settima

crime

The Criminal [The Concrete Jungle] (Joseph Losey, 1960)

Nov

21

chow time

The Criminal (1960)

A prison space. Two tough looking guys in dark clothing appear to savour their meals. One of them is holding a book. DP: Robert Krasker.

 

Le pacha [Pasha / Showdown] (Georges Lautner, 1968)

Nov

14

Le pacha (1968)

Dany Carrel and Jean Gabin gloomily share a small dinner table. DP: Maurice Fellous.

“The day they put jerks into orbit, you won't stop rotating soon!”

– Comissaire Joss, le Pacha

Panique [Panic] (Julien Duvivier, 1946)

Nov

7

Panique (1946)

A child probes her dinner with a fork larger than her head while another one is all neat and proper. In the midst of them, as serious table settings require, a large man. His napkin tucked in at the neck, he leans over the first child with something to say. DP: Nicolas Hayer.

“Dead meat always attracts flies.”

– Monsieur Hire

拳銃は俺のパスポート [Koruto wa ore no pasupōto / A Colt Is My Passport] (Takashi Nomura, 1967)

Nov

3

拳銃は俺のパスポート (1967)

A blurry shot of a man with a moustache in a space with chairs and a round table. DP: Shigeyoshi Mine.

 

ტარიელ მკლავაძის მკვლელობის საქმე [Tariel Mklavadzis mkvlelobis saqme / The Hero of Our Time] (Ivane Perestiani, 1925)

Sep

21

wine

Tariel Mklavadzis mkvlelobis saqme (1925)

A dark eyed woman lurks from behind a white horse, while holding a glass of wine. DP: Aleksandr Digmelov.

 

Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)

Aug

24

black

Les Vampires (1915)

A signed promotional photograph of Irma Vep (Musidora) in her iconic black catsuit. DPs: Georges Guérin & Manichoux.

Black, in food or fashion*

“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”

– Musidora

Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.

 

Mitt hem är Copacabana [My Home Is Copacabana] (Arne Sucksdorff, 1965)

Aug

2

Mitt hem är Copacabana (1965)

The favela children on the beach, playing with kites and mingling with the rich kids. DP: Arne Sucksdorff.

A kite in celebration of 浜松まつり, the Hamamatsu Kite Festival, which takes place on May 3–5*

 

Favela kids steal kites and sell them on in this Copacabana-set Nordic drama.

 

Toninho Carlos de Lima, Rico in the movie, was not a homeless kid from the favelas but lived in a house with his family when he was send to Sweden to promote Mitt hem är Copacabana. A wealthy Swedish couple offered to adopt him, and his natural mother reluctantly gave in hoping to prevent a life of crime for her son (source). That too, dear reader, is colonialism.

 

La vérité [The Truth] (Henri-Georges Clouzot, 1960)

Jul

25

La vérité (1960)

Bardot and two men in a café. She has her head on Sami Frey's shoulder while the other man kisses her arm. The table in front of them holds a full ashtray and small coffee cups. DP: Armand Thirard.

 

L'argent [Money] (Robert Bresson, 1983)

Jul

22

L'argent (1983)

A man at an ATM holds on to a Visa credit card with tweezers. DPs: Pasqualino De Santis & Emmanuel Machuel.

Everything's expensive: someone is a at bank or ATM*

 

La piscine [The Swimming Pool] (Jacques Deray, 1969)

Jul

20

La piscine (1969)

Marianne (Romy Schneider) and Harry (Maurice Ronet) shopping. Note the plethora of atypical-for-France ingredients, and how the packaging hasn't changed up to today. DP: Jean-Jacques Tarbès.

Shopping for food*

“I thought you'd be hungry, maybe.”

Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…