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The War Game (Peter Watkins, 1966)
Sep
16
“In the next world war, I believe that both sides could stop before the ultimate destruction of cities so that both sides could retire for a period of ten years or so of post-attack recuperation, in which world wars four to eight could be prepared.”
– a leading American nuclear strategist
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The Gruesome Twosome (Herschell Gordon Lewis, 1967)
Sep
14
An unappetising display of washed-out foods – a puzzling combination of various fruits and pale potato chips – to be washed down with poorly poured #beer. DP: Roy Collodi.
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Wśród nocnej ciszy [Quiet Is the Night] (Tadeusz Chmielewski, 1978)
Sep
14
A young student sits on the ledge of a barge, looking up at another man. DP: Jerzy Szurowski.
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In the Heat of the Night (Norman Jewison, 1967)
Sep
13
“They call me MISTER TIBBS.”
– Det. Virgil Tibbs
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De komst van Joachim Stiller [The Arrival of Joachim Stiller] (Harry Kümel, 1976)
Sep
11
1919
The mysterious letter postmarked September 11, 1919 that one day landed on Freek Groenevelt's (Hugo Metsers) doormat. DP: Eduard van der Enden.
“Tot dusver had ik mij steeds vrij tevreden met het leven gevoeld, zonder er wonderen van te verwachten. Die morgen geloofde ik, dat het voor een mens niet onmogelijk is gelukkig te zijn, kortstondig gelukkig misschien, maar gelukkig onmiskenbaar.”
– Hubert Lampo, De komst van Joachim Stiller (1960)
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A História do Olho [The Story of the Eye] (Ivan Cardoso, 1977)
Sep
10
leite
Simone (Claudia Ohana) about to dip her derrière in a bowl with milk. DP: Eduardo Viveiros.
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Maléfices [Sorcery / Where the Truth Lies] (Henri Decoin, 1962)
Sep
10
Myriam Heller (Juliette Gréco) sharing a bed with Nyète, her cheetah. DP: Marcel Grignon.
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The Black Cat (Harold Hoffman, 1966)
Sep
9
A sad blonde (Robyn Baker) with her perfectly coiffured head on a perfectly set table. DP: Walter Schenk.
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Friendship's Death (Peter Wollen, 1987)
Sep
9
1970
Bill Paterson and Tilda Swinton as Sullivan and Friendship. DP: Witold Stok.
“What will happen when your machines become intelligent? When they become autonomous? When they have private thoughts? You humans look down on your machines because they're man-made. They're a product of your skills and labour. They weren't even domesticated like animals were. You see them simply as extensions of yourself, of your own will. I can't accept that. I can't accept subhuman status simply because I'm a machine based on silicon rather than carbon, electronics rather than biology. If I sound fanatical, it's because I've been trapped in a time warp. In a world where the full potential of machines hasn't been guessed at. A world where I have to wear a human disguise to be accepted? I came here too late. It will all end before the computers that already control the fate of the world have reached the point where they wanted to survive.”
– Friendship
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И дойде денят [I doyde denyat / And the Day Came] (Georgi Djulgerov, 1973)
Sep
9
1944
Mustafa (Plamen Maslarov) running. DP: Radoslav Spassov.