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A Midsummer Night's Dream (William Dieterle + Max Reinhardt, 1935)
Jun
10
Superman Week
Oberon (Victor Jory) – King of the Fairies – on his horse with Puck (Mickey Rooney) – a trickster sprite. While they ride of, Oberon's cape flows behind them through the trees, supported by the fae. A lot of the other-worldly fairy sparkle was accomplished by generous amounts of DuPont® cellophane and cinematographer Hal Mohr's contribution of trimming the trees with aluminium paint, cobwebs, and small metal particles. DP: Hal Mohr.
Capes, cloaks, and mantles are everywhere in Dieterle and Reinhardt's lavishly outfitted A Midsummer Night's Dream. The dreamlike #CostumeDesign by Max Rée and the uncredited Milo Anderson is as much as a personality as #Shakespeare's characters are.
“Now, until the break of day,
Through this house each fairy stray…”
Any reports of Kenneth Anger's presence as the Changeling Prince are greatly exaggerated.
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The Last Man on Earth (Ubaldo Ragona + Sidney Salkow, 1964)
Jun
2
Republic Day – Italy
Dr. Robert Morgan (Vincent Price) walking down the stairs of the Palazzo della Civiltà Italiana (aka the Palazzo della Civiltà del Lavoro aka the Colosseo Quadrato), with bodies scattered around him. DP: Franco Delli Colli.
Rome's EUR was Italy's site for the 1942 World's Fair, and meant as a showcase for #Mussolini's then-20 year old fascist state. Due to the outbreak of World War 2, EUR was never used for the Fair. Instead, the Italian Republic restored the project after the war and – quite appropriately if I may say so – turned it into a business district.
“Your new society sounds charming.”
– Dr. Robert Morgan
An idealised, hypermodern interpretation of Classical Roman architecture, EUR feels alien and inhumane and serves as a perfect backdrop for the events a last man on earth may come up against.
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Vertigo (Alfred Hitchcock, 1958)
May
27
Golden Gate Bridge
A pensive Novak in black in front of a sunlit Golden Gate Bridge. DP: Robert Burks.
A bridge to celebrate the 1937 Golden Gate Bridge opening.
“Here I was born, and there I died. It was only a moment for you; you took no notice.”
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Cuadecuc, vampir (Pere Portabella, 1971)
May
26
World Dracula Day
Lucy (Soledad Miranda) in bloody embrace with Dracula (Christopher Lee). DP: Manel Esteban.
A black forest. A man walks through, holding a smoke machine. Then a carriage with a familiar coachman. Dracula! Where are we? No, not 19th century #Transylvania. The film stock reveals bullet holes in ancient walls, and beyond these walls a ladder, maybe scaffolding. A pneumatic drill, more crew members, lights, a clapperboard. Are the characters aware of that? Them seem to interact with the disturbance yet oblige to the interruptions of the movie set. In a state of hypnopompia, guided by kuroko, maybe?
“cut”
Pere Portabella created a hyper-reality with his Cuadecuc, vampir. A director dismantles the man-behind-the-curtain, Franco, the other #Franco while setting up scaffolding for the next Spain. Everything's a reality, or an illusion, then nothing is.
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薄面佬 [Mee Pok Man] (Eric Khoo, 1995)
May
24
National Caterers Appreciation Day
Bunny (Michelle Goh) leaning on a small table littered with empty beer bottles. Mee Pok (Joe Ng) is to her left, holding a stack of dirty dishes. In the background, a large pile of noodle boxes leans against the restaurant wall. DP: Yoke Weng Ho.
At night, a small group of prostitutes frequent a local 面薄 / mee pok #restaurant. One of them, Bunny (Michelle Goh), caught the hawker's eye, but she's not interested in the “mee pok” (the “fish ball”, as they call the vendor) (Joe Ng) and besides she has a boyfriend. Then, a car crash. Bunny is left for dead in front of the eatery. He takes her in, preparing endless meals
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Culloden (Peter Watkins, 1964)
May
23
Wigged man at a table, drinking wine with three men lower in rank standing behind them with their arms crossed. DP: Dick Bush.
“Sir John MacDonald, Jacobite captain of cavalry. Aged, frequently intoxicated, described as 'a man of the most limited capacities'.”
– narrator
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Padre padrone [My Father My Master / Father and Master] (Paolo + Vittorio Taviani, 1977)
May
23
freebie: National Sons Day
Father (Omero Antonutti) and son (Saverio Marconi). The son, an adult here, kneels and rests his head on his father's knee. The father, perched on the edge of a bed, looks down on the young man. DP: Mario Masini.
Not a film you can be prepared for, Padre padrone. The author, Gavino Ledda, hands a stick – that stick – to the actor who plays his part. There we are, in Sardinia, beautiful Sardinia. A boy in class, learning. His father barges in: the boy must attend the sheep, or else. From that moment on we become that boy Gavino. Life's cruel on the island, but his father, his master, is worse. But that's how it is, there's sheep to herd. When Gavino enlist in the army, he encounters a new world. The precise world of electronics, other people, other sounds, the Italian #language. When he returns home, he finds his father a small man.
“Don't laugh at Gavino. Hands on your desks! Today is Gavino's turn. Tomorrow will be yours.”
– father
In a 1977 New York Times article the Taviani's are cited as seeing Gavino in the same light as #Truffaut's L'Enfant sauvage (1970) and #Herzog's Kaspar Hauser (Jeder für sich und Gott gegen alle) (1974). However, the Sardinian boy's outsiderness is not caused by estrangement, but an immense loneliness that cannot be put into words. This is why Ledda's newfound language is such an important tool. It's not a stick, or a fist, or a dead snake. It's the foundation of his Home.
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Ladybug Ladybug (Frank Perry, 1963)
May
21
the End Of The World
In a scene evoking Ingmar Bergman's Det sjunde inseglet [The Seventh Seal] (1957), one of the older girls leads the younger children in dance on top of a hill. Their teacher Mrs Andrews (Nancy Marchand) plus two of her students walk along. DP: Leonard Hirschfield.
It's another school day in rural America when the #NuclearAttack alarm starts ringing. A teacher, instructed to calmly walk the kids home, tries to keep the youngest ones oblivious of the impending doom.
“Ladybug, ladybug,
Fly away home”
children's song
While the children walk, talk and sing, this thing up there, in the sky and in the mind, grows bigger.
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Οι Τεμπέληδες της Εύφορης Κοιλάδας [Oi tembelides tis eforis koiladas / The Idlers of the Fertile Valley] (Nikos Panayotopoulos, 1978)
May
15
The maid (Olga Karlatos) patiently feeding the father (Vasilis Diamantopoulos) in bed. DP: Andreas Bellis.
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Malpertuis (Harry Kümel, 1971)
May
12
meat