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უჟმური [Ujmuri / Мрачная равнина / Cheerless] (Nutsa Gogoberidze, 1934)
Mar
3
Florida – 1845
A young woman, dress and arms covered in swamp water, raises a muddy shotgun. DP: Shalva Apaqidze.
A swamp (or The Everglades) on that day in 1845 Florida became the 27th state.
The swamp dwellers' trust in shaman Uzhmuri, the Queen of Frogs, prohibits the authorities from draining the wetlands in their fight against malaria.
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Kuhle Wampe oder: Wem gehört die Welt? [Kuhle Wampe or Who Owns the World?] (Slatan Dudow, 1932)
Feb
28
unemployment
The unemployed at Kuhle Wampe, with Hertha Thiele's Anni front and center. People's states vary between still clinging on to better times up to destitute. DP: Günther Krampf.
“[Kuhle Wampe] gives witness to the true face of a struggling, suffering nation. Made by four thousand unemployed people, it never aims to be a work of art but simply aims to portray […] workers whose youthful energy is going to waste.”
– Marcel Carné, via
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Have I Told You Lately That I Love You? (Stuart Hamisch, 1958)
Feb
24
technology
Straight after dinner, the child returns to his teevee while his mother stands silently in the doorway.
A film about technology on what would've been Steve Jobs' 70th birthday
“The most precious thing that we all have with us, is time.”
– Steve Jobs
A nuclear family goes about their machine-driven day while slowly forgetting to communicate.
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Trash (Paul Morrissey, 1970)
Feb
23
freebie: Paul Morrissey born
Freebie: Paul Morrissey born (1938 – 2024)
“Just because people throw it out and don't have any use for it, doesn't mean it's garbage.”
– Holly
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Laukaus tehtaalla [A Shot in the Factory] (Erkko Kivikoski, 1973)
Feb
21
Nixon goes to China
Workers and bosses negotiate the situation. DP: Esko Nevalainen.
The killing of the factory's boss by one of the workers leads to endless negotiations between the two parties.
Shot in cinéma vérité style, with a mostly amateur cast, Laukaus tehtaalla mirrors the working classes' insecurity caused by the 1973 energy crisis in more ways than one.
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Les abysses [The Depths] (Nikos Papatakis, 1963)
Feb
18
pancakes
Michèle and Marie-Louise (real-life sisters Francine and Colette Bergé) as the real-life Papin sisters prepare crêpes for Monsieur. DP: Jean-Michel Boussaguet.
– Why are we making pancakes?
– Monsieur likes them. Besides, what else is there?
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Sebastiane (Paul Humfress + Derek Jarman, 1976)
Feb
18
Pluto Day
Sebastian (Leonardo Treviglio) sits on a rock in a barren landscape. Two men in the distance, and a sheep, all have their backs turned to him. DP: Peter Middleton.
“His body is golden like molten gold. This hand of his… will smooth away these wounds. Justin, he is as beautiful as the sun. This sun which caresses me… is his burning desire. He is Phoebus Apollo. The sun… is his… burning kiss.”
– Sebastian
Sebastian, member of the Emperor's personal guard, is exiled after an incident. He finds himself on a rocky outpost, and the object of the other men's lust. One of them – a centurion rejected by the Christian boy – subjects Sebastian to torture and eventually lifts him up martyrdom.
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Assalto ao Trem Pagador [Assault on the Pay Train] (Roberto Farias, 1962)
Feb
17
WH helicopter incident – 1974
The favelados-turned-train-robbers. DP: Amleto Daissé.
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Le charme discret de la bourgeoisie [The Discreet Charm of the Bourgeoisie] (Luis Buñuel, 1972)
Feb
16
No One Eats Alone Day
The diners at a long table. DP: Edmond Richard.
“My God. What am I doing in this place?”
– Henri Sénéchal
The bourgeoisie meet for dinner in various settings, but never consume.
* this event takes place on the Friday of the second full week in February, which makes the 2025 date February 14.
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Todo modo [One Way or Another] (Elio Petri, 1976)
Feb
13
Eucharist
Captains of industry, politicians and others of the upper echelons share a meal of bread, water, and wine at a long table. DP: Luigi Kuveiller.
“When you come together, it is not the Lord's Supper you eat, for as you eat, each of you goes ahead without waiting for anybody else. One remains hungry, another gets drunk.”
– 1 Corinthians 11:20–21, via