settima

@settima@zirk.us

Estate violenta [Violent Summer] (Valerio Zurlini, 1959)

Jul

19

Estate violenta (1959)

Roberta (Eleonora Rossi Drago) and Carlo (Jean-Louis Trintignant). DP: Tino Santoni.

Characters go on a date, or fall in love*

“It would be thrilling if you were willing, and if it can never be, pity me, for you were born to be kissed, I can’t resist, you are temptation, and I am yours!”

– Nacio Herb Brown & Arthur Freed, Temptation (1933)

On a beautiful summer day in Rimini, Carlo, the handsome son from a bourgeois home, saves a little girl and becomes infatuated with the girl's mother, a young widow years his senior. Set in July 1943, the events in the outer world (poss. spoilers) and the faith of the two uneven lovers slowly come to their logical conclusion.

 

Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)

Jul

19

Wed

Среда (1979)

Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.

La collectionneuse [The Collector] (Éric Rohmer, 1967)

Jul

18

La collectionneuse (1967)

Daniel (Daniel Pommereulle), wrapped in bedsheets, and Adrien (Patrick Bauchau) rest in the grass. The colour of summer is courtesy of the master, DP Néstor Almendros (via).

Someone's all bundled up*. No list of summer films is complete without Éric Rohmer.

“I even tried not to think. I was face-to-face alone with the sea, far from cruises and beaches, fulfilling a childhood dream put off year after year. I lost myself completely in the play of shadow and light, sinking into a lethargy heightened by the water. That state of passivity, of complete availability, promised to last much longer than the euphoria of one’s first summer dip into the ocean. I could easily see myself spending a whole month this summer this way.”

– Adrien

An art dealer and his writer friend plan to spend the summer together in a villa on the Côte d'Azur. A young woman, a collector of sorts, disrupts their retreat.

 

D.O.A. [Dead on Arrival] (Rudolph Maté, 1949)

Jul

18

D.O.A. (1949)

A man's hand signs a car rental contract dated July 18. DP: Ernest Laszlo.

“You knew who I was when I came here today. But you were surprised to see me alive, weren't you? But I'm not alive, Mrs. Philips. Sure, I can stand here and talk to you. I can breathe and I can move. But I'm not alive. Because I did take that poison, and nothing can save me.”

– Frank Bigelow

The Life Magazine displayed at the San Francisco newspaper stand where Frank Bigelow stops is the issue of September 12, 1949, with Yugoslavia's leader Marshal Josip Broz Tito on the cover.

血は渇いてる [Chi wa kawaiteru / Blood Is Dry] (Yoshishige Yoshida, 1960)

Jul

17

beer

Chi wa kawaiteru (1960)

A man and woman share a meal in a top-floor restaurant. The view is numerous identical modern buildings. She's smoking and they both clutch large beer mugs. Two dishes hold small bits of food with toothpicks stuck into them. DP: Tōichirō Narushima.

 

สุดเสน่หา [Sud sanaeha / Blissfully Yours] (Apichatpong Weerasethakul, 2002)

Jul

17

Sud sanaeha (2002)

A hand picking skin in the water (via). DP: Sayombhu Mukdeeprom.

Someone with sunburn, or a skin condition*

“I treasure some kinds of old Thai disaster movies. Many of such tell a forbidden love story between a man and a woman that the mother earth destroyed them. Similarly, Blissfully Yours contains innocent narrative and simple characters. The settings are open landscapes and the disaster plot is there, except that it is transformed into another kind of disaster.”

– A.W., via

Min and Roong cherish their love among the uncertainty of his residence status. A old woman guards them, and soothes Min's blistered skin.

 

Figures in a Landscape (Joseph Losey, 1970)

Jul

17

Figures in a Landscape (1970)

MacConnachie (Robert Shaw, standing and peering upwards) and Ansell (Malcolm McDowell, squatting and facing away) in a barren landscape. Both have their hands tied behind their back. DPs: Henri Alekan, Peter Suschitzky & Guy Tabary.

“I'll tell you what though, Mac. There'll be no more games from now on.”

– Ansell

Ucho [The Ear] (Karel Kachyňa, 1970)

Jul

17

Ucho (1970)

Party member, and rather drunk, Anna (Jiřina Bohdalová) and her newspaper hat at the officials' party. DP: Josef Illík.

“The 17th of July. Comrade Anna is not lying!”

Götter der Pest [Gods of the Plague] (Rainer Werner Fassbinder, 1970)

Jul

16

Götter der Pest (1970)

The Gorilla (Günther Kaufmann) and Franz (Harry Baer) reflected in the window of a deserted supermarket at night (via). DP: Dietrich Lohmann.

Someone complains about costs or prices*

– We'll go to an island and live from fishing and hunting. And the sun will shine and it will never rain. And we'll eat lobster and drink wine. – … – Why not? – Because it's too expensive. – Why too expensive? – It's just too expensive.

 

Bildnis einer Trinkerin – Aller jamais retour [Portrait of a Female Drunkard. Ticket of No Return] (Ulrike Ottinger, 1979)

Jul

15

Bildnis einer Trinkerin( (1979)

Sie, German for “She”, hungover in her fabulous yellow nappa leather outfit (via). DP: Ulrike Ottinger.

Someone is hungover*

“Ein Psychogramm zweier ungewöhnlicher, aber auch extrem unterschiedlicher Frauen. Die eine, reich, exzentrisch, ihre Gefühle maskenhaft verbergend, trinkt sich bewusst zu Tode. Sie ist der Fall, der in der Statistik nicht erscheint, weil entweder zu Hause unter Valium gehalten oder unter Verschluss in einer Privatklinik. Die andere ist arm und trinkt sich unbewusst zu Tode. Sie erscheint in der normalen Statistik als Typ der haltlosen Trinkerin”

– U.O., via

An eccentric woman simply named Sie (Tabea Blumenschein), takes a one-way trip to West Berlin. Accompanied by her alter ego, a homeless alcoholic, and commented on by a Greek choir consisting of Soziale Frage (Social Question), Exakte Statistik (Exact Statistics), and Gesunder Menschenverstand (Common Sense), she drinks herself to death.