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Grauzone [Zones] (Fredi M. Murer, 1979)
Mar
21
1976
The anonymous, urgent newspaper announcement referencing the oath of secrecy considering a mysterious epidemic, starting March 21, 1976. It lists all the symptoms. DP: Hans Liechti.
Eine mysteriöse EPIDEMIE ist ausgebrochen.
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The Man Who Knew Too Much (Alfred Hitchcock, 1934)
Mar
21
Abbott (Peter Lorre). DP: Curt Courant.
“Stand by, there's trouble coming soon.”
– Bob Lawrence
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La Chambre verte [The Green Room / The Vanishing Fiancée] (François Truffaut, 1978)
Mar
17
Julien Davenne (Truffaut). DP: Néstor Almendros.
“Our past doesn't belong to us.”
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Cockfighter (Monte Hellman, 1974)
Mar
15
Frank Mansfield (Warren Oates) holding up a reluctant, wildly flapping white rooster. DP: Néstor Almendros.
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Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)
Mar
13
Walter Steiner, flying. DP: Jörg Schmidt-Reitwein.
“Ich sollte eigentlich ganz allein auf der Welt sein, ich, Steiner, und sonst kein anderes lebendes Wesen. Keine Sonne, keine Kultur, ich nackt auf einem hohen Fels, kein Sturm, kein Schnee, keine Straßen, keine Banken, kein Geld, keine Zeit und kein Atem. Ich würde dann jedenfalls keine Angst mehr haben.”
– Walter Steiner
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Нощта срещу тринадесети [Noshtta sreshtu 13-i / On the Eve of the 13th] (Anton Marinovich, 1961)
Mar
13
Three men packed in a car. It's night and it's raining. DP: Trendafil Zahariev.
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Bell Book and Candle (Richard Quine, 1958)
Mar
12
Gillian Holroyd (Kim Novak) and her Siamese, Pyewacket. DP: James Wong Howe.
“I sit in the subway sometimes, on buses, or the movies, and I look at the people next to me and I think… 'What would you say if I told you I was a witch?'”
– Queenie
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Hell Bound (William J. Hole Jr., 1957)
Mar
12
Saturday
A man writes a name in the 9:30 a.m. time slot of the calendar page for Saturday March 21. DP: Carl E. Guthrie.
“Three days ago, at exactly 0600 – because that is really not the time – on February 5 – because that is really not the date – this freighter, which shall be nameless, sailed from a certain Far Eastern port. Its destination: The Port of Los Angeles, Wilmington, California. This is fact.”
– narrator
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Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)
Mar
9
Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.
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Waiting for Fidel (Michael Rubbo, 1974)
Mar
8
International Women's Day
Time flies while waiting for Fidel, and before you know it, it's March 8.
Film du Jour posts does not list holidays on their respective date, unless a film or scene happens to take place on one.