settima

Bookadaptation

La horse [Horse] (Pierre Granier-Deferre, 1970)

Aug

28

1923

La horse (1970)

Francis Grutti's (Armando Francioli) ID, handled by someone wielding a large stamp. His birthday is August 28, 1923. DP: Walter Wottitz.

Dog Day Afternoon (Sidney Lumet, 1975)

Aug

22

1972

Dog Day Afternoon (1975)

Sal (John Cazale) and Sonny (Al Pacino) in the bank, holding out with their increasingly impatient hostages. DP: Victor J. Kemper.

“He won't listen to anybody. He's been very crazy all summer. Since June he's been trying to kill me.”

– Leon

Guide [The Guide] (Vijay Anand, 1965)

Aug

20

fasting

Guide (1965)

A scruffy looking Raju (Dev Anand) wearing the orange shawl of a holy man. DP: Fali Mistry.

Ramadan [on the ninth month of the Islamic calendar, not mid-August]: someone atones or fasts*

“These people have faith in me, and I have faith in their faith.”

– Swami Ji

Due to a simple misunderstanding, a farmer mistakes tour guide Raju for a holy man. When drought hits the land, the village fool tells the townspeople that Raju, now known as Swami Ji, will fast for twelve days to bring the rain. During his reluctant fast, Raju undergoes a spiritual transformation.

 

Plein soleil [Purple Noon] (René Clément, 1960)

Aug

20

1959

Plein soleil (1960)

A contract for Marge, a sailboat, dated August 20, 1959. DP: Henri Decaë.

“Marge, my love, my angel.”

Le Horla [The Horla] (Jean-Daniel Pollet, 1966)

Aug

19

violet

Le Horla (1966)

The narrator enters a violet-blue room via a lavender-purple corridor (via). DP: Jean-Jacques Rochut.

Violet: a building or structure *

“Is it the form of the clouds, or the tints of the sky, or the colours of the surrounding objects which are so changeable, which have troubled my thoughts as they passed before my eyes? Who can tell?”

– Guy de Maupassant, Le Horla, 1887 (via)

Objects and rooms have distinct colours ranging from the deepest blues and violets to a pale lavender, a muted silver and shocks of yellow. The usage of colour in Le Horla is striking throughout and reminds me of how Van Gogh's paintings became increasingly colourful as his madness enveloped him.

 

Nineteen Eighty-Four (Rudolph Cartier, 1954)

Aug

18

indigo

Nineteen Eighty-Four (1954)

Winston Smith (Peter Cushing). We only see his frail looking back with the identifier KZ-6090, and his name SMITH W.

Indigo, in food or fashion*

“He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended. “

– George Orwell, Nineteen Eighty-Four (1949) (via)

Lola Montès (Max Ophüls, 1955)

Aug

14

Bavaria

Lola Montès (1955)

The crowned royal mistress on display in glorious Eastmancolor (via). DP: Christian Matras.

Celebrating Oktoberfest [in September/October] and the Bavarian royals [rip]: a royal character or family*

“The painter takes his time. He doesn't like her dress. He doesn't like her gloves. One day he asks her if she dares pose for him – all in pink. She dares! And the king, enraptured by her pose, offers her a palace!”

– circus master

Maria Dolores Porriz y Montez, Countess von Landsfeld, Lola Montès for short, now a circus attraction, once the mistress to Ludwig I, King of Bavaria. While her fellow circus performers play Lola's former lovers, the ringmaster tells her story.

 

Il fiore delle mille e una notte [Arabian Nights] (Pier Paolo Pasolini, 1974)

Aug

13

cerulean

Il fiore delle mille e una notte (1974)

The entrance of the Shah Mosque as seen in the film. The seven colours of the tile work are reflected in the extras' costumes. DP: Giuseppe Ruzzolini.

Cerulean, or blue: a building or structure*

“Eh, i sogni a volte insegnano male, Dùnya, perché la verità intera non è mai in un solo sogno, la verità intera è in molti sogni.”

One of the many exotic locations is the مسجد شاه, [Masjed-e Shah, or Shah Mosque] in Iran with its otherworldly blue and blue-adjacent tiles.

 

The Lady from Shanghai (Orson Welles, 1947)

Aug

9

The Lady from Shanghai (1947)

Elsa Bannister (Rita Hayworth) and husband Arthur Bannister (Everett Sloane) in the dizzying modernist finale. DP: Charles Lawton Jr..

“You need more than luck in Shanghai.”

– Elsa Bannister

黒蜥蜴 [Kurotokage / Kuro tokage / Black Lizard] (Kinji Fukasaku, 1968)

Aug

4

黒蜥蜴 (1968)

The Black Lizard (Akihiro Miwa) in embrace with Detective Akechi (Isao Kimura). DP: Hiroshi Dōwaki.