). One valley lives in tune with its natural rhythm, the second experiences a transition to modernity.
Sie fallen unerwartet in einem traumlosen Schlaf.
The third space, the “grey zone” – both this film's title and a descriptive term for an undefined neutral zone – is where the Bergler have become technology dwellers, where they live on summits made of concrete instead of rock. Where rumours about a #pandemic stir an ancient, unnamed fear. And symptoms: the sudden urge to wander out in nature, an acute melancholy, an overall hyper awareness. A young, prosperous couple become infected and pick up secret radio transmissions. What they believed was concrete, solid, immovable, suddenly shows signs of a shift.
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Vertigo (Alfred Hitchcock, 1958)
May
27
Golden Gate Bridge
A pensive Novak in black in front of a sunlit Golden Gate Bridge. DP: Robert Burks.
A bridge to celebrate the 1937 Golden Gate Bridge opening.
“Here I was born, and there I died. It was only a moment for you; you took no notice.”
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Ansiktet [The Magician / The Face] (Ingmar Bergman, 1958)
May
22
love potion
Coach driver Simson (Lars Ekborg) serving maid Sara (Bibi Andersson) a potion from a flask. DP: Gunnar Fischer.
– We're out of love potion. What now?
– Take this one, for colic and bunions. What matters is how the bottle looks and how the potion tastes.