settima

documentary

Holy Ghost People (Peter Adair, 1967)

Jan

28

Rattlesnake Roundup Day

Holy Ghost People (1967)

A man holds up a live rattlesnake in front of a congregation. DP: Peter Adair.

Space Coast (Ross McElwee + Michel Negroponte, 1979)

Jan

26

NASA Day Of Remembrance

Space Coast (1979)

Cape Canaveral space journalist Mary Bubb, 59, determined to never miss a launch – shows up at a rocket launch.

“I'll take you to the horses. I'll take you to the Moon.”

– former NASA employee talking to his granddaughter

Bakit Dilaw Ang Kulay ng Bahaghari? [Why Is Yellow the Middle of the Rainbow?] (Kidlat Tahimik, 1984/1994)

Jan

23

First Philippine Republic Day

Bakit Dilaw Ang Kulay ng Bahaghari? (1984/1994)

Young Kidlat Gottlieb Kalayaan in the midst of defacing political pamphlets of Ferdinand Marcos. DPs: Kidlat Tahimik & Roberto Yniguez.

“When you work with the cosmos, suddenly you get ideas for how to treat some visuals, like some images that had no intention of being in the film. That’s the freedom of the independent. Normally when you’re making a movie, it's almost pre-set, what elements will go in, so it will have “a unified structure”. But for me, I shoot so many things impulsively, that once I start editing a movie, suddenly there is an imperative for this obscure shot to come in here … or there. You keep juggling until you find on organic flow. You don't have a script, you just do it by feel. You're surprised that audiences like it.”

– Kidlat Tahimik, via

Numéro zéro [Odette Robert] (Jean Eustache, 1971)

Jan

21

Dzień Babci

Numéro zéro (1971)

Jean Eustache holds up a clapperboard while interviewing his grandmother Odette Robert. DPs: Adolfo Arrieta & Philippe Théaudière.

“These are not pretty stories but they need to be recorded.”

– Odette Robert

Mingus: Charlie Mingus [Mingus / Mingus In Greenwich Village] (Thomas Reichman, 1968)

Jan

20

National Charlie Day

Mingus: Charlie Mingus 1968 (1968)

Charles Mingus and Carolyn sharing an intimate father/daughter moment in their studio. DPs: Lee Osborne & Michael Wadleigh.

Thomas Reichman follows bandleader and musician Charles Mingus in those tense hours on November 22, 1966, right before he's forced to evict his #GreenwichVillage studio.

“I pledge allegiance to the flag–the white flag. I pledge allegiance to the flag of America. When they say “black” or “negro,” it means you’re not an American. I pledge allegiance to your flag. Not that I have to, but just for the hell of it I pledge allegiance. I pledge allegiance to the flag of the United States of America. The white flag, with no stripes, no stars. It is a prestige badge worn by a profitable minority.”

– Charles Mingus

Between the banter (“This is the same gun they shot Kennedy with”) and magical moments between the giant and his little daughter, we see and hear Mingus perform at Lennie's-On-The-Turnpike in Peabody, Massachusetts.

にっぽん戦後史 マダムおんぼろの生活 [Nippon Sengoshi – Madamu onboro no Seikatsu / History of Postwar Japan (Shōhei Imamura, 1970)

Jan

17

Customer Service Day

にっぽん戦後史 マダムおんぼろの生活 (1970)

Hostess Emiko Takada watching footage of US occupying forces in a movie theatre. DP: Masao Tochizawa..

Le Pétomane du Moulin Rouge [The Fart Maniac] (1900)

Jan

7

National Pass Gas Day

Le Pétomane du Moulin Rouge (1900)

Flatulist Joseph Pujol blowing out a candle with his derrière.

Witness the world famous pétomane shot on location at the Moulin Rouge (and amazingly not at Edison's Black Maria), as saved for prosperity by Edison Studios. The large trumpet-like contraption that can be seen on the left, the Edison Kinetophone, also present in The Dickson Experimental Sound Film (William Dickson, 1894/95), recorded the sound on a cylinder, that then could be played back in synch with the picture.

 

The original audio recording that accompanied this film is lost; do check your attic.