settima

horror

La strega in amore [The Witch] (Damiano Damiani, 1966)

Sep

27

La strega in amore (1966)

We, the viewer, sit at the head of a long table. Two women at the tall ends of the table stop eating to look at us. It's ominous. DP: Leonida Barboni.

 

마의 계단 [Maui gyuedan / The Evil Stairs] (Lee Man-hee, 1964)

Sep

25

rice

Maui gyuedan (1964)

Watched from above, the nurses gather to gossip over lunch. DP: Jeong-min Seo.

 

ノーライフキング [No raifu kingu / No Life King] (Jun Ichikawa, 1989)

Sep

23

Nintendo – 1889

No raifu kingu (1989)

Makoto and his friends play with their video game console (via). DP: Osame Maruike.

Home video games: Nintendo was founded on this day in 1889.

 

It's the late 80s and Japan is in the midst of an economic and technological bubble. Like so many kids, Makoto (litt. “truth”) and his friends are obsessed with their game console. In anticipation of the release of the fourth instalment of their favourite game, rumours start doing the rounds. Some cartridges are cursed with the “No Life King”, meaning players who cannot complete the game, will die. The curse appears to spill over into the boys' real world. What if when you die in the game, you really really die…?

Dead Dreams of Monochrome Men (David Hinton, 1989)

Sep

14

Patrick Swayze – 2009

Dead Dreams of Monochrome Men (1989)

Two of the male dancers performing. They're lying on a black-and-white tiled floor. There's a heaviness to their bodies. DP: Nicholas D. Knowland.

Dancing, or Patrick Swayze who passed away on this date in 2009.

“I caused dreams which caused death … this is my crime.”

– Dennis Nilsen

Dennis Nilsen was a lonesome, closeted gay man in Thatcher's London, whose desperation lead to multiple horrific killings. He'd ritually bathe and dress the bodies, and held on to them for company. Radical dance troupe DV8's interpretation of Nilsen's transgressions explores the horror of the act in suffocating beauty.

海底から来た女 [Kaitei kara kita onna / Woman from the Sea] (Koreyoshi Kurahara, 1959)

Sep

4

Kaitei kara kita onna (1959)

The mysterious sea woman (Hisako Tsukuba, who under the name Chako van Leeuwen went on to produce the Jawsploitation franchise Piranha) and a bewitched Toshio (Tamio Kawachi). Note how the boat's sail resembles a shark's dorsal fin. DP: Yoshihiro Yamazaki.

It's this month's Bales Challenges' dad's VaderJaws' birthday! Celebrating with Vader, or sharks, or churches, or Chvrches. Erm… let's stick to sharks.

 

A strange woman appears in the life of a young man. He falls in love with her, but the fishermen know. She's the wife of a shark killed years ago. And she's out for revenge.

 

Doing Hooptober parallel to Bales. Expect some contamination of the September/October posts.

Nosferato no Brasil [Nosferato in Brazil] (Ivan Cardoso, 1970)

Jun

21

International Surfing Day

Nosferato no Brasil (1970)

Nosferatu enjoys the breeze and fresh coconut water on the beaches of Rio. I could've posted a still of the surfers here but that would have been boring.

Someone surfing or skateboarding for either International Surfing Day or Go Skateboarding Day

 

José Mojica Marins' protégé Ivan Cardoso dabbled in short form horror movies. This one features a young hippie vampire who, after being defeated in beachy black-and-white Prague, hikes a ride to Super 8 Brazil. Can't help but notice a bit of (Charlie) Mansonsploitation going on, but that may be just me.

藪の中の黒猫 [Yabu no naka no kuroneko / A Black Cat in a Bamboo Grove] (Kaneto Shindō, 1968)

Jun

19

Garfield the Cat Day

藪の中の黒猫 (1968)

A young woman in white, strangely resembling a cat, seemingly lapping a drink from a bowl. DP: Kiyomi Kuroda.

A scene with a cat for Garfield the Cat Day (USA)

 

A mother and daughter who are raped and murdered by a rogue samurai, return as cat-shaped onryō, vengeful spirits.

À Meia Noite Levarei Sua Alma [At Midnight I'll Take Your Soul] (José Mojica Marins, 1964)

Jun

6

Robert Englund – 1947

À Meia Noite Levarei Sua Alma (1964)

Josefel Zanatas, aka Coffin Joe, summoning you to your early grave. DP: Giorgio Attili.

[A] favourite horror movie villain for Robert Englund's birthday (1947).

“What is life? It is the beginning of death. What is death? It is the end of life! What is existence? It is the continuity of blood. What is blood? It is the reason to exist!”

– Zé do Caixão (Coffin Joe), opening lines

In 1963, long before Freddy's got his claws, Brazil didn't have any horror films of its own. Then, José Mojica Marins woke up from uneasy dreams. He had seen himself being dragged across a cemetery by a dark figure, towards a grave with his name on it. Now wide awake in a pool of sweat, José became Josefel Zanatas – the true name of the godless undertaker from his dream.

 

Josefel, nicknamed Zé do Caixão, or Coffin Joe as he was rechristened for the English speaking world, would be Marins' alter ego in numerous movies and TV shows. His gnarly nails clawed their way past Brazil's censorship, dug themselves out of the pits of obscurity, and impaled themselves deep into this disciple's heart.

Jonathan (Hans W. Geissendörfer, 1970)

May

26

World Dracula Day

Jonathan (1970)

Siring the mortals. DP: Robby Müller.

A vampire for World Dracula Day

 

This deeply political, unpleasant interpretation of Stoker's Dracula can not not be seen against the backdrop of political movements like the #RAF and West-Germany's youth revolting against the failed #Denazification that the country underwent under supervision of the Allied occupying forces.

 

Note the usage of colour and grouping of people; Klaus Mann's Mephisto (1981) borrowed quite a few visuals from Jonathan.

Thirteen to Centaurus (Peter Potter, 1965)

May

4

Star Wars Day

Thirteen to Centaurus (1965)

Dr Francis (Donald Houston) and Abel (James Hunter). DP: tbd.

Intergalactic travel on Star Wars Day

“Our grandfathers always lived on Earth, and we are the first people ever to undertake such a journey. You can be proud that you’re here. Your grandfather, who volunteered to come, was a great man, and we’ve got to do everything to make sure that the Station keeps running.”

– Dr Francis (from Thirteen to Centaurus, J.G. Ballard, 1962)

A ship travels the universe, on its way to Centaurus. On board is a group of people, fourteen in total, one of them a teenager named Abel. His recurring nightmare about a glowing disc prompts to sessions with the on-board psychologist, and the only one with knowledge of Earth, Dr Francis.