settima

drama

Le trou [The Hole / The Night Watch] (Jacques Becker, 1960)

Jun

19

International Box Day

Le trou (1960)

The prisoners keep themselves occupied with making cardboard folding boxes. The second man from the right is the novel's author and real-world (ex-) inmate José Giovanni aka Jean Keraudy as Roland Darbant. DP: Ghislain Cloquet.

Inmates preoccupy themselves with making cardboard boxes. While working together, talking, gaining trust, plans for an escape unfold.

“Hello. My friend Jacques Becker recreated a true story in all its detail. My story. It took place in 1947 at La Santé prison.”

– Jean Keraudy as himself

Le trou is based on a real prison escape and introduced by one of the men involved, Jean Keraudy.

Der siebente Kontinent [The Seventh Continent] (Michael Haneke, 1989)

Jun

18

Clean Your Aquarium Day

Der siebente Kontinent (1989)

Evi (Leni Tanzer) dedicated to her routine of feeding the aquarium fish before going to bed. DP: Anton Peschke.

A middle-class Austrian family – father, mother and their ten year old daughter – live a mundane, almost ritualised life. There's work, school, social obligations. Stuff to maintain and food to prepare. Patients to see and fish to feed. Constant repetition begets chaos.

“Okay, time to say your prayers.”

– Anna Schober

Umut [Hope] (Yilmaz Güney + Şerif Gören, 1970)

Jun

18

Umut (1970)

Cabbar (Yilmaz Güney, center), his travel companions, and their hosts share an opulent meal. DP: Kaya Ererez.

“I left forty lira at home, the family is hungry now.”

– Cabbar

错位 [Cuo wei / Dislocation] (Huang Jianxin, 1986)

Jun

17

啤酒

错位 (1986)

The engineer (Zifeng Liu) drinking many many beers with his secretary (Hong Mu). DP: Xinsheng Wang.

Könnyű testi sértés [Tight Quarters] (György Szomjas, 1983)

Jun

15

freebie: Flatmates Day

Könnyű testi sértés (1983)

In a claustrophobically framed shot, two men and a woman – Csaba (Károly Eperjes), Miklós (Péter Andorai) and Éva (Mariann Erdőss) respectively – share a small kitchen. DP: Ferenc Grunwalsky.

The Man Who Could Work Miracles (Lothar Mendes + Alexander Korda, 1936)

Jun

15

fruit

The Man Who Could Work Miracles (1936)

George McWhirter Fotheringay (Roland Young) waking up to an abundance of tropical foods in a crystal bowl, plus multiple expensive watches. His ill-fitting pajamas miss a button. DP: Harold Rosson.

“As I want it, so it will be!”

– George McWhirter Fotheringay

Körkarlen [The Phantom Carriage] (Victor Sjöström, 1921)

Jun

13

International Axe Throwing Day

Körkarlen (1921)

David Holm (Victor Sjöström) attempts to break through a wooden door with the butt of an axe. This scene was the inspiration for the infamous door scene in Kubrick's The Shining (1980). DP: Julius Jaenzon.

“I want to be good, but no one believes me. Is it any wonder I cry?”

– David Holm

Suspense (1913)

Triangular split-screen in Suspense (1913). While the Wife (Lois Weber) is on the phone with her Husband (Val Paul), unbeknownst to them the Tramp (Sam Kaufman) cuts the telephone wire.

Suspense (1913)

June 11: say Hi! on #SayHiDay

Suspense (Phillips Smalley & LoisWeber, 1913)

Now he's in the…

Suspense is not only the title of this short silent thriller, but also the state of mind the viewer is put into as soon as the film opens. Using POV (point-of-view) shots and breaking the fourth wall, the imminent threat – a vagrant trespassing and creeping up to a lone woman and her newborn child – creeps up on us. We know we're safe, on the other side of the screen, but the Tramp (a particularly haunting Sam Kaufman) looks us right in the eye. He passes us on the stairs, but he's going around us so he must be, hopefully, aware of our presence.

Meanwhile, we also see something that only cinema and books can give: multiple happenings at once. The Wife (Lois Weber) calls her Husband (Val Paul) on the phone. Suddenly the screen splits into three: in the middle, the Husband on call, listening to his Wife on the right who's begging him to hurry home. On the left, the Tramp. Unlike us, he cannot see the conversation promising a happy end. But instead that bringing some relief to the viewer, he cuts the phone cable. While we see that happen, we have no way to tell the Husband to make haste, or the Wife that the Tramp's getting closer.

What's striking too is the omnipresence of modernity: the couple's home and Husband's office have telephones and therefore electricity, and the Husband speeds off in an automobile. The cinematography for the telephone and car chase scenes are filmed and edited with great knowledge of the technical possibilities of the medium; split-screen (only gathering popularity much later, see Pillow Talk (1959), and the usage of the Entfesselte Kamera [unchained camera], the latter a mid 1920s German invention.

A similar, triangular split-screen scene from Michael Gordon's Pillow Talk (1959) with (LtR) Eileen (Valerie Allen), Jan Morrow (Doris Day), and Brad Allen (Rock Hudson) on the party line. With Ms Day's character centred, we know that she's the one to identify with in this particular scene. DP: Arthur E. Arling.

Pillow Talk (1959)

With that, Suspense not only preceded Italian futurist cinema, but also the usage of suspense as a cinematic technique. Now go and watch, and remember

it's only a movie it's only a movie it's only a movie

#Bales2023FilmChallenge #PhillipsSmalley #LoisWeber #SamKaufman #USA #ShortFilm #SilentFilm #drama #suspense #crime #thriller #HomeInvasion #1910s ★★★★☆

#todo

Gycklarnas afton [Sawdust and Tinsel] (Ingmar Bergman, 1953)

Jun

11

pancakes

Gycklarnas afton (1953)

Ringmaster Albert Johansson (Åke Grönberg) with Anne (Harriet Andersson) – holding a pot – standing over him. DPs: Hilding Bladh & Sven Nykvist.

– All I can offer is pancakes? Will they do?

– They'll do just fine.

Planeta krawiec [The Planet ‘Tailor’] (Jerzy Domaradzki, 1983)

June

7

National Tailors Day

Planeta krawiec (1983)

Lobby card. A fraction of the night sky with, where you would expect the Moon, a large button. DP: Stanisław Szymański.

During the tense hours of a solar #eclipse, the locals spend their time in a bar. One litre of vodka is the wager for he who can correctly guess a woman's dress size. Of course, tailor Józef Romanek (Kazimierz Kaczor) doesn't need to guess and that one litre later, finds himself walking through space. When he comes round from his coma, Józef builds an observatory in his house, where the tailor with his home-made telescope dreams of finding an unknown planet, and discovers the world around him.

 

Polish tailor Adam Giedrys is not only the subject of Planeta krawiec, but also served as the film's consultant. For his passion for and devotion to astronomy, Giedrys was the first Pole to receive Lunar soil from #NASA's 1969 Apollo 11 Moon mission.