“He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society.”野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)
Mar
30
7 p.m.
Kunihiko Date (Tatsuya Nakadai) driving along at night. DP: Fukuzō Koizumi.
“He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society.”野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)
Mar
30
7 p.m.
Kunihiko Date (Tatsuya Nakadai) driving along at night. DP: Fukuzō Koizumi.
“One must confront vague ideas with clear images” La Chinoise, ou plutôt à la Chinoise: un film en train de se faire [La chinoise] (Jean-Luc Godard, 1967)
Mar
19
Howard University Protest
Yvonne (Juliet Berto) holed up behind piles of Mao's Little Red Book, wielding a machine gun. DP: Raoul Coutard.
Student activism to commemorate the March 19 1968 Howard University Protest
– slogan on a wall
Five Maoist students theorise, then practice a radical overthrow via terrorism.
Loosely based on Dostoyevsky's Бѣсы [The Possessed] (1871–72).
Un soir, un train [One Night, a Train] (André Delvaux, 1968)
Mar
18
André Delvaux
Anouk Aimée and Yves Montand in character on a leaf-strewn floor, his head resting on her chest, with director André Delvaux and others surrounding them. DP: Ghislain Cloquet.
A favourite film, director, or producer for Luc Besson's birthday (1959).
Having only seen three of Delvaux's films, I feel I can safely say his work is hypnotic, but not in the common sense. We see a world through both Delvaux's and his protagonists eyes, and experience their duality as one. This displacement is a recurring theme in Delvaux's work, the work of a man raised in one world and speaking the language of another, both worlds bearing the same name, Belgium.
This slow tear is also the theme is his best known film, De man die zijn haar kort liet knippen [The Man Who Had His Hair Cut Short] (1965), in which a schoolteacher loses himself after a pupil graduates. When we think we are firmly seated in Delvaux's universe, we fall back, like that moment just before sleep sets in. And again, in his tragically under-seen Belle from 1973. Now it's a poet who finds a woman living in a ramshackle hut in Belgium's peatland, her language an unknown. With only one main speaker, the duality forms in the poet's words, in his attempts to give her root.
And so do we, the viewers. We hang on to that root, Delvaux's, only to sink back into our own loss of words.
“Our past doesn't belong to us.”La Chambre verte [The Green Room / The Vanishing Fiancée] (François Truffaut, 1978)
Mar
17
Julien Davenne (Truffaut). DP: Néstor Almendros.
Cockfighter (Monte Hellman, 1974)
Mar
15
Frank Mansfield (Warren Oates) holding up a reluctant, wildly flapping white rooster. DP: Néstor Almendros.
“I cast my hat out into the universe, let it greet those who are on their way from Earth. From this day forward, the Moon is no longer a dream.”Baron Prášil [The Fabulous Baron Munchausen] (Karel Zeman, 1962)
Mar
14
Under the Skin – 2013
The Baron (Miloš Kopecký) on the Moon clinks glasses with Cyrano de Bergerac (Karel Höger) and several characters from Jules Verne's De la terre à la lune (1865). A baffled 20th century astronaut looks on. DP: Jiří Tarantík.
A weird of quirky sci-fi film on the date Under the Skin (2013) was released in the UK.
– Cyrano de Bergerac
Nattlek [Night Games] (Mai Zetterling, 1966)
Mar
8
International Women's Day
Jan (Jörgen Lindström) and his mother (Ingrid Thulin) share a bed while she reads him a bedtime story. DP: Rune Ericson.
A mother for International Women's Day
When returning home to the castle he grew up in, Jan attempts to free himself from the suffocating clutches of his neurotic mother.
This film was the final straw for Shirley Temple; she resigned from the board of the San Francisco Film Festival calling Zetterling's film “pornography for profit”.
”'I know how you feel,' Reiko says quietly. 'And I will follow you wherever you go.'”憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)
Feb
26
1936
Reiko (Yoshiko Tsuruoka) walking through her lover's blood, her kimono drenched. DP: Kimio Watanabe.
Covers February 26–28, 1936.
– intertitles
“I'm sharing my husband with a cat. This is humiliating!”猫と庄造と二人のをんな [Neko to Shōzō to futari no onna / A Cat, Shozo, and Two Women] (Shirō Toyoda, 1956)
Feb
20
Love Your Pet Day
Shōzō (Hisaya Morishige) on the beach with his beloved cat Lily. DP: Mitsuo Miura.
Someone owns a pet on Love Your Pet Day (UK)
– Nakajima
Shōzō is torn between his ex-wife and his current spouse, but really just wants to spend time with Lily, his cat.
Der große Verhau [The Big Mess] (Alexander Kluge, 1971)
Feb
19
Copernicus born
Space ships made out of all sorts of junk pass a moon. DPs: Thomas Mauch & Alfred Tichawsky.
A film about outer space for Nicolaus Copernicus' birthday (1473).
In a galaxy far far away, the opening scroll informs us, a civil war rages between governments, greedy conglomerates, and rebels. Only a few scrap-dealing space pirates can save the day!