Ice or cold food to celebrate the final day of the Reykjavík Food & Fun Festival

“For me it’s important to note that the film’s information is also the only thing you know. That’s the idea of the tip of the iceberg, provided that only the portion above the water exists (in the film), because you know nothing of what’s under water and therefore it’s impossible for you to describe the entire iceberg.   For example, in De nieuwe ijstijd the characters are not described 'in their entirety'. What is shown is only what we’ve encountered when we were filming. It’s always a limited, fragmentary knowledge of everything that exists, and that’s how it’s shown.”

– Johan van der Keuken, via

Part three of Van der Keuken's Noord-Zuid trilogy. Again we are confronted with the contrast between the First and Third world, here represented by a Dutch family of monotonous ice-cream factory hands, and impoverished Peruvian workers establishing self-governance, accompanied by Willem Breuker's punching free jazz cacophony.

For Idus Martiae, the Ides of March, a scene showing the main character's back.

 

Olivier, a carpentry teacher at a youth rehabilitation center, has a new apprentice, 16 year old Francis. Fascinated by the boy and his unspoken backstory, he starts following him around.

“With these shots from the back and the neck, we hope to confront the spectator with a mystery, the impossibility of knowing and seeing. The face and the eyes should not try to express a situation that already sufficiently stirs up the spectator’s interests. This expression would direct, limit or even prevent expectations, whereas the back and the neck allow the spectator to go deeper, like a car driving into the night.”

– Luc Dardenne, via [spoilers]

“The Dardennes' brothers’ camera follows Olivier in his enigmatic, ominous obsession with the boy and almost constantly films him up close and from behind. In the absence of a true gaze, the back turns into a face that speaks but doesn’t explain anything, “a body that becomes a vibrating membrane”, as Jean-Pierre Dardenne so beautifully put it.” (via)

A weird of quirky sci-fi film on the date Under the Skin (2013) was released in the UK.

“I cast my hat out into the universe, let it greet those who are on their way from Earth. From this day forward, the Moon is no longer a dream.”

– Cyrano de Bergerac

An artistic child for Youth Art Month (USA).

 

Small children work with clay, paint, and other materials. Under the camera's watchful eye, we see their work come to life.

“Ich sollte eigentlich ganz allein auf der Welt sein, ich, Steiner, und sonst kein anderes lebendes Wesen. Keine Sonne, keine Kultur, ich nackt auf einem hohen Fels, kein Sturm, kein Schnee, keine Straßen, keine Banken, kein Geld, keine Zeit und kein Atem. Ich würde dann jedenfalls keine Angst mehr haben.”

– Walter Steiner

A favourite non-Hitchcock mystery for National Hitchcock Day (USA).

“You're a foreigner and you're lost.”

“Three days ago, at exactly 0600 – because that is really not the time – on February 5 – because that is really not the date – this freighter, which shall be nameless, sailed from a certain Far Eastern port. Its destination: The Port of Los Angeles, Wilmington, California. This is fact.”

– narrator

“I sit in the subway sometimes, on buses, or the movies, and I look at the people next to me and I think… 'What would you say if I told you I was a witch?'”

– Queenie