settima

horror

Nosferato no Brasil [Nosferato in Brazil] (Ivan Cardoso, 1970)

Jun

21

International Surfing Day

Nosferato no Brasil (1970)

Nosferatu enjoys the breeze and fresh coconut water on the beaches of Rio. I could've posted a still of the surfers here but that would have been boring.

Someone surfing or skateboarding for either International Surfing Day or Go Skateboarding Day

 

José Mojica Marins' protégé Ivan Cardoso dabbled in short form horror movies. This one features a young hippie vampire who, after being defeated in beachy black-and-white Prague, hikes a ride to Super 8 Brazil. Can't help but notice a bit of (Charlie) Mansonsploitation going on, but that may be just me.

藪の中の黒猫 [Yabu no naka no kuroneko / A Black Cat in a Bamboo Grove] (Kaneto Shindō, 1968)

Jun

19

Garfield the Cat Day

藪の中の黒猫 (1968)

A young woman in white, strangely resembling a cat, seemingly lapping a drink from a bowl. DP: Kiyomi Kuroda.

A scene with a cat for Garfield the Cat Day (USA)

 

A mother and daughter who are raped and murdered by a rogue samurai, return as cat-shaped onryō, vengeful spirits.

À Meia Noite Levarei Sua Alma [At Midnight I'll Take Your Soul] (José Mojica Marins, 1964)

Jun

6

Robert Englund – 1947

À Meia Noite Levarei Sua Alma (1964)

Josefel Zanatas, aka Coffin Joe, summoning you to your early grave. DP: Giorgio Attili.

[A] favourite horror movie villain for Robert Englund's birthday (1947).

“What is life? It is the beginning of death. What is death? It is the end of life! What is existence? It is the continuity of blood. What is blood? It is the reason to exist!”

– Zé do Caixão (Coffin Joe), opening lines

In 1963, long before Freddy's got his claws, Brazil didn't have any horror films of its own. Then, José Mojica Marins woke up from uneasy dreams. He had seen himself being dragged across a cemetery by a dark figure, towards a grave with his name on it. Now wide awake in a pool of sweat, José became Josefel Zanatas – the true name of the godless undertaker from his dream.

 

Josefel, nicknamed Zé do Caixão, or Coffin Joe as he was rechristened for the English speaking world, would be Marins' alter ego in numerous movies and TV shows. His gnarly nails clawed their way past Brazil's censorship, dug themselves out of the pits of obscurity, and impaled themselves deep into this disciple's heart.

Jonathan (Hans W. Geissendörfer, 1970)

May

26

World Dracula Day

Jonathan (1970)

Siring the mortals. DP: Robby Müller.

A vampire for World Dracula Day

 

This deeply political, unpleasant interpretation of Stoker's Dracula can not not be seen against the backdrop of political movements like the #RAF and West-Germany's youth revolting against the failed #Denazification that the country underwent under supervision of the Allied occupying forces.

 

Note the usage of colour and grouping of people; Klaus Mann's Mephisto (1981) borrowed quite a few visuals from Jonathan.

Thirteen to Centaurus (Peter Potter, 1965)

May

4

Star Wars Day

Thirteen to Centaurus (1965)

Dr Francis (Donald Houston) and Abel (James Hunter). DP: tbd.

Intergalactic travel on Star Wars Day

“Our grandfathers always lived on Earth, and we are the first people ever to undertake such a journey. You can be proud that you’re here. Your grandfather, who volunteered to come, was a great man, and we’ve got to do everything to make sure that the Station keeps running.”

– Dr Francis (from Thirteen to Centaurus, J.G. Ballard, 1962)

A ship travels the universe, on its way to Centaurus. On board is a group of people, fourteen in total, one of them a teenager named Abel. His recurring nightmare about a glowing disc prompts to sessions with the on-board psychologist, and the only one with knowledge of Earth, Dr Francis.

Images (Robert Altman, 1972)

Apr

9

National Unicorn Day

Images (1972)

Cathryn's desk. There's a small framed reproduction of one of the six La Dame à la licorne tapestries, a sketch of a galloping unicorn, and a dried seahorse. DP: Vilmos Zsigmond.

A unicorn for National Unicorn Day (UK)

“and in big, spidery writing, he wrote 'In search of unicorns.' The End”

– quote from “In Search of Unicorns”, written by Susannah York

Cathryn (Susannah York), a children's book author, works on a book called “In Search of Unicorns”. Her desk, and mind, are occupied with images from a obscure diegesis.

สัตว์วิกาล [Sud Vikal / Vampire] (Apichatpong Weerasethakul, 2008)

Mar

2

Dr. Seuss' birthday

สัตว์วิกาล (2008)

Applying blood to attract the Nok Phii. It's cold. DP: Chaisiri Jiwarangsan.

Imaginary animals or food for Theodor “Dr.” Seuss Geisel's birthday (1904).

“I like the settings where the lights and desire cross path. The desire to communicate with the invisibles in the darkness, or in memory, or in the future. It's always related to cinema and we as insects that are drawn to lights.”

– Apichatpong Weerasethakul, via

Villagers in the north of Thailand reported a rare sighting of a male and female Nok Phii, an elusive species of bird that feeds on animals' blood. It is unknown if the sighting was reliable, and if this vampire does, or ever did, exist.

The Phantom of the Opera (Rupert Julian, Lon Chaney, Ernst Laemmle + Edward Sedgwick, 1925)

Jan

28

Gaslights

The Phantom of the Opera (1925)

An enormous gaslit chandelier dangles over the Paris Opéra audience's heads. DPs: Milton Bridenbecker, Virgil Miller & Charles Van Enger.

Gaslights for the first recorded public street lighting powered by gas, demonstrated in Pall Mall, London, on 28 January, 1807. The introduction of gaslight had a major influence on theatre and opera, including the new Paris Opera (1875), which was lit by no less than 960 gas jets. Thanks to the brilliant light, stage actors could tone down their mannerisms and stage makeup.

“Feast your eyes. Glut your soul on my accursed ugliness.”

– The Phantom

However, in the dark dungeons under the Opéra lives a pitiful creature, doomed to dwell in darkness. His makeup, provided by The Man of a Thousand Faces, Lon Chaney, was both grotesque and eerily real .

Das Cabinet des Dr. Caligari [The Cabinet of Dr. Caligari] (Robert Wiene, 1920)

Dec

25

Hanukkah + Christmas

Das Cabinet des Dr. Caligari (1920)
Joseph Nicéphore Niépce (1822 – 1827)

Cesare (Conrad Veidt) escapes with Jane (Lil Dagover) in his arms. Composition and distribution of light and shadow – much of which was painted directly on the set pieces – strike a strong resemblance with the oldest known survived photograph by Nicéphore Niépce from ca. 1822 – 1827. DP: Willy Hameister.

A favourite scene featuring light for Hanukkah and Christmas.

Alan “How long will I live?”

Cesare “Till the break of dawn.”

Valkoinen peura [The White Reindeer] (Erik Blomberg, 1952)

Dec

21

Yule

Valkoinen peura (1952)

Pirita (Mirjami Kuosmanen) in Gákti in front of a prism-like structure with a reindeer skull on top. Antlers stick out in the snow around her. DP: Erik Blomberg.

Pagans for Yule. The reindeer plays an important part in Sámi #animism (1/2).