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Herz aus Glas [Heart of Glass] (Werner Herzog, 1976)
Mar
13
tea
“I look into the distance to the end of the world. Before the day is over, the end will come. First, time will tumble, and then the earth. The clouds will begin to race… the earth boils over; this is the sign. This is the beginning of the end. The world's edge begins to crumble… everything starts to collapse… tumbles, fall, crumbles and collapses. I look into the cataract. I feel an undertow, it draws me, it sucks me down. I began to fal, a vertigo seizes upon me.”
– Hias
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Нощта срещу тринадесети [Noshtta sreshtu 13-i / On the Eve of the 13th] (Anton Marinovich, 1961)
Mar
13
Three men packed in a car. It's night and it's raining. DP: Trendafil Zahariev.
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Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)
Mar
13
Walter Steiner, flying. DP: Jörg Schmidt-Reitwein.
“Ich sollte eigentlich ganz allein auf der Welt sein, ich, Steiner, und sonst kein anderes lebendes Wesen. Keine Sonne, keine Kultur, ich nackt auf einem hohen Fels, kein Sturm, kein Schnee, keine Straßen, keine Banken, kein Geld, keine Zeit und kein Atem. Ich würde dann jedenfalls keine Angst mehr haben.”
– Walter Steiner
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Pickpocket (Robert Bresson, 1959)
Mar
12
Michel (Martin LaSalle) in a busy café, observing. An emptied water glass next to the thief should make him look like a paying guest. DP: Léonce-Henri Burel.
“Can we not admit that certain skilled men, gifted with intelligence, talent or even genius, and thus indispensable to society, rather than stagnate, should be free to disobey laws in certain cases?”
– Michel
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Hell Bound (William J. Hole Jr., 1957)
Mar
12
A man writes a name in the 9:30 a.m. time slot of the calendar page for Saturday March 21. DP: Carl E. Guthrie.
“Three days ago, at exactly 0600 – because that is really not the time – on February 5 – because that is really not the date – this freighter, which shall be nameless, sailed from a certain Far Eastern port. Its destination: The Port of Los Angeles, Wilmington, California. This is fact.”
– narrator
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Bell Book and Candle (Richard Quine, 1958)
Mar
12
Gillian Holroyd (Kim Novak) and her Siamese, Pyewacket. DP: James Wong Howe.
“I sit in the subway sometimes, on buses, or the movies, and I look at the people next to me and I think… 'What would you say if I told you I was a witch?'”
– Queenie
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Talpuk alatt fütyül a szél [The Wind Blows Under Your Feet] (György Szomjas, 1976)
Mar
11
wine
German lobby card. Two rough-looking Hungarian cowboys drink from wooden beakers at a small, wooden table. The man who has the carafe, also has the knife. DP: Elemér Ragályi.
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Avere vent'anni [To Be Twenty] (Fernando Di Leo, 1978)
Mar
9
sandwiches
Lia (Gloria Guida), one of the young, hot and pissed off 20-somethings, enjoys a sandwich with her espadrilles resting on a small restaurant table. Just visible in the background are multiple men on their lunchbreak. DP: Roberto Gerardi.
“I'm young, hot and pissed off!”
– Tina
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Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)
Mar
9
Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.
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Mord und Totschlag [Degree of Murder] (Volker Schlöndorff, 1967)
Mar
4
juice
A pensive Marie (Anita Pallenberg) drinking something red from a bottle with a green straw. DP: Franz Rath..