settima

mystery

The Mystery of the Mary Celeste [Phantom Ship] (Denison Clift, 1935)

Nov

11

The Mystery of the Mary Celeste (1935)

Anton Lorenzen (Bela Lugosi). DPs: Eric Cross & Geoffrey Faithfull.

“No, I never left the wheel; not for a moment.”

– Anton Lorenzen

Das Gold der Liebe [The Gold of Love] (Eckhart Schmidt, 1983)

Nov

9

Das Gold der Liebe (1983)

DAF-fan Patricia (Alexandra Curtis). DP: Bernd Heinl.

“Oh keiner macht's wie du, Wie du so traut sich's keiner, So wie du”

– DAF – El Que (Gold und Liebe (1981)

Outer Space (Peter Tscherkassky, 1999)

Oct

26

Outer Space (1999)

Barbara Hershey as Carla Moran. DP of The Entity: Stephen H. Burum.

[Favourite] psychological horror*

“A premonition of a horror film”

– tagline

Real horror is not found in broken dinner plates or corpuscular masses of light. It's in what the mind does with that input, in how those lux morph into human-like shapes. In how gusts of wind becomes larynx-touched voices. Cut up the neatly filed research papers and be left with the whispers of the mind.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

La donna del lago [The Lady of the Lake / The Possessed] (Luigi Bazzoni + Franco Rossellini, 1965)

Oct

25

La donna del lago (1965)

Tilde (Virna Lisi) caressing a man's hand, resting on her shoulder, with her cheek. DP: Leonida Barboni.

Until November 20.

Il caso Valdemar [The Facts in the Case of M. Valdemar] (Gianni Hoepli + Ubaldo Magnaghi, 1936)

Oct

24

Il caso Valdemar (1936)

M. Valdemar on his deathbed.

[A] favourite horror movie overall*

”'M. Valdemar,' I said, 'are you asleep?' He made no answer, but I perceived a tremor about the lips, and was thus induced to repeat the question, again and again. At its third repetition, his whole frame was agitated by a very slight shivering; the eye-lids unclosed themselves so far as to display a white line of the{n} ball; the lips moved sluggishly, and from between them, in a barely audible whisper, issued the words:

'Yes; — asleep now. Do not wake me! — let me die so!'”

– Edgar Allan Poe, The Facts in the Case of M. Valdemar (1845) (via)

A man agrees on being hypnotised while in the state of dying. This particularly haunting and efficiently gory film – the first in the genre – is the result.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

The Mystery of the Mary Celeste [Phantom Ship] (Denison Clift, 1935)

Oct

23

Bela Lugosi

The Mystery of the Mary Celeste (1935)

Anton Lorenzen (Lugosi) at Mary Celeste's wheel. DPs: Eric Cross & Geoffrey Faithfull.

[A favourite] Bela Lugosi film*

“No, I never left the wheel; not for a moment.”

– Anton Lorenzen

A post-Dracula Lugosi demonstrates that he's more than the cursed aristocrat. An efficient early Hammer production, made just a year after their founding.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Nattmara [Nightmare] (Arne Mattsson, 1965)

Oct

19

Tue

spoiler warning: click to toggle image Nattmara (1965)
spoiler warning: click to read

Hands hold up a small diary. The camera is focussed on Tuesday the 19th of October, 1965. Handwriting, a chicken scrawl, reads CITROEN A66692 MAJ BERG ✝. Besides that the week is uneventful. DP: Max Wilén.

Le passager de la pluie [Rider on the Rain] (René Clément, 1970)

Oct

10

Le passager de la pluie (1970)

Mélancolie 'Mellie' Mau (Marlène Jobert) and Col. Harry Dobbs (Charles Bronson), dancing. DP: Andréas Winding.

– You expect me to eat that?

– Americans live on ketchup and milk. I'm a whiz at geography.

Vargtimmen [Hour of the Wolf] (Ingmar Bergman, 1968)

Oct

4

aquavit

spoiler warning: click to toggle image Vargtimmen (1968)

Digestifs served with glass peepers Skål! DP: Sven Nykvist.

“This is my supper, you see. Lindhorst, who knows the world, says that old harlots have a morbid desire to satisfy their mouths and stomachs.”

– Gamla Fru von Merkens

Gothic (Ken Russel, 1986)

Oct

1

Frankenstein

Gothic (1986)

Percy Shelley (Gabriel Byrne), Mary Shelley (Natasha Richardson) and Dr Polidori (a deliriously delicious Timothy Spall). DP: Mike Southon.

A [favourite] Frankenstein film.

 

One wet, ungenial summer in 1816, lovers Mary Godwin and Percy Shelley, and Mary's stepsister Claire Clairmont, visited a dear friend at Villa Diodati. That friend was Lord Byron, exiled and residing in the Swiss villa with his physician Dr John Polidori

“There are no ghosts in daylight. You'll get used to our nights at Diodati. A little indulgence to heighten our existence on this miserable Earth. Nights of the mind, the imagination. Nothing more.”

– Lord Byron

Forced indoors, over the cause of three days they turned to the occult, to laudanum, to stories from the Fantasmagoriana, and the horrors of their own. That summer, Frankenstein saw the light of day.