settima

westgermany

Normalsatz [Ordinary Sentence] (Heinz Emigholz, 1982)

Apr

30

1975

Normalsatz (1982)

A woman, seated on a bed, speaks to a second woman who is pressed against the side of a bookcase. Still via. DP: Heinz Emigholz.

Part of the Trilogie der Siebziger Jahre (“Trilogy of the Seventies”).

Willi Tobler und der Untergang der 6. Flotte [Willi Tobler and the Decline of the 6th Fleet] (Alexander Kluge, 1969)

Apr

27

Willi Tobler und der Untergang der 6. Flotte (1969)

One of many many handmade, overly complicated title cards. The date is May/June 42. DPs: Dietrich Lohmann, Thomas Mauch & Alfred Tichawsky.

And November 9, January 14, and January 21.

Una farfalla con le ali insanguinate [The Bloodstained Butterfly] (Duccio Tessari, 1971)

Apr

26

Fri

Una farfalla con le ali insanguinate (1971)

Sarah Marchi (Wendy D'Olive) with Giorgio (Helmut Berger) in the background, just out of focus behind her. DP: Carlo Carlini.

“Because, in the way I see it, the killer could only be one of two types. Either a person who was seized by a sudden impulse and in all probability has no police record, or else, a sex maniac.”

Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)

Mar

30

Supermarkt (1974)

Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano.

Grauzone [Zones] (Fredi M. Murer, 1979)

Mar

21

1976

Grauzone (1979)

The anonymous, urgent newspaper announcement referencing the oath of secrecy considering a mysterious epidemic, starting March 21, 1976. It lists all the symptoms. DP: Hans Liechti.

Eine mysteriöse EPIDEMIE ist ausgebrochen.

Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)

Mar

9

Fata/Morgana (1966)

Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.

Die Blechtrommel [The Tin Drum] (Volker Schlöndorff, 1979)

Dec

21

winter solstice

Die Blechtrommel (1979)

Little Oskar with his tin drum. DP: Igor Luther.

Something short for winter solstice.

“He's growing! Look! See how he's growing! I have seen the Lord! The Lord! The Lord!”

– Schugger-Leo

On the eve of World War 2, little Oskar – just three years old – decides he doesn't want to grow anymore.

The Lickerish Quartet (Radley Metzger, 1970)

Dec

5

The Lickerish Quartet (1970)

A 70s couple in a grainy black-and-white still. The frame looks damaged, suggesting a stag reel. The seemingly nude blonde pours a drink for her dark-haired man. She holds the cork between her teeth, seducingly. DP: Hans Jura.

– I've never seen a film like this before.

– Oh, it's different, alright.

Hexen bis aufs Blut gequält [Mark of the Devil] (Michael Armstrong + Adrian Hoven, 1970)

Nov

28

cheese

Hexen bis aufs Blut gequält (1970)

A young, pretty Udo Kier seated at a dinner table. There are various fruits on a platter and Udo's eating cheese. His outfit suggests the 18th century. DP: Ernst W. Kalinke.

“I accuse you of having trampled on the cross, of having ridden to the Sabbath, of throwing the Holy Cross of our Saviour into manure so that the skies grew dark, and the rain fell upon the earth!”

– Albino