settima

France

Il fiore delle mille e una notte [Arabian Nights] (Pier Paolo Pasolini, 1974)

Aug

13

cerulean

Il fiore delle mille e una notte (1974)

The entrance of the Shah Mosque as seen in the film. The seven colours of the tile work are reflected in the extras' costumes. DP: Giuseppe Ruzzolini.

Cerulean, or blue: a building or structure*

“Eh, i sogni a volte insegnano male, Dùnya, perché la verità intera non è mai in un solo sogno, la verità intera è in molti sogni.”

One of the many exotic locations is the مسجد شاه, [Masjed-e Shah, or Shah Mosque] in Iran with its otherworldly blue and blue-adjacent tiles.

 

Der Stand der Dinge [The State of Things] (Wim Wenders, 1982)

Aug

13

1942

Der Stand der Dinge (1982)

Friedrich Munro's (Patrick Bauchau) Hollywood, Ca address and date of birth: August 13, 1942. DPs: Henri Alekan, Fred Murphy & Martin Schäfer.

– You know, I take pictures, photographs, but I never really thought in black and white before I saw our rushes. Do you know what I mean? You can see the shape of things.   – Life is in colour, but black and white is more realistic.

Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)

Aug

12

green

Il deserto rosso (1964)

Valerio (Valerio Bartoleschi) and his mother Giuliana (Monica Vitti) in an arid industrial landscape. Giuliana wears a brilliant green coat, its shade between pea and moss, depending on the drabness of her surroundings. DP: Carlo Di Palma.

Green, in food or fashion*

“She'd discovered a small beach far from town, with crystal-clear water and pink sand. She loved that spot. The colors of nature were so beautiful, and there was no noise. She'd leave only when the sun did too.”

– Giuliana

Antonioni's first film in colour beautifully utilises Vitti's brilliance – of her auburn hair, her porcelain teint, her vivid costumes (by Paola Carloni) – against the drab landscape.

 

E-clip-se (Chris Marker, 1999)

Aug

11

1999

E-clip-se (1999)

A young woman or child at the Jardin des plantes de Paris wears protective glasses while looking up in amazement during the August 11, 1999 solar eclipse, her baguette a vague memory. DP: Chris Marker.

Du côté de la côte [Along the Coast] (Agnès Varda, 1958)

Aug

9

yellow

Du côté de la côte (1958)

Two people, one big one small, in identical canary yellow robes and straw sun hats on the beach (more here). DPs: Quinto Albicocco & Raymond Castel.

Yellow, in food or fashion*

“Tourists prefer the trendy colors, yellow and blue. Pacing fancies, hotels are painted yellow and blue. Blue wins. All women want to be fashionable. All women wear blue, except the English, those learning to swim, and the Germans, who are dedicated to green.”

– narrator

La baie des anges [Bay of Angels] (Jacques Demy, 1963)

Aug

6

mercredi

La baie des anges (1963)

The bank where Jean Fournier (Claude Mann) works. A wall calendar, slightly tilted, reads Août 6 Mercredi. DP: Jean Rabier.

“Life has its tricks. Its oddities.”

– Jackie Demaistre

Paparazzi (Jacques Rozier, 1963/1964)

Jul

29

Paparazzi (1964)

Brigitte Bardot and her co-star Michel Piccoli making a show of ascending the stairs of Casa Malaparte as seen through a paparazzo's lens. DP: Maurice Perrimond.

A character has a camera or takes photos*

 

It buzzes on the set of Le mépris. These mosquitos, the Italians say paparazzi, swarm La Bardot and making it merely impossible for anyone – themselves included – to do their job. But Bardot knows them, too well, and gives them what they want, when she wants it.

 

Les trois couronnes du matelot [Three Crowns of the Sailor] (Raúl Ruiz, 1983)

Jul

25

1958

Les trois couronnes du matelot (1983)

Prostitute María (Nadège Clair) sitting on her bed. The bed is covered in dolls. DP: Sacha Vierny.

“On the night of July 25, 1958 I killed Ladislaw Zukarevitch, antique dealer, my mentor, my master in the art of polishing diamonds, my tutor at Warsaw Theological School.”

– the student

Estate violenta [Violent Summer] (Valerio Zurlini, 1959)

Jul

25

1943

Estate violenta (1959)

A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.

 

L'argent [Money] (Robert Bresson, 1983)

Jul

22

L'argent (1983)

A man at an ATM holds on to a Visa credit card with tweezers. DPs: Pasqualino De Santis & Emmanuel Machuel.

Everything's expensive: someone is a at bank or ATM*