settima

poland

Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)

Nov

4

1933

Na wylot (1972)

Maria (Anna Nieborowska) and Jan (Franciszek Trzeciak) in court. The film is based on the 1933 Jan and Maria Malisz’s Case. DP: Bogdan Dziworski.

Śledztwo [The Investigation] (Marek Piestrak, 1974)

Oct

28

Śledztwo (1974)

A person offscreen shoots a handgun. DP: Edward Kłosiński.

Medium (Jacek Koprowicz, 1985)

Oct

2

Medium (1985)

A man in an impeccable, light-colored suit. His nose is bleeding. DPs: Jerzy Zieliński & Wit Dąbal.

Wśród nocnej ciszy [Quiet Is the Night] (Tadeusz Chmielewski, 1978)

Sep

14

Wśród nocnej ciszy (1978)

A young student sits on the ledge of a barge, looking up at another man. DP: Jerzy Szurowski.

Czułe miejsca [Tender Spots] (Piotr Andrejew, 1981)

Aug

28

1998

Czułe miejsca (1981)

Janek (Michał Juszczakiewicz) and Ewa (Hanna Dunowska) in embrace on a bed. DPs: Jerzy Zieliński & Ryszard Lenczewski.

Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)

Aug

15

cerulean

Trois couleurs: Bleu (1993)

Julie (Juliette Binoche) in a blue wallpapered room, observes blue beads suspended in front of a window with a cerulean sky and ocean behind it. Throughout the story, her clothing changes from white, to black, to the darkest charcoal blue, to Prussian blue. DP: Slawomir Idziak.

Cerulean, or blue: in food or fashion*

“I'm just fine. I have everything here. I have the TV. You can see the whole world”

– the mother

How could I not pick at least one instalment of Kieślowski's Trois couleurs trilogy. Here's blue, the liberté of the tricolor. Blue occurs as the sky to fall through, the room without life, and the cloth that binds.

 

Seksmisja [Sexmission] (Juliusz Machulski, 1984)

Aug

9

Seksmisja (1984)

Two poor captured extinct men enjoying breakfast and cigarettes. DP: Jerzy Łukaszewicz.

– Men are extinct.

– They were not mammoths!

Popiół i diament [Ashes and Diamonds] (Andrzej Wajda, 1958)

Jun

27

National Sunglasses Day

Popiół i diament (1958)

Maciek Chelmicki (Zbigniew Cybulski) wearing his sunglasses in a dark, almost German Expressionist space, embellished with meandros. DP: Jerzy Wójcik.

[The best] sunglasses in film for National Sunglasses Day (USA)

– Why do you always wear those dark glasses?

– A souvenir of unrequited love for my homeland.

According to IMDb, the sale of sunglasses in Poland went through the roof after this film was released and Cybulski became his country's very own James Dean.

Wyszedł w jasny, pogodny dzień [He Left on a Bright, Sunny Day] (Krzysztof Wojciechowski, 1972)

Jun

13

Wyszedł w jasny, pogodny dzień (1972)

Old people exchanging food and memories outdoors. DPs: Witold Stok & Ryszard Wróblewski.

Katar [Cold] (Hieronim Neumann, 1984)

May

6

Childhood Depression Awareness Day

Katar (1984)

One little girl sneeze even bursts the camera! A – psik (achoo)! DP: Zbigniew Kotecki.

A child with health struggles for Childhood Depression Awareness Day (USA)

“Spotkał katar Katarzynę – A – psik! Katarzyna pod pierzynę – A – psik!”

– Jan Brzechwa, Katar (via)

A little girl has the sniffles, sees the doctor, and so happily spreads the bug all over town. A quirky animated short based on a poem by Jan Brzechwa.