settima

comedy

A Midsummer Night's Dream (William Dieterle + Max Reinhardt, 1935)

Jun

10

Superman Week

A Midsummer Night's Dream (1935)

Oberon (Victor Jory) – King of the Fairies – on his horse with Puck (Mickey Rooney) – a trickster sprite. While they ride of, Oberon's cape flows behind them through the trees, supported by the fae. A lot of the other-worldly fairy sparkle was accomplished by generous amounts of DuPont® cellophane and cinematographer Hal Mohr's contribution of trimming the trees with aluminium paint, cobwebs, and small metal particles. DP: Hal Mohr.

Capes, cloaks, and mantles are everywhere in Dieterle and Reinhardt's lavishly outfitted A Midsummer Night's Dream. The dreamlike #CostumeDesign by Max Rée and the uncredited Milo Anderson is as much as a personality as #Shakespeare's characters are.

“Now, until the break of day, Through this house each fairy stray…”

– Oberon, Act 5, Scene 1

Any reports of Kenneth Anger's presence as the Changeling Prince are greatly exaggerated.

Gertie the Dinosaur (1914)

Gertie raises her creator Winsor McCay in her mouth. McCay holds a dressage whip but in his tuxedo resembles a musical conductor more than a lion tamer. DPs: John A. Fitzsimmons & Winsor McCay.

Gertie the Dinosaur (1914)

June 1: dinosaurs for #DinosaurDay

Gertie the Dinosaur (Winsor McCay, 1914)

I made ten thousand cartoons —each one a little bit different from the one preceding it.

Long before we all flocked to the movies, there was vaudeville. Vaudeville comes in many flavours, from raucous song and dance, acrobatics (see #BusterKeaton's start) to chalk talk: a live performance in which an artist would chat and draw on a blackboard in real time. The format is perfect to enlighten and entertain an audience, about the dangers of alcohol, the importance of religion, the demand for women's suffrage.

But where there's a scholar, there's a showman. As a chalk talk consists of a succession of quickly drawn illustrations, one flowing into the next while the performer raps over it, the leap to animation is a logical one. In 1914, a brontosaurus named Gertie and a comic strip creator called Winsor McCay travelled the land – both animated and real.

McCay, known for his fantastic comic strips Little Nemo in Slumberland and its predecessor Dream of the Rarebit Fiend, introduced the great animated animal to the audience with little tidbits of knowledge about the mighty brontosaurus, throw her an apple, demonstrate her gentleness by stepping into the screen (a parlour trick made the transition from real to animated look incredibly convincing) and let Gertie carry him around in her prehistoric world. In front of the delighted audience, the showman then would reappear into our realm.

The movies were young and promising, and Gertie's leap to celluloid was made the very same year. Gertie the Dinosaur (1914), an adaptation of the vaudeville act and the first animated dinosaur movie, moves the stage to a dinner party at the animator's studio, where McCay shows off his animation skills as part of a bet.

Gertie, with its combination of animated and real content, had a huge influence on film makers to come. You can see it in Max Fleischer's wonderful Out of the Inkwell cartoons (1918 – 1929) and Ubi Iwerk's Alice Comedies (1923 – 1927, the only original work that ever came out of the Disney studios). And Buster Keaton? In honour of Gertie he rode a claymation brontosaurus in his Three Ages (1923).

The Boy's (Buster Keaton) nifty use of a pre-Willis O’Brien stop-motion Brontosaurus' high vantage point. DPs: Elgin Lessley & William C. McGann.

Three Ages (1923)

#Bales2023FilmChallenge #WinsorMcCay #JohnAFitzsimmons #vaudeville #comedy #dinosaurs #animals #animation #ShortFilm #SilentFilm #USA #1910s

#todo

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? [Who Invented the Yoyo? Who Invented the Moon Buggy?] (Kidlat Tahimik, 1979)

May

30

National Creativity Day

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? (1979)

Kidlat Tahimik test driving his moon buggy, closely followed by faithful crew member Gottlieb (Kidlat Gottlieb Kalayaan). DP: Kidlat Tahimik.

Kidlat, while on Earth, wonders if on the Moon a yoyo behaves any differently. Thanks to his brilliant crew of Bavarian toddlers, his parents' collective aspirations, and generous donations from the First World in the form of assorted junk, he launches the first Filipino space program to find out.

“If you don't eat too many Gummy Bears you could be my co-pilot.”

– Kidlat Tahimik, speaking to a budding crew member

Sinong lumikha ng yoyo? is a remarkable display of imaginative filmmaking. Together with Kidlat we ponder about practicalities, suddenly see connections that were obscured by too much thinking, and realise all the new possibilities we have in life. Part documentary, part animation, part fantasy, part sci-fi, Kidlat transports us to yet unexplored spaces!

Nevinost bez zaštite [Innocence Unprotected] (Dušan Makavejev, 1968)

May

25

Tap Dance Day

Nevinost bez zaštite (1968)

A woman tap dancing on top of the raised barrel of a very large cannon in a circus tent. This scene, lifted from Цирк [Tsirk / Circus] (DPs: Grigoriy Aleksandrov & Isidor Simkov; DPs Vladimir Nilsen & Boris Petrov, 1936) inspired Dragoljub Aleksić – a trained blacksmith – to build his own cannon to shoot people out off. DPs: Branko Perak & Stevan Mišković.

Nevinost bez zaštite is a treasure trove. Of fantastic people, feats, footage, and genres. We sit down to watch #Serbia's first feature talkie, also named Nevinost bez zaštite (1943), and are joined by the people who created it.

“Dragoljub Son of our native land! Teeth and muscles, Tried and true All our hearts go out to you!”

While they speak, and occasionally burst out into song, about living in Yugoslavia under Nazi, then communist control, we meet Dragoljub!, the movie's lead with the jaws of steel. A man of great works, humanitarian and other, demonstrates his iron will. And while so, we all, starstruck and in love, sing:

“When they hammer your head, The skull is hard, And never cracks, Mother's little babe of steel! Dragoljub Son of our native land!”

Ansiktet [The Magician / The Face] (Ingmar Bergman, 1958)

May

22

love potion

Ansiktet (1958)

Coach driver Simson (Lars Ekborg) serving maid Sara (Bibi Andersson) a potion from a flask. DP: Gunnar Fischer.

– We're out of love potion. What now?

– Take this one, for colic and bunions. What matters is how the bottle looks and how the potion tastes.

Trafic [Traffic] (Jacques Tati, 1971)

May

16

National Barbecue Day

Trafic (1971)

A man prepares a steak on his nifty Renault 4 Altra grill (there's a pun), observed by M. Hulot and a perplexed Dutch customs officer. In the background a sign in Dutch that requests to refrain from smoking. DPs: Eduard van der Enden & Marcel Weiss.

Monsieur #Hulot – who in his final appearance happens to be an automobile designer – travels to a car show in Amsterdam to demonstrate his latest creation, a camper van par excellence. The vehicle of course accommodates the latest gadgets, such as a collapsible grill.

“Where are you going, Mr. Hulot?”

However regarded as a lesser #Tati, Trafic, is another display of lovingly choreographed insanity, notably a #CarCrash that makes me wonder if this was Tati's attempt to transpose Godard's Week-end (1967) into a pleasant, pre-May 68 France.

Footlight Parade (Lloyd Bacon, 1933)

May

15

National Nylon Stocking Day

Footlight Parade (1933)

Nan Prescott (Joan Blondell), semi-dressed, slipping on – then off – her suspender. DP: George Barnes.

Legs legs legs and then some! While Miss Bitc… err Rich (Claire Dodd) chats with Nan's boss Chester Kent (James Cagney), Nan (Joan #Blondell) absent-mindedly puts on two #stockings on one (lovely) leg, removes it, then slips it onto the other.

“Meow!”

Happy Ever After [Tonight's the Night] (Mario Zampi, 1954)

May

13

Leprechaun Day

Happy Ever After (1954)

Jasper O'Leary (David Niven) giving Serena McGlusky (Yvonne De Carlo) a stern talking-to. DP: Stanley Pavey.

Rathbarney is a typical small Irish town inhabited with a bunch of eccentrics, including a few leprechauns and a ghost, who all live in general harmony with each other, mostly at the local pub. (via IMDb)

“I've not lived long enough in Ireland to appreciate the logic of that remark.”

– Jasper O'Leary

E la nave va [And the Ship Sails On] (Federico Fellini, 1983)

May

5

National Concert Day

E la nave va (1983)

The opera singers and their entourage performing on a platform high above the boilers and elated ships' crew. DP: Giuseppe Rotunno.

The opera world is in mourning. Edmea Tetua, the greatest singer of all time, has passed away. On a grande ocean liner, her friends, colleagues, admirers have come together to scatter Edmea's ashes near Erimo, the island where she was born.

“This is the funny thing abut sea voyages. After a few days, you feel as if you'd been sailing forever. You feel you've always known your fellow voyagers.”

During a tour of the ship, the passengers visit the boiler room where – urged on by the engine room crew – an impromptu operatic competition unfolds, all to the pulsating rhythm of the steamliner's bloated belly.

Simón del desierto [San Simeón del desierto / Simon of the Desert] (Luis Buñuel, 1965)

May

4

National Day Of Prayer

Simón del desierto (1965)

A young, bearded person in toga and a lamb pass Simón (Claudio Brook), praying on top of his pillar. DP: Gabriel Figueroa.

Simón is a stylite in the Syrian #desert on top of a pillar, close to God, #praying. People gather and pray to him, Simón. Simón prays for the people, the animals, himself.

“Come down off that column. Taste earthly pleasures till you've had your fill. Till the very word pleasure fills you with nausea.”

– The Devil

As with anyone who believes in the concept of #sin, or desires to be free of sin, sin comes to Simón.