Mix-Up ou Meli-melo (Françoise Romand, 1986)
Nov
18
1936

Mother and daughter in one of the surreal reenactment scenes. DP: Emile Navarro.
Mix-Up ou Meli-melo (Françoise Romand, 1986)
Nov
18
1936

Mother and daughter in one of the surreal reenactment scenes. DP: Emile Navarro.
“She's a strange breed.” Jules et Jim (François Truffaut, 1962)
Nov
4
sweaters

Catherine (Jeanne Moreau) in a raggedy, moth-eaten sweater and oversized newsboy cap, wears a moustache and smokes a cigar (via). DP: Raoul Coutard.
A movie with gorgeous sweater fashion*
– Jim
Throwing in a little Movember for good measure.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
“I never thought I could be friends with a German again. But here I am… Werner is somehow like Murnau brought back to life.” Nosferatu: Phantom der Nacht [Nosferatu the Vampyre] (Werner Herzog, 1979)
Oct
22
eternal returns

Adjani, Kinski, and Herzog on set. DP: Jörg Schmidt-Reitwein.
[A favourite] horror remake*
– Lotte Eisner visiting the set of Herzog's Nosferatu (via)
Coming back to Murnau's expressionist masterpiece was Herzog's bridge between the films made by the grandfathers of German cinema and his era. Herzog, born in 1942 Munich, noted this void created by that philistine regime and felt that, by picking up the thread cut a quarter of a century earlier, German culture could see a restoration to its (non-nationalistic) greatness. Thus a menagerie of rats and actors was released in a reluctant, bourgeois Dutch town.
But that's a story for another generation to draw upon.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
“Everything in this masterpiece contributes to its unity: the absolute mastery of editing and rhythm; slow motion, superimpositions, tracking shots, the mobile camera all play their roles and never gratuitously. The photographic quality, worthy of the most learned German operators, the lighting of the sets which envelops them in mystery, the sets themselves, neither realistic nor stylized, but as if sketched; the acting neither realistic nor expressionist, and yet adapted to the fantastic, to the violence; to the pauses; to the blur.” La chute de la maison Usher [The Fall of the House of Usher] (Jean Epstein, 1928)
Oct
21

A rapid tracking shot along a dark corridor. Dead leaves follow the camera (via). DPs: Georges Lucas & Jean Lucas.
A favourite horror film adapted from a book or short story*
– Henri Langlois, via
A groundbreaking expressionist interpretation of Poe's inner horrors. Many of the tropes so common in later horror films, are fully fledged and present here.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
La sixième face du pentagone [The Sixth Face of the Pentagon] (Chris Marker + François Reichenbach, 1968)
Oct
21
1967

Armed police seen from the back. In front of him someone holds up a sign that reads WHY WAR. DPs: Tony Daval, Chris Marker & Christian Odasso.
“Strange things are happening today.” Au secours ! [Help!] (Abel Gance, 1924)
Oct
18
Au secours !

A rather tall ghost struts along a nonplussed Max. DPs: Émile Pierre, André-Wladimir Reybas & Georges Specht.
A [favourite] horror comedy*. This post goes out to Max Linder, who – together with his wife Hélène “Ninette” Peters – took his own life 100 years ago, on October 31, 1925.
Max (Max Linder) bets that he can spend one whole hour in a haunted castle without calling for help. In face of all the (in camera!) terrors, Max faces his fears with ease. Until, just minutes before the clock strikes midnight, the phone rings.
– title card
And there was this other bet. One between Linder and director Abel Gance. Linder bet that Gance would not be able to shoot a movie in only three days. With ghosts, skeletons, and wildlife galore, the result is a delightful Grand Guignol à la Max.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
– The Paris Court of Appeals, meeting on October 15, 1959, pursuant to the charges against Dominique Marceau. – With a girl like that, truth may be the best defense for once.La vérité [The Truth] (Henri-Georges Clouzot, 1960)
Oct
15
1959

Gilbert (Sami Frey) and Dominique (Brigitte Bardot). DP: Armand Thirard.
The day of the court case. Numerous other dates are mentioned, all in flashbacks.
“Mr. Everyman explains how to look like a Japanese and thus impress those wild and not very civilized people. Mrs. Everyman replies that for savages, they look remarkably civilized. Meanwhile, Mr. Everyman, seeing more people looking even more Japanese, is reassured. Mrs. Everyman sees soldiers parading in European uniform. She smiles ironically. But now a number of typical Japanese walk into the house. Her irony disappears. And Mr. Everyman is not ashamed to admit… he is mystified.”Le mystère Koumiko [不思議なクミコ / The Koumiko Mystery] (Chris Marker, 1965)
Oct
11
1964

The film covers multiple days. Koumiko thinks on October 17. DP: Chris Marker.
– narrator
“Here lies
Pierre MOLINIER
born on 13 April 1900 died around 1950
he was a man without morals
he was proud of it and gloried in it
No need to pray for him.”Satan bouche un coin (Jean-Pierre Bouyxou + Raphaël Marongiu, 1968)
Oct
10

In an autoerotic display, Androgyne (Pierre Molinier) fondles a woman (Janine Delannoy) wearing one of his masks that echoes Molinier's deceased sister (via). DPs: Jean-Pierre Bouyxou, Raphaël Marongiu & Loïc Picard.
A [favourite] color [horror] film*
– Pierre Molinier, mock-epitaph (via, NSFW as goes without saying)
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
– You expect me to eat that? – Americans live on ketchup and milk. I'm a whiz at geography.Le passager de la pluie [Rider on the Rain] (René Clément, 1970)
Oct
10

Mélancolie 'Mellie' Mau (Marlène Jobert) and Col. Harry Dobbs (Charles Bronson), dancing. DP: Andréas Winding.