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Les félins [Joy House / The Love Cage] (René Clément, 1964)
May
14
Barbara Hill (Lola Albright) going through Marc Borel's (Alain Delon) passport, which states Marc's date of birth as May 14. On Barbara's desk several curiosities, including a shrunken head in a glass case. DP: Henri Decaë.
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Зеркало для героя [Zerkalo dlya geroya / Mirror for a Hero] (Vladimir Khotinenko, 1987)
May
8
1949
Sergey Pshenichnyy (Sergey Koltakov) speaking to one of the 1940s farmers. DP: Evgeniy Grebnev.
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Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)
May
8
birthdays
Roberto Rossellini and Ingrid Bergman on set on Sardinia. In the background the house Bergman's character moves into with her husband. DP: Otello Martelli.
May 8 is both director Rossellini and Bergman's character Karen's #birthday.
“What mystery, what beauty.”
– Karen
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Beyond a Reasonable Doubt (Fritz Lang, 1956)
May
7
Susan Spencer (Joan Fontaine) lighting Tom Garrett's (Dana Andrews) cigarette. DP: William E. Snyder.
“It's a weird, crazy idea, but that's the reason it intrigues me.”
– Tom Garrett
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The Unholy Three (Tod Browning, 1925)
May
6
Tweedledee (Harry Earles), Hercules (Victor McLaglen), and Echo – The Ventriloquist (Lon Chaney). DP: David Kesson.
“It's spooky! It sounds… unholy!”
– Echo
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My Name Is Julia Ross (Joseph H. Lewis, 1945)
May
5
Nina Foch as Julia Ross… or is she… Julia's lying on a made bed, looking over her shoulder at two middle-aged men and an elderly woman standing in the doorway to her room. DP: Burnett Guffey.
– You haven't forgotten us again, have you, Marion?
– You know perfectly well I'm Julia Ross!
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Maratón [The Marathon] (Ivo Novák, 1968)
May
5
1945
Karla (Jana Brejchová) and Ruda (Jaromír Hanzlík). DP: Václav Hanuš.
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Goya 3 de mayo [Goya, May 3rd] (Carlos Saura, 2021)
May
3
1808
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Un condamné à mort s'est échappé ou Le vent souffle où il veut [A Man Escaped] (Robert Bresson, 1956)
May
2
A hand with dirty nails writing on a scrap of paper with a pencil stump. It starts “Mai 2 Ma chère maman, Je suis à la pris[…]“. DP: Léonce-Henri Burel.
“With nothing to do, no news and in terrible solitude, we were 100 unfortunates awaiting our fate. I had no illusions about my own. If I could only escape, run away…”
– Fontaine
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Normalsatz [Ordinary Sentence] (Heinz Emigholz, 1982)
Apr
30
1975
A woman, seated on a bed, speaks to a second woman who is pressed against the side of a bookcase. Still via. DP: Heinz Emigholz.
Part of the Trilogie der Siebziger Jahre (“Trilogy of the Seventies”).
