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Ladri di biciclette [The Bicycle Thieves] (Vittorio De Sica, 1948)
Apr
11
National Cheese Fondue Day
Bruno (Enzo Staiola) eating mozzarella. DP: Carlo Montuori.
“Do you fancy a pizza? Come on, then! Come on, let's go! What the hell. We might as well go out in style. What's the point in worrying about it all?”
– Antonio Ricci
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Les demoiselles de Rochefort [The Young Girls of Rochefort] (Jacques Demy, 1967)
APr
10
Siblings Day
Sisters Delphine and Solange Garnier mid-song, played by real-world sisters Catherine Deneuve and Françoise Dorléac. DP: Ghislain Cloquet.
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Images (Robert Altman, 1972)
Apr
9
National Unicorn Day
Cathryn's desk. There's a small framed reproduction of one of the six La Dame à la licorne tapestries, a sketch of a galloping unicorn, and a dried seahorse. DP: Vilmos Zsigmond.
“and in big, spidery writing, he wrote
'In search of unicorns.'
The End”
– quote from “In Search of Unicorns”, written by Susannah York
Cathryn (Susannah York), a children's book author, works on a book called “In Search of Unicorns”. Her desk, and mind, are occupied with images from a obscure diegesis.
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ビルマの竪琴 [Biruma no tategoto / The Burmese Harp] (Kon Ichikawa, 1956)
Apr
8
花祭り
Mizushima (Shōji Yasui) holding his harp, looked over by the reclining Buddha. DP: Minoru Yokoyama.
A film about Buddhism, or set in Japan, in honour of the birth of Buddha, celebrated in Japan on April 8 as 花祭り (Hana Matsuri, aka Flower Festival)
“Can't you see that whatever you do is futile? The armies of Britain and Japan can come and fight all they wish. Burma is still Burma. Burma is the Buddha's country.”
– old monk
While stationed in Burma, Mizushima disguises himself as a dhutanga, a wandering Buddhist monk, burying the remains of his fellow Japanese soldiers.
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女篮五号 [Nü lan wu hao / Woman Basketball Player No. 5] (Jin Xie, 1957)
Apr
7
March Madness
Tense moments during the match. DPs: Shaofen Huang & Xilin Shen.
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Το άλλο γράμμα [To allo gramma / The Other Letter] (Lambros Liaropoulos, 1976)
Apr
6
Greece
Something something Greece (or the Olympics) on the date of the 1896 Summer Olympics
Athens seen through words put down in letters, forming a narrative of the city, Greece, its history, and its people.
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Klincz [Clinch] (Piotr Andrejew, 1979)
Apr
5
Chicago
A Polish factory worker hopes to find a better life when he picks up boxing. Initially unsuccessful. he finds himself in Chicago, facing an amateur boxer below his ranking.
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The Patriot Game (Arthur MacCaig, 1979)
Apr
4
MLK Jr. – 1968
“All the ideas I'd previously had were shown to be completely false. This was the first time I had really seen the strength and the power of a mass struggle; ordinary people directly participating in organizing their communities, and the defense of their communities.”
– Arthur MacCaig, title card
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News from Home (Chantal Akerman, 1976)
Apr
3
Pony Express Day
New York, a street scene. Superimposed a quote from one Chantal Akerman's mother's letters. DPs: Jim Asbell & Babette Mangolte.
“Dear child,
l received your letter and hope you will write often. l hope you won’t stay away too long and that you’ve found a job by now. If you’re doing well, we’re happy. Even though we do miss you. When will you be back? Everything is fine here, but Sylviane is home with the flu. My blood pressure is low. l’m on medication for it. Today is my birthday. l feel sad. lt’s quiet at the shop. Tonight we’re going out to dinner with friends. That’s all. Your birthday is coming up. l wish you all the best. Write to me soon about your work, about New York, about everything. Lots of love from the three of us.
Your loving mother” (quote via)
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Le moindre geste [The Slightest Gesture] (Jean-Pierre Daniel, Fernand Deligny + Josée Manenti, 1962–1964, 1971)
Apr
2
World Autism Awareness Day
Yves (Yves Guignard), resting. Deligny wrote a lot about the lack of words, and how it stays close to the heart of cinema. Still (and a wonderful essay) via. DP: Josée Manenti.
“Celui qui n’a jamais rien dit
a cinquante ans d’âge
et ne dira jamais rien
s’est appris à lire
dans les moindres gestes”
– Fernand Deligny, Essi & Copeaux. Derniers écrits et aphorismes, via
Over time, the film was forgotten and even lost, until it was found in a tree, then completed with a narrative and soundtrack in 1969, selected for the 1971 Cannes Film Festival and praised by Cahiers du Cinéma, lost once more, and eventually – with support of Chris Marker – restored and brought to a wider audience.