settima

romance

Sunrise: A Song of Two Humans (F.W. Murnau, 1927)

Mar

12

Academy Award For Best Picture

Sunrise: A Song of Two Humans (1927)

The Man and Wife kiss in the countryside. Suddenly, the backdrop changes to the hustle and bustle of the big city. Carts, both horse and engine driven, come to a halt for the lovers. DPs: Charles Rosher & Karl Struss.

Sunrise was bestowed the award for “Best Unique and Artistic Picture” on that first Oscar night. The first and last time that ever happened; in 1930, the price was scrapped and replaced by “Outstanding Picture” aka “Best Picture”. And that one went to the much more American-patriotic Wings (1927).

 

Also rightfully awarded in '29 were Janet Gaynor (Best Actress in a Leading Role), Charles Rosher and Karl Struss (Best #Cinematography), while Rochus Gliese was nominated for Best #ArtDirection.

“This song of the Man and his Wife is of no place and every place; you might hear it anywhere, at any time.”

– opening title card

Sunrise is a fantastic tour de force, and it winning that award should make you feel hopeful for the future of cinema. Instead, the current list of nominees and winners is, at least to me, a checklist of what to avoid for ever.

Malá morská víla [The Little Mermaid] (Karel Kachyňa, 1976)

Mar

3

National Dress In Blue Day

Malá morská víla (1976)

The little mermaid (Miroslava Safránková) in her wonderful sea-blue dress, puts a coral-red rose in her blue hair. DP: Jaroslav Kučera.

Miroslava Safránková plays Hans Christian Andersen's doomed little mermaid – Malá morská víla in Czech – who falls in love with a mortal and gives up her beautiful voice to be with him. Sadly, the mortal, a prince, doesn't recognize his mute saviour and doesn't return his love.

“The other day I got caught in some fishermen's net. Of course, I had to drown them. I couldn't allow them to touch me, could I?”

– the little mermaid

The wonderful soundtrack is by Zdeněk Liška who also composed music for Ikarie XB 1 (Jindřich Polák, 1963) and Spalovač mrtvol (Juraj Herz, 1969).

I fidanzati [The Fiancés / The Engagement] (Ermanno Olmi, 1963)

Feb

21

Brazilian Carnival

I fidanzati (1963)

Revellers at the Sicilian carnival parade with confetti all around them. Centred Giovanni (Carlo Cabrini), eyes shut. DP: Lamberto Caimi.

A carnival-like parade.

“Do you still go dancing at night? I've stopped going. There are no dance halls here. But that's not the only reason. I was used to dancing with you. I'm not comfortable with other girls.”

– Giovanni in a letter to Liliana

Le genou de Claire [Six Contes Moraux V: Le genou de Claire / Claire's Knee] (Éric Rohmer, 1970)

Feb

17

National Tennis Pro Day

Le genou de Claire (1970)

Touching Claire's knee. DP: Néstor Almendros.

“Every woman has her most vulnerable point. For some, it's the nape of the neck, the waist, the hands. For Claire, in that position, in that light, it was her knee.”

– Jerome

Kiss (Andy Warhol, 1963)

Feb

13

Kiss Day

Kiss (1963)

An interracial couple kissing. © The Andy Warhol Museum, Pittsburgh.

“People should fall in love with their eyes closed.”

– Andy Warhol

Accident (Joseph Losey, 1967)

Feb

1

Car Insurance Day

Accident (1967)

Anna (Jacqueline Sassard) on the backseat of a car, her head tilted back. DP: Gerry Fisher.

A car accident.

Un chant d'amour [A Song of Love] (Jean Genet, 1950)

Jan

30

National Escape Day

Un chant d'amour (1950)

From one prison window to another, a bunch of flowers swings towards a grasping hand. DP: Jacques Natteau.

An escape of sorts, in love and lust.

“He puts his cheek to the wall. With a kiss he licks the vertical surface and the greedy plaster sucks in his saliva. Then a shower of kisses.”

– Jean Genet, Notre-Dame des Fleurs (1942/43)

Fetish & Dreams (Steff Gruber, 1985)

Jan

16

National Boston Day

Fetish & Dreams (1985)

Michèle (Michèle Rusconi) and S. (Steff Gruber) in front of a mirror. While she combs her long dark hair, he films the reflection of the both of them. DP: Rainer Klausmann.

Swiss documentary maker S. (Steff Gruber) explores New York's high-tech dating market when he slowly comes to the realisation that he himself is lonely. Trying to track down the woman he saw on the plane en route to America, S. and his crew find themselves in Boston.

“Fifty ways to meet your lover”

– computer dating ad