A family gathering on Visit Your Relatives Day (USA)

“You must realize that today in Germany anything can happen, even the improbable, and it's just the beginning, Frederick. Personal morals are dead. We are an elite society where everything is permissible. These are Hitler's words. My dear Frederick, even you should give them some thought.”

– Aschenbach

The wealthy Von Essenbecks gather for a family dinner party. There is entertainment.

A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.

“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.”

– Stepan

When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite

 

The hand-held cinematography, groundbreaking at the time, came from former war cameraman Sergey Urusevskiy.

A clothesline in support of Project Laundry List's National Hanging Out Day (USA)

– As they say, 'Tidiness is the virtue of a mediocre mind.'

– Then I'm a genius.

A film about Buddhism, or set in Japan, in honour of the birth of Buddha, celebrated in Japan on April 8 as 花祭り (Hana Matsuri, aka Flower Festival)

“Can't you see that whatever you do is futile? The armies of Britain and Japan can come and fight all they wish. Burma is still Burma. Burma is the Buddha's country.”

– old monk

While stationed in Burma, Mizushima disguises himself as a dhutanga, a wandering Buddhist monk, burying the remains of his fellow Japanese soldiers.

Snakes (巳) in celebration of Lunar New Year.

 

Ormen is an adaptation of the first two chapters of the novel Berättelsen om Iréne (Stig Dagerman, 1945).

 

In an army barrack, a sergeant is bitten by a snake. A soldier hides the animal in his bag in order to blackmail his superior. Iréne – who works in the same barrack's mess and is the soldier's lover – pushes her mother off a train during a quarrel about the daughter's lack of morals.

 

Dagerman's novel is a metaphor of Sweden's uncomfortable position in a post-WW2 world (it had declared itself neutral, which by default made it complicit in helping the Nazis). Due to its violence and nudity, outside its homecountry the film adaptation mostly played porn theatres.

“Time to empty our slop pails and run a little water over our faces, then back to our cells for the entire day.”

– Fontaine