Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
25
1943

A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.
Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
25
1943

A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.
“Everything's crashing here.”L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Jul
10
Mon

Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.
– Vittoria's mother
La dame dans l'auto avec des lunettes et un fusil [The Lady in the Car with Glasses and a Gun] (Anatole Litvak, 1970)
Jul
10
Vendredi

A man with a lot of swagger and rolled up blueprints is about to enter a room with a prominent Coca-Cola machine and a jazzy leather swivel chair on display. An electronic flip clock tells the time and date. It's 17:52. DP: Claude Renoir.
Le combat dans l'île (Alain Cavalier, 1962)
Jul
8
lait
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Clément (Jean-Louis Trintignant) – well-suited in a wood-panelled elevator – opening a milk bottle. DP: Pierre Lhomme.
“Don't think too much, it could affect your health, Gabrielle.”Le démon dans l'île [Demon Is on the Island / Demon of the Island] (Francis Leroi, 1983)
Jun
28
1947

Dr. Gabrielle Martin (Anny Duperey) reads her digital patient file. It mentions her day of birth, June 28, 1947. DP: Jacques Assuérus.
– Dr. Marshall
“You're a foreigner and you're lost.”L'immortelle (Alain Robbe-Grillet, 1963)
Jun
23
Sat

A man's hand holds a crumbled up diary page for Saturday June 23. There are no calendar entries. DP: Maurice Barry.
“Sicily! The night had a thousand eyes. All sorts of smells shrieked at once. An unfurled coil of wire brought our car, swathed in moonlight as if surrounded by mosquito netting, to a halt. It was hot. Impatient, the drivers broke off singing the most beautiful love song, striking the car with a monkey wrench and insulting Christ and his mother with a blind faith in their efficacy. In front of us: Etna, the great actor who bursts onto the stage two or three times each century, whose tragic extravagances I had arrived to film. An entire side of the mountain was a blazing spectacle. The conflagration reached up to the reddened corners of the sky. From a distance of twenty kilometers, the rumbling at times seemed to be a triumphal reception heard from afar, as if a thousand hands were applauding in an immense ovation.”La montagne infidèle [The Infidel Mountain] (Jean Epstein, 1923)
Jun
22
1923
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Unrestored film stock showing extensive damage to both the celluloid and the depicted structure. In 2024, the reels were rediscovered in Spain and restored by the Filmoteca de Catalunya (via). DP: Paul Guichard.
Filmmaker Jean Epstein and his cameraman Paul Guichard made their way to the Etna on June 22, 1923. This was merely five days after the eruption started.
– Jean Epstein, Le Cinématographe vu de l’Etna (1926) (via)
Un posto ideale per uccidere [An Ideal Place to Kill / Oasis of Fear] (Umberto Lenzi, 1971)
Jun
19
champagne
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A white hand places a champagne filled coupe on a tiled floor, right in front of a tabby cat. Said Highness is also enjoying a full plate of carefully prepared seafood. DP: Alfio Contini.
“I don't give a damn. But I have the jewels and I need the money.”Le doulos [The Informer] (Jean-Pierre Melville, 1962)
Jun
12
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Belmondo and a white woman in a Cheongsam – both looking straight at us – awkwardly sit at a small round table in some sort of nightclub-ish establishment. There are cigarettes, an empty glass, and an ice bucket in front of her. DP: Nicolas Hayer.
– Silien
Le temps des loups [The Heist] (Sergio Gobbi, 1970)
Jun
12
1938

Dillinger (Robert Hossein) followed by Stella (Virna Lisi). DP: Daniel Diot.