Candles for Diwali*. Today's and tomorrow's theme are virtually interchangeable.

 

When an old crone gives birth to a beautiful baby, a young virgin claims the child as hers. With the Immaculately Conceived wonder put on display – to the child's contemporaries, the court of Cosimo de' Medici attending a reenactment of the events, and us film viewers – He protects the false Virgin from losing her chastity and blurs the walls between staging and gospel.

 

* “Diwali, one of the major religious festivals in Hinduism, Jainism, and Sikhism, lasting for five days from the 13th day of the dark half of the lunar month Ashvina to the second day of the light half of the lunar month Karttika. The corresponding dates in the Gregorian calendar usually fall in late October and November.” (source).

Italy or Sophia Loren for La Loren's birthday (1934).

“Film is kijken naar mensen die kijken.”

– Remco Campert, Het gangstermeisje (1965)

A writer tasked with writing a screenplay based on his novel Het gangstermeisje suffers from writer's block. Some time at his friends' house in France brings the inspiration needed but also a few twists and turns, similar to his book, leading him to Cinecittà.

“Tot dusver had ik mij steeds vrij tevreden met het leven gevoeld, zonder er wonderen van te verwachten. Die morgen geloofde ik, dat het voor een mens niet onmogelijk is gelukkig te zijn, kortstondig gelukkig misschien, maar gelukkig onmiskenbaar.”

– Hubert Lampo, De komst van Joachim Stiller (1960)

Ice or cold food to celebrate the final day of the Reykjavík Food & Fun Festival

“For me it’s important to note that the film’s information is also the only thing you know. That’s the idea of the tip of the iceberg, provided that only the portion above the water exists (in the film), because you know nothing of what’s under water and therefore it’s impossible for you to describe the entire iceberg.   For example, in De nieuwe ijstijd the characters are not described 'in their entirety'. What is shown is only what we’ve encountered when we were filming. It’s always a limited, fragmentary knowledge of everything that exists, and that’s how it’s shown.”

– Johan van der Keuken, via

Part three of Van der Keuken's Noord-Zuid trilogy. Again we are confronted with the contrast between the First and Third world, here represented by a Dutch family of monotonous ice-cream factory hands, and impoverished Peruvian workers establishing self-governance, accompanied by Willem Breuker's punching free jazz cacophony.

A [favourite] Billy Zane film for his birthday (1966).

“This future of yours Shelmerdine, when it's gonna begin? Today? Or, is it always tomorrow?”

– Orlando

As ordered by Queen Elizabeth I (Quentin Crisp), nobleman Orlando remains young and traverses exotic scenery, civilisations, time, and gender.

A zoo for National Visit The Zoo Day (USA)

“In the land of the legless, the one-legged woman is queen.”

“All is falling”

– Bas Jan Ader

There's something really peculiarly narrow-minded about the Dutch called “verzuiling”, “pillarisation”; society is split into vertical columns and depending on your background you join certain circles. You play soccer, join a trade union, or listen to the radio in a Catholic, Protestant, or social-democratic context. Deeply socialist, (for you American-styled liberals rather extremely) leftist, and seasoned with a generous dash of subversive underground ánd highbrow culture, Dutch radio and TV broadcaster VPRO belongs to the latter.

 

When VPRO radiomaker Bram van Splunteren came across Beastie Boys' rock/rap crossover 12” She's On It (from the 1985 #HipHop movie Krush Groove), he knew he was onto something and he would play the Beasties and other rappers on his De Wilde Wereld alongside Oingo Boingo and The Fall.

“Some people don't know rock 'n' roll came out the same way rap came out. People would say: No, it will never last.”

– Schoolly D

Despite the VPRO boasting about their leftie open-mindedness, Van Splunteren's embrace of such lowbrow, poor people culture (not the right kind of frugal-by-choice types but the low-cultured tracksuit wearing ones) didn't sit well with the broadcaster. Minorities boasting about their accomplishments, their cars, girls, gold? That's got no place in this social-democratic-Lutheran column!

 

Yet time moved on and Van Splunteren was given a budget to make a TV program about that weird talking-over-drum-machines music. With a small crew that included Belgian comedian/musician Marcel Vanthilt – who would sporadicly rap with his oddball New Beat group Arbeid Adelt! – Van Splunteren explored the music from the then-still predominantly Black neighbourhoods in the Big Town: the Bronx, Harlem, Queens, while Vanthilt interviews everyone available; from a boasting LL Cool J and his grannie to a very green Biz Markie and old old old skoolers The Last Poets.

 

Over time, this obscure 1986 Dutch TV documentary Big Fun in the Big Town has become an essential snapshot of hip hop culture. It captures an optimism and fire elemental to survive Reagan's America and highlights the urge to continue the Black struggle that the Panthers and others set in motion.

 

Happy birthday, hip hop. To many more powerful years to come.