Wyszedł w jasny, pogodny dzień [He Left on a Bright, Sunny Day] (Krzysztof Wojciechowski, 1972)
Jun
13

Old people exchanging food and memories outdoors. DPs: Witold Stok & Ryszard Wróblewski.
Wyszedł w jasny, pogodny dzień [He Left on a Bright, Sunny Day] (Krzysztof Wojciechowski, 1972)
Jun
13

Old people exchanging food and memories outdoors. DPs: Witold Stok & Ryszard Wróblewski.
Deň radosti [A Day of Joy] (Dušan Hanák, 1972)
Jun
12
1971

Exuberant revellers. DPs: Martin Gazík, Alojz Hanúsek & Oskár Šághy.
Sochaux, 11 juin 1968 [Sochaux June 11th 1968] (Bruno Muel, 1970)
Jun
11
1968

Several of the striking workers in a row. The composition echoes the famous propaganda image of Marx, Engels, Lenin etc. DP: Groupe Medvedkine de Sochaux.
Red & Rosy (Frank Grow, 1989)
Jun
3

Big Red (Rico Martinez) in his hotrod. DPs: Frank Grow, Ralph Hawkins & Rico Martinez.
“What year is it now? I forgot.”1999 A.D. (Lee Madden, 1967)
Jun
2
1999

Mother Karen (Marj Dusay) busy with online meal planning, her husband supervising her from the other screen. While she scheduling for Tuesday, June 2, 1999 in reality fell on a Wednesday. DP: Vilmos Zsigmond.
– Jamie
“8th of May. What a lovely day!”Le Horla [The Horla] (Jean-Daniel Pollet, 1966)
May
08
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A reel-to-reel tape recorder. DP: Jean-Jacques Rochut.
and subsequent days.
– voice on tape
Japanicky [Felix the Cat in Japanicky] (Otto Messmer, 1928)
May
03
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A cheeky looking Felix stands in a doorway with a bamboo roller shutter. Inside the room a woman in Japanese dress sits in front of a tea bowl and pot on top of a small platform. From the ceiling hangs a (Chinese) lantern and from the wall a large scroll that reads May 3 in stereotypical Oriental lettering.
and May 4.
Goya 3 de mayo [Goya, May 3rd] (Carlos Saura, 2021)
May
3
1808

Saura's reconstruction of Goya's anti-war painting El tres de mayo de 1808 en Madrid (1814). DP: Sergio De Uña.
L'eclisse del 17 aprile [An Eclipse of the Sun] (1912)
Apr
17
1912

Scientists in impeccable suits observing the 1912 solar eclipse. The colour used for tinting this scene, a turquoise, indicates moonlight/dusk. Image source: Cineteca di Bologna (via).