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Jun
12
Belmondo and a white woman in a Cheongsam – both looking straight at us – awkwardly sit at a small round table in some sort of nightclub-ish establishment. There are cigarettes, an empty glass, and an ice bucket in front of her. DP: Nicolas Hayer.
“I don't give a damn. But I have the jewels and I need the money.”
– Silien
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Le temps des loups [The Heist] (Sergio Gobbi, 1970)
Jun
12
1938
Dillinger (Robert Hossein) followed by Stella (Virna Lisi). DP: Daniel Diot.
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Sochaux, 11 juin 1968 [Sochaux June 11th 1968] (Bruno Muel, 1970)
Jun
11
1968
Several of the striking workers in a row. The composition echoes the famous propaganda image of Marx, Engels, Lenin etc. DP: Groupe Medvedkine de Sochaux.
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Grands soirs & petits matins [May Days] (William Klein, 1978)
May
24
1968
Sorbonne students discussing the political situation with an elderly Parisian man. DPs: William Klein & Bernard Lutic.
“Soyez réalistes, demandez l'impossible”
– May 68 slogan
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Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)
May
22
dishes
Dirty plates on what looks like a professional kitchen's counter. A bobbed woman in black moves cutlery out of the frame. DP: Jean Boffety.
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La Femme Bourreau [A Woman Kills] (Jean-Denis Bonan, 1968)
May
20
1943
A dark-haired woman lounging on a bed. DP: Gérard de Battista.
“Hélène Picard, born in Lyon, May 20, 1943. A child in care, she is reported as a runaway, a thief and unstable.”
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Le 15 mai (Claire Denis, 1971)
May
15
Thu
“Of course, it's the 15th of May.”
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Les félins [Joy House / The Love Cage] (René Clément, 1964)
May
14
Barbara Hill (Lola Albright) going through Marc Borel's (Alain Delon) passport, which states Marc's date of birth as May 14. On Barbara's desk several curiosities, including a shrunken head in a glass case. DP: Henri Decaë.
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Le Horla [The Horla] (Jean-Daniel Pollet, 1966)
May
08
A reel-to-reel tape recorder. DP: Jean-Jacques Rochut.
and subsequent days.
“8th of May. What a lovely day!”
– voice on tape
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Un condamné à mort s'est échappé ou Le vent souffle où il veut [A Man Escaped] (Robert Bresson, 1956)
May
2
A hand with dirty nails writing on a scrap of paper with a pencil stump. It starts “Mai 2 Ma chère maman, Je suis à la pris[…]“. DP: Léonce-Henri Burel.
“With nothing to do, no news and in terrible solitude, we were 100 unfortunates awaiting our fate. I had no illusions about my own. If I could only escape, run away…”
– Fontaine
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