“He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society.”

Student activism to commemorate the March 19 1968 Howard University Protest

“One must confront vague ideas with clear images”

– slogan on a wall

Five Maoist students theorise, then practice a radical overthrow via terrorism.

 

Loosely based on Dostoyevsky's Бѣсы [The Possessed] (1871–72).

A favourite film, director, or producer for Luc Besson's birthday (1959).

 

Having only seen three of Delvaux's films, I feel I can safely say his work is hypnotic, but not in the common sense. We see a world through both Delvaux's and his protagonists eyes, and experience their duality as one. This displacement is a recurring theme in Delvaux's work, the work of a man raised in one world and speaking the language of another, both worlds bearing the same name, Belgium.

 

This slow tear is also the theme is his best known film, De man die zijn haar kort liet knippen [The Man Who Had His Hair Cut Short] (1965), in which a schoolteacher loses himself after a pupil graduates. When we think we are firmly seated in Delvaux's universe, we fall back, like that moment just before sleep sets in. And again, in his tragically under-seen Belle from 1973. Now it's a poet who finds a woman living in a ramshackle hut in Belgium's peatland, her language an unknown. With only one main speaker, the duality forms in the poet's words, in his attempts to give her root.

 

And so do we, the viewers. We hang on to that root, Delvaux's, only to sink back into our own loss of words.

“Our past doesn't belong to us.”

A weird of quirky sci-fi film on the date Under the Skin (2013) was released in the UK.

“I cast my hat out into the universe, let it greet those who are on their way from Earth. From this day forward, the Moon is no longer a dream.”

– Cyrano de Bergerac

A mother for International Women's Day

 

When returning home to the castle he grew up in, Jan attempts to free himself from the suffocating clutches of his neurotic mother.

 

This film was the final straw for Shirley Temple; she resigned from the board of the San Francisco Film Festival calling Zetterling's film “pornography for profit”.

Covers February 26–28, 1936.

”'I know how you feel,' Reiko says quietly. 'And I will follow you wherever you go.'”

– intertitles

Someone owns a pet on Love Your Pet Day (UK)

“I'm sharing my husband with a cat. This is humiliating!”

– Nakajima

Shōzō is torn between his ex-wife and his current spouse, but really just wants to spend time with Lily, his cat.

A film about outer space for Nicolaus Copernicus' birthday (1473).

 

In a galaxy far far away, the opening scroll informs us, a civil war rages between governments, greedy conglomerates, and rebels. Only a few scrap-dealing space pirates can save the day!