16 year old Benno (Christof Wackernagel) lives in a reformatory until the Lohmanns, a rich middle-aged #WestBerlin business couple decides to adopt him. A new world opens up, one of adulthood and responsibility. For the teenager, this neatly regulated new bourgeois life feels all wrong.

Short in gorgeous Technicolor, Muloorina tells about a small, arid town in Australia that one day finds itself on the world's stage. Kati Thanda–Lake Eyre, a local salt lake that hasn't seen a drop of rain in nine years, is the perfect spot for a landspeed record attempt by British daredevil Donald Campbell and his Bluebird.

 

A play of contrasts. The supersonic blue machine on the ancient white riverbed and the slowness of the eternal landscape versus something faster than should be possible. And meanwhile, the locals care for their land and animals, and wait for rain.

Everything is noise. Everything is light. Everything is dark. Everything is motion. Everything is static. Everything is energy. Everything is lethargy. Everything is rhythm. Everything is chaos. Everything is silent

One of the most elaborately recorded “feral child” cases is that of the Wild Boy of Aveyron. In the year 1800, after few fruitless attempts to bound him to civilisation, a young boy left the forests of Saint-Sernin-sur-Rance and settled in. The child's primal appearance and lack of speech labeled him an idiot. However, in the era of Enlightenment, the question of nurture versus nature was a pressing one. Studies on Victor began.

“I'm glad that you came home. Do you understand? This is your home. You're no longer a wild boy, even if you're not yet a man.”

– Dr. Itard

Truffaut explores L'enfant sauvage right when the idea of the noble savage seemed to lock on with counterculture. With #Truffaut as Victor's tutor Itard in front of the camera, directly guiding amateur child actor (and “gipsy”) Cargol, the film not only reimagines Victor's fate, but reenacts Western presumed enlightenment over The Other.

With their mother bedridden, Elisabeth (Nicole Stéphane) nurtures her snowball-fight-injured brother Paul (Edouard Dermithe) back to health.

“Their heritage of instability, extravagant caprice, and natural elegance was their paternal portion.”

– Jean Cocteau, Les enfants terribles (1929)

Withdrawn in their family home, they form a strong manipulative bond, drawing others into their games.

A sickly #GustavMahler (Robert Powell) and his wife Alma (Georgina Hale) dwell on their shared lives while travelling to Vienna by train. Storylines – circular like a journey, rondo like #Mahler's compositions – drift from the ordinary to the grotesque.

“I don't want to imitate nature. I want to capture its very essence. As if all the birds and the beasts die tomorrow and the world became a desert, when people heard my music – they would still know, feel, what nature was.”

– Gustav Mahler

This would be the composer's final tour. A train took him to a Vienna sanatorium where not much later he'd succumb to #pneumonia.

Everyone assumed that Ellen Arden, swept away during a yacht race, was gone. But there she is, years later, and very much alive.

“Fame will go by, and so long, I've had you, fame.”

– Marilyn Monroe, 1962

The story ends on August 4, 1962, almost two months after she was fired from the shoot. Marilyn Monroe was found dead in her home. She was 36 years old.

Four years after the tragic events at Loudun. Mother superior, the titular Mother Joan, is still possessed by the Devil and has slowly pulled in the other sisters. A priest, the fourth one, is send to the convent to exorcise the demons who at this point have possessed all but one sister. Chaos ensues.

“If one can't be saint, it's better to be damned.”

– Mother Joan of the Angels

After boiling for five hours in a concoction of #garlic, herbs, and stock, the shoe was ready to eat and #Herzog could keep his promise to fellow director Errol Morris.

“More shoes, more boots, more garlic.”

– Werner Herzog