Red [The Red Half-Breed / Red the Half Breed] (Gilles Carle, 1970)
Sep
2

A counter at a Québécois branch of the Banque de Montréal – oddly enough using its English-language name. A wall calender reads September 2. DP: Bernard Chentrier.
Red [The Red Half-Breed / Red the Half Breed] (Gilles Carle, 1970)
Sep
2

A counter at a Québécois branch of the Banque de Montréal – oddly enough using its English-language name. A wall calender reads September 2. DP: Bernard Chentrier.
Happy End (Oldřich Lipský, 1967)
Sep
1
1889

Butcher Bedřich Frydrych (Oldřich Lipský), born September 1, 1889 in Trumberk. DP: Vladimír Novotný.
“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”
Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)
Aug
24
black

A signed promotional photograph of Irma Vep (Musidora) in her iconic black catsuit. DPs: Georges Guérin & Manichoux.
Black, in food or fashion*
– Musidora
Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
Mitt hem är Copacabana [My Home Is Copacabana] (Arne Sucksdorff, 1965)
Aug
2

The favela children on the beach, playing with kites and mingling with the rich kids. DP: Arne Sucksdorff.
A kite in celebration of 浜松まつり, the Hamamatsu Kite Festival, which takes place on May 3–5*
Favela kids steal kites and sell them on in this Copacabana-set Nordic drama.
Toninho Carlos de Lima, Rico in the movie, was not a homeless kid from the favelas but lived in a house with his family when he was send to Sweden to promote Mitt hem är Copacabana. A wealthy Swedish couple offered to adopt him, and his natural mother reluctantly gave in hoping to prevent a life of crime for her son (source). That too, dear reader, is colonialism.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
La vérité [The Truth] (Henri-Georges Clouzot, 1960)
Jul
25
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Bardot and two men in a café. She has her head on Sami Frey's shoulder while the other man kisses her arm. The table in front of them holds a full ashtray and small coffee cups. DP: Armand Thirard.
L'argent [Money] (Robert Bresson, 1983)
Jul
22

A man at an ATM holds on to a Visa credit card with tweezers. DPs: Pasqualino De Santis & Emmanuel Machuel.
Everything's expensive: someone is a at bank or ATM*
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“I thought you'd be hungry, maybe.” La piscine [The Swimming Pool] (Jacques Deray, 1969)
Jul
20

Marianne (Romy Schneider) and Harry (Maurice Ronet) shopping. Note the plethora of atypical-for-France ingredients, and how the packaging hasn't changed up to today. DP: Jean-Jacques Tarbès.
Shopping for food*
Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
– We'll go to an island and live from fishing and hunting. And the sun will shine and it will never rain. And we'll eat lobster and drink wine.
– …
– Why not?
– Because it's too expensive.
– Why too expensive?
– It's just too expensive. Götter der Pest [Gods of the Plague] (Rainer Werner Fassbinder, 1970)
Jul
16

The Gorilla (Günther Kaufmann) and Franz (Harry Baer) reflected in the window of a deserted supermarket at night (via). DP: Dietrich Lohmann.
Someone complains about costs or prices*
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“On the bus, the air was so thick, he felt woozy. A wailing infant shook with tears and the woman beside him reeked with the stink of cheap perfume.” 野良犬 [Nora inu / Stray Dog] (Akira Kurosawa, 1949)
Jul
14

A sweaty man in uniform drinks from a water fountain like a dog (via). DP: Asakazu Nakai.
Someone enjoys a drink or beverage*
– narrator
On a sweltering summer day, Detective's Murakami's Colt gets stolen on a crowded bus. He must delve deep into the sticky sweaty seedy underbelly of Tokyo to retrieve it.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
Horoskop [Horoscope] (Boro Drašković, 1969)
Jul
11

The impromptu café awaiting tourists, for now occupied by lounging men. DP: Ognjen Miličević.
Someone at a coffee shop or café*
There's not much next to the railroad tracks. A group of young men spend their summer days there, waiting for the train bringing tourists to the Adriatic coast. Suddenly, the place comes to life with waiters frantically unfolding parasols. And there's a pretty blonde, she stays, and brings her newspaper stand along. The men place a bet…
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.