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Ostia [A Violent Life] (Sergio Citti, 1970)
Sep
10
National Pet Memorial Day
Bandiera and Rabbino and their beloved Rosina, thoughtfully covered with a woollen blanket. DP: Mario Mancini.
Bandiera and Rabbino, two young bumpkins, find that Rosina, their beloved ewe, has been butchered by their father. Years later, the two share their lives with a beautiful blonde who they found believing to be dead.
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Stroszek (Werner Herzog, 1977)
Sep
9
German Language Day
A warm Railroad Flats, Wis. “Willcomen” [sic] for (LtR) Scheitz, Eva, and Bruno, with Mr Scheitz's nephew (Clayton Szalpinski) squeezed between his “Onkellein” and Eva. DP: Thomas Mauch.
Bruno Stroszek (Bruno S.), his friends Eva (Eva Mattes) and Scheitz (Clemens Scheitz, responsible for the fairy-tale music you hear in this film) decide to leave dreary #Berlin behind and move to #Wisconsin where the latter's nephew lives. A new life, with dreams of music and animal magnetism, awaits them there.
“Was ist loos? Der Hund is loose.”
– Clayton
As so oft with #Herzog, the story behind Stroszek is as engrossing as the resulting film. Documentary maker Errol Morris and Herzog were fascinated by Wisconsin's own Ed Gein and wondered if Gein had dug up his own mother, as was rumoured at the time. As they would, they decided to open the poor woman's grave. Morris never showed up, and neither did Herzog but only because his car broke down en route to Plainfield, Wisconsin. Trying to get the vehicle fixed, Herzog entered the workshop of a Clayton Szalpinski.
A character in his own right, and a non-actor to boot, Clayton ended up in Stroszek as Scheitz's nephew; a MacGuffin odder than a dancing chicken.
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کلوزآپ ، نمای نزدیک [Klūzāp, nemā-ye nazdīk / Close-Up] (Abbas Kiarostami, 1990)
Sep
8
Pardon Day
Hossain Sabzian riding passenger on a motorcycle holding a large potted rose-red dahlia. DP: Ali Reza Zarrindast.
کلوزآپ ، نمای نزدیک is visual narrative illustrating a crime. A cinephile, Hossain Sabzian, pretends to be filmmaker Mohsen Makhmalbaf and slowly extorts a family into believing to star in the director's next film.
“Prison is good for the good and bad for the wicked. It teaches the good a lesson but only makes the wicked worse.”
– Hossain Sabzian
An article about the case intrigued director #Kiarostami so much that he decided to film the court case against Sabzian, and ask the accused, Makhmalbaf, and the Ahankhah family to reenact some of the events.
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The Monster That Challenged the World (Arnold Laven, 1957)
Sep
7
National Salami Day
Coroner Nate Brown (Byron Kane) offering two cops a couple of nice cold sandwiches straight from one of the morgue coolers on his lunch break. DP: Lester White.
Arnold Laven's The Monster That Challenged the World is one of the earliest, if not thé earliest, example of this peculiar movie and television trope: the coroner's lunch break.
– You boys care for a sandwich? Got tuna fish and minced ham on rye.
– No, thanks.
– It's nice and cold.
Having some cold cuts over some cold cuts never gets old. Or appetising.
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মহানগর [Mahanagar / The Big City] (Satyajit Ray, 1963)
Sep
6
freebie: National Lipstick Day
Edith (Vicky Redwood) applying colour to Arati's (Madhavi Mukherjee) lips. DP: Subrata Mitra.
Set in 1950s Calcutta, মহানগর is a story of emancipation in a changing society. Arati (Madhavi Mukherjee) is a housewife from a traditionalist family, who – in order to support her relatives' lavish demands – goes out to work as a door-to-door saleswoman. Slowly, she discovers her independence.
“I've got it. Film star! You'd be perfect. Dark glasses, lots of red lipstick, and 100,000 rupees per picture. And if it's a Hindi film, we'll all fly to Bombay.”
– Bani
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M [M – Eine Stadt sucht einen Mörder] (Fritz Lang, 1931)
Sep
5
Jury Rights Day
Schränker (Gustaf Gründgens) and his kangaroo court. Under his clenched fist a photograph of one of the murdered girls. DP: Fritz Arno Wagner.
“Just you wait, it won't be long,
The man in black will soon be here,
With his cleaver's blade so true,
He'll make mincemeat out of you!”
– children singing
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Muhammad Ali, the Greatest [Float Like a Butterfly, Sting Like a Bee] (William Klein, 1974)
Sep
4
Mouthguard Day
A randomly picked screenshot showing Muhammad Ali fighting George Foreman. Each and every scene of a William Klein film is a photograph. DPs: Étienne Becker, William Klein, Richard Suzuki & Patrice Wyers.
“I done wrestled with an alligator, I done tussled with a whale; Handcuffed lightning, thrown thunder in jail; Only last week, I murdered a rock, injured a stone, hospitalized a brick; I’m so mean I make medicine sick.”
– Muhammad Ali
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El espíritu de la colmena [The Spirit of the Beehive] (Víctor Erice, 1973)
Sep
3
National Cinema Day
Ana (Ana Torrent) watching James Whale's Frankenstein (1931). DP: Luis Cuadrado.
One day, in a quiet village, a traveling movie theatre appears. The proprietor has no words for the miracle he brings in on the reels. When it's finally time, and the whole town is crammed into the crumbling impromptu playhouse, and the lights are dimmed, a word of warning. This is the story of Dr. #Frankenstein, it starts.
“Just close your eyes and call him… It's me, Ana… It's me Ana…”
– Teresa
The old folk in the audience remember their first brush with cinema, and life, and death. For sisters Ana (Ana Torrent) and Isabel (Isabel Tellería) it may be their first, and it may as well be real. The creature, Isabel assures her younger sister, is not dead. He's a spirit and you can call for him.
When you're little, everything is a miracle. Milagros is the name the maid answers too. And so does the landscape, the mushrooms, the heart, and the magic of cinema.
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Cremaster 1 (Matthew Barney, 1996)
Sep
2
National Tailgating Day
Goodyear (Marti Domination) on the field, holding the two blimps from which she guides the chorus line. DP: Peter Strietmann.
American artist Matthew Barney dreamt of playing #AmericanFootball at Yale. His body, too short for the demanding game, became his personal battleground by way of torturous prosthetics and art performances testing its endurance. A fascination with biology – he considered medicine as his profession – is a recurring motif in his art. This will teach us that stage 1 of the cremaster cycle is the moment when the cremaster muscle – the muscle in the biological male responsible for the ascent and descent of the testes – is at its most ascended or undifferentiated state.
Cremaster 1, the second of the five part Cremaster cycle (1994—2002), is set at the Bronco Stadium in #Boise, #Idaho, Barney's hometown. Due of his personal connection with the place he was able to secure the stadium for a lush musical revue, complete with chorus girls and Goodyear #blimps. Instead of cheerleading yells and the crushing noise of chronic traumatic encephalopathy, we find ourselves quietly poised in an airship high above the field.
In each airship there is an ethereal woman (both played by gender-ambigious Marti Domination), arranging and rearranging grapes in intricate shapes, illustrating the development of the foetus from non-gendered to male. Below on luminous blue AstroTurf, the chorus line follows the same patterns.
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Le temps d'une chasse [The Time of a Hunt / Once Upon a Hunt] (Francis Mankiewicz, 1972)
Sep
1
National Hotel Employee Day
One of the men following Monique, one of the hotel employees (Luce Guilbeault, simply credited as “La Rousse”, “the redhead”) down the corridor. The young waitress (Frédérique Collin) can be seen in the door opening at the end of the hallway. DP: Michel Brault.
Le temps d'une chasse is the definition of unease. It starts at dawn, when two old friends pick up their buddy Richard (Marcel Sabourin) from the home he shares with his wife and son. The son, the wife insists, comes along. The men have planned a #hunting trip, in a cabin far away from #Montréal, far away from everything, with a beer-filled cooler at hand. The last they need is an underage kid towing along. But the boy comes along, she insists. With a trunk full of Dutch courage and a mouthful of boasting, the men find themselves at a hotel instead of the expected cabins.
“Tomorrow morning we'll get up early.”
Hotel days are short and its nights long and booze-filled, commanding their own temptation and regret.