Banditi a Milano [The Violent Four] (Carlo Lizzani, 1968)
Oct
22

Two of the four bandits, Pietro 'Piero' Cavallero (Gian Maria Volontè) and Sante Notarnicola (Don Backy), surrounded by press and Carabinieri. DPs: Giuseppe Ruzzolini & Otello Spila.
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Banditi a Milano [The Violent Four] (Carlo Lizzani, 1968)
Oct
22

Two of the four bandits, Pietro 'Piero' Cavallero (Gian Maria Volontè) and Sante Notarnicola (Don Backy), surrounded by press and Carabinieri. DPs: Giuseppe Ruzzolini & Otello Spila.
“Everything in this masterpiece contributes to its unity: the absolute mastery of editing and rhythm; slow motion, superimpositions, tracking shots, the mobile camera all play their roles and never gratuitously. The photographic quality, worthy of the most learned German operators, the lighting of the sets which envelops them in mystery, the sets themselves, neither realistic nor stylized, but as if sketched; the acting neither realistic nor expressionist, and yet adapted to the fantastic, to the violence; to the pauses; to the blur.” La chute de la maison Usher [The Fall of the House of Usher] (Jean Epstein, 1928)
Oct
21

A rapid tracking shot along a dark corridor. Dead leaves follow the camera (via). DPs: Georges Lucas & Jean Lucas.
A favourite horror film adapted from a book or short story*
– Henri Langlois, via
A groundbreaking expressionist interpretation of Poe's inner horrors. Many of the tropes so common in later horror films, are fully fledged and present here.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
– “Memories for Abigail Lester Crain: A Legacy for Her Education and Enlightenment. From her devoted father, Hugh Desmond Lester Crain, Hill House, October 21, 1873.” – But that's today. – Tomorrow and 90 years later.The Haunting (Robert Wise, 1963)
Oct
21
1873

Eleanor (Julie Harris), with Dr. John Markway (Richard Johnson) and Theodora (Claire Bloom) in conversation behind her. DP: Davis Boulton.
La sixième face du pentagone [The Sixth Face of the Pentagon] (Chris Marker + François Reichenbach, 1968)
Oct
21
1967

Armed police seen from the back. In front of him someone holds up a sign that reads WHY WAR. DPs: Tony Daval, Chris Marker & Christian Odasso.
Swissmade [Swiss Made 2069] (Fritz E. Maeder, Fredi M. Murer + Yves Yersin, 1968)
Oct
20
Alien

A man hooked up to a device with tubes dreams about a strange, unsettling creature. Just out of a frame someone (H.R. Giger himself) works on the being with a grinder. DPs: Witold Lesiewicz, Fritz E. Maeder & Fredi M. Murer.
[A favourite] Alien [“alien”?] movie*
Three segments envision the future of the Swiss Confederation. In the Fredi M. Murer instalment 2069 – oder wo sich Futorologen und Archäologen gute Nacht sagen, an alien visits surveillance state Switzerland. The visitor in question is designed by H.R. Giger, and glimpses of the XX121 xenomorph are present in its exoskeletal core.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
Kladivo na čarodějnice [Witchhammer] (Otakar Vávra, 1970)
Oct
19
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A woman in a tub lustfully bites into an apple, presented to her by a giddy maid. A second maid replenishes the bathwater. DP: Josef Illík.
Nattmara [Nightmare] (Arne Mattsson, 1965)
Oct
19
Tue
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spoiler warning: click to read
Hands hold up a small diary. The camera is focussed on Tuesday the 19th of October, 1965. Handwriting, a chicken scrawl, reads CITROEN A66692 MAJ BERG ✝. Besides that the week is uneventful. DP: Max Wilén.
“Strange things are happening today.” Au secours ! [Help!] (Abel Gance, 1924)
Oct
18
Au secours !

A rather tall ghost struts along a nonplussed Max. DPs: Émile Pierre, André-Wladimir Reybas & Georges Specht.
A [favourite] horror comedy*. This post goes out to Max Linder, who – together with his wife Hélène “Ninette” Peters – took his own life 100 years ago, on October 31, 1925.
Max (Max Linder) bets that he can spend one whole hour in a haunted castle without calling for help. In face of all the (in camera!) terrors, Max faces his fears with ease. Until, just minutes before the clock strikes midnight, the phone rings.
– title card
And there was this other bet. One between Linder and director Abel Gance. Linder bet that Gance would not be able to shoot a movie in only three days. With ghosts, skeletons, and wildlife galore, the result is a delightful Grand Guignol à la Max.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
1943-1997 ['43 – '97] (Ettore Scola, 1997)
Oct
16
1943

The boy (Francesco Cencioni) on the run in a locked down town. DP: Carlo Tafani.
Könnyű testi sértés [Tight Quarters] (György Szomjas, 1983)
Oct
16

Csaba (Károly Eperjes) and Miklós (Péter Andorai) in their reluctantly shared apartment. Every frame is claustrophobically filled with people, including the television. DP: Ferenc Grunwalsky.