view
Tätowierung [Tattoo / The Delinquent] (Johannes Schaaf, 1967)
Nov
18
National Adoption Day
Benno (Christof Wackernagel), a pensive young man with dark hair and dark eyes. DPs: Petrus R. Schlömp & Wolf Wirth.
view
Muloorina (David Cobham, 1964)
Nov
17
Guinness World Records Day
The Bluebird parked amongst the crew's Jeeps. DPs: John Daniell, Ross King, Frank McKechnie, Ian Millar & Bob Wright.
Short in gorgeous Technicolor, Muloorina tells about a small, arid town in Australia that one day finds itself on the world's stage. Kati Thanda–Lake Eyre, a local salt lake that hasn't seen a drop of rain in nine years, is the perfect spot for a landspeed record attempt by British daredevil Donald Campbell and his Bluebird.
A play of contrasts. The supersonic blue machine on the ancient white riverbed and the slowness of the eternal landscape versus something faster than should be possible. And meanwhile, the locals care for their land and animals, and wait for rain.
view
Kick That Habit (Peter Liechti, 1989)
Nov
16
National Andy Day
Everything is noise. Everything is light. Everything is dark. Everything is motion. Everything is static. Everything is energy. Everything is lethargy. Everything is rhythm. Everything is chaos. Everything is silent
view
L'enfant sauvage [The Wild Child] (François Truffaut, 1970)
Nov
14
Young Readers Day
Victor, the Wild Boy of Aveyron (Jean-Pierre Cargol), reads letters from a board under supervision of Dr. Jean Itard (Truffaut). DP: Néstor Almendros.
One of the most elaborately recorded “feral child” cases is that of the Wild Boy of Aveyron. In the year 1800, after few fruitless attempts to bound him to civilisation, a young boy left the forests of Saint-Sernin-sur-Rance and settled in. The child's primal appearance and lack of speech labeled him an idiot. However, in the era of Enlightenment, the question of nurture versus nature was a pressing one. Studies on Victor began.
“I'm glad that you came home. Do you understand? This is your home. You're no longer a wild boy, even if you're not yet a man.”
– Dr. Itard
Truffaut explores L'enfant sauvage right when the idea of the noble savage seemed to lock on with counterculture. With #Truffaut as Victor's tutor Itard in front of the camera, directly guiding amateur child actor (and “gipsy”) Cargol, the film not only reimagines Victor's fate, but reenacts Western presumed enlightenment over The Other.
view
Les enfants terribles [The Terrible Children] (Jean-Pierre Melville, 1950)
Nov
13
World Orphans Day
The siblings – children on the cusp of adulthood, played by adults – sharing a bed. Elisabeth (Nicole Stéphane) points up towards the ceiling with one arm wrapped around her brother Paul's (Edouard Dermithe) neck. Both wear dressing gowns. DP: Henri Decaë.
With their mother bedridden, Elisabeth (Nicole Stéphane) nurtures her snowball-fight-injured brother Paul (Edouard Dermithe) back to health.
“Their heritage of instability, extravagant caprice, and natural elegance was their paternal portion.”
– Jean Cocteau, Les enfants terribles (1929)
view
Mahler (Ken Russell, 1974)
Nov
12
World Pneumonia Day
Gustav (Robert Powell) and Alma (Georgina Hale), both in a three piece suit with top hats. She's in a shadows, wearing a tight, black veil that completely conceals her features. DP: Dick Bush.
A sickly #GustavMahler (Robert Powell) and his wife Alma (Georgina Hale) dwell on their shared lives while travelling to Vienna by train. Storylines – circular like a journey, rondo like #Mahler's compositions – drift from the ordinary to the grotesque.
“I don't want to imitate nature. I want to capture its very essence. As if all the birds and the beasts die tomorrow and the world became a desert, when people heard my music – they would still know, feel, what nature was.”
– Gustav Mahler
This would be the composer's final tour. A train took him to a Vienna sanatorium where not much later he'd succumb to #pneumonia.
view
儀式 [Gishiki / The Ceremony] (Nagisa Ōshima, 1971)
Nov
11
World Origami Day
A man kneeled in front of a Shintō altar. Ceremonial origami, known as origata or girei origami can be seen hanging from the altar. This is 幣帛 [heihaku], an offering made of cloth or paper. DP: Tōichirō Narushima.
view
Something's Got to Give (George Cukor, 1962)
Nov
10
Forget-Me-Not Day
Marilyn on set during the infamous pool scene, four days days after singing Happy Birthday at JFK's birthday gala. DPs: Franz Planer & Leo Tover.
Everyone assumed that Ellen Arden, swept away during a yacht race, was gone. But there she is, years later, and very much alive.
“Fame will go by, and so long, I've had you, fame.”
– Marilyn Monroe, 1962
The story ends on August 4, 1962, almost two months after she was fired from the shoot. Marilyn Monroe was found dead in her home. She was 36 years old.
view
Matka Joanna od Aniolów [Mother Joan of the Angels] (Jerzy Kawalerowicz, 1961)
Nov
9
Chaos Never Dies Day
A possessed nun in white spinning on her axis among her sisters. Black clad priests in the background observe the scene. DP: Jerzy Wójcik.
Four years after the tragic events at Loudun. Mother superior, the titular Mother Joan, is still possessed by the Devil and has slowly pulled in the other sisters. A priest, the fourth one, is send to the convent to exorcise the demons who at this point have possessed all but one sister. Chaos ensues.
“If one can't be saint, it's better to be damned.”
– Mother Joan of the Angels
view
Werner Herzog Eats His Shoe (Les Blank, 1980)
Nov
8
Cook Something Bold Day
Herzog prepares his left suede Clarks in Alice Waters' restaurant kitchen. DP: Les Blank.
After boiling for five hours in a concoction of #garlic, herbs, and stock, the shoe was ready to eat and #Herzog could keep his promise to fellow director Errol Morris.
“More shoes, more boots, more garlic.”
– Werner Herzog