<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>colours &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:colours</link>
    <description>@settima@zirk.us</description>
    <pubDate>Thu, 30 Apr 2026 16:45:30 +0200</pubDate>
    <item>
      <title>Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine,...</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-5jwk</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;29/div&#xA;div class=&#34;occasion&#34;&#xA;grey/div&#xA;div class=&#34;img&#34;&#xA;Mon oncle (1958)/div&#xA;div class=&#34;img2&#34;&#xA;Koolhaas Houselife (2008)/div&#xA;div class=&#34;caption&#34;&#xA;A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin./div&#xA;div class=&#34;txt&#34;&#xA;description&#xA;[A favourite] colour: grey&#xA;&amp;nbsp;&#xA;Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels&#39; house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).&#xA;&#xA;  – A house like yours must be such a job!&#xA;  – Oh, a leaf! Ah, yes it&#39;s a chore.&#xA;  – Admit it, you love it.&#xA;  ### &#xA;&#xA;In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas&#39; Maison à Bordeaux (1998) in Bêka and Lemoine&#39;s Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.&#xA;&amp;nbsp;&#xA;/description&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #grey #colours #JacquesTati #JeanPierreZola #AdrienneServantie #LucienFrégis #BettySchneider #FranckBarcellini #AlainRomans #NorbertGlanzberg #JeanBourgoin #architecture #modernism #absurdism #comedy #satire #slapstick #France #Italy #1950s ★★★★☆ ♥︎/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="mon-oncle-jacques-tati-1958-koolhaas-houselife-ila-bêka-louise-lemoine-2008-div" id="mon-oncle-jacques-tati-1958-koolhaas-houselife-ila-bêka-louise-lemoine-2008-div">Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="29-div" id="29-div">29</div></h1>

<p><div class="occasion"></p>

<h2 id="grey-div" id="grey-div">grey</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/0y0XCQb6/0829-Mon-oncle-1958.jpg" alt="Mon oncle (1958)"></div>
<div class="img2">
<img src="https://i.postimg.cc/D0RHRMT8/0829-Koolhaas-Houselife-2008.webp" alt="Koolhaas Houselife (2008)"></div>
<div class="caption"></p>

<h6 id="a-delivery-man-in-front-of-the-gates-of-villa-arpel-via-https-biokam-tumblr-com-post-106444249641-julydogs-mon-oncle-1958-jacques-tati-and-custodian-guadalupe-acedo-working-the-lift-in-maison-à-bordeaux-dp-of-mon-oncle-jean-bourgoin-div" id="a-delivery-man-in-front-of-the-gates-of-villa-arpel-via-https-biokam-tumblr-com-post-106444249641-julydogs-mon-oncle-1958-jacques-tati-and-custodian-guadalupe-acedo-working-the-lift-in-maison-à-bordeaux-dp-of-mon-oncle-jean-bourgoin-div">A delivery man in front of the gates of Villa Arpel (<a href="https://biokam.tumblr.com/post/106444249641/julydogs-mon-oncle-1958-jacques-tati" rel="nofollow">via</a>), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of <em>Mon Oncle</em>: Jean Bourgoin.</div></h6>

<p><div class="txt">
</p>

<h5 id="a-favourite-colour-grey" id="a-favourite-colour-grey">[A favourite] colour: grey*</h5>

<p> </p>

<h5 id="approaching-the-60s-mr-hulot-finally-switches-from-black-and-white-to-colour-suddenly-we-see-that-his-suit-is-a-beigeish-grey-and-so-is-the-arpels-house-that-modernist-masterpiece-designed-https-www-elle-fr-deco-news-tendances-la-villa-arpel-de-tati-au-104-jusqu-au-3-mai-2009-3157948-by-tati-the-beloved-luddite-struggles-with-hypermodern-people-and-their-hypermodern-constructs-much-alike-the-future-hulot-from-playtime-1967-https-write-underworld-fr-settima-playtime-1967" id="approaching-the-60s-mr-hulot-finally-switches-from-black-and-white-to-colour-suddenly-we-see-that-his-suit-is-a-beigeish-grey-and-so-is-the-arpels-house-that-modernist-masterpiece-designed-https-www-elle-fr-deco-news-tendances-la-villa-arpel-de-tati-au-104-jusqu-au-3-mai-2009-3157948-by-tati-the-beloved-luddite-struggles-with-hypermodern-people-and-their-hypermodern-constructs-much-alike-the-future-hulot-from-playtime-1967-https-write-underworld-fr-settima-playtime-1967">Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels&#39; house, that modernist masterpiece <a href="https://www.elle.fr/Deco/News-tendances/La-Villa-Arpel-de-Tati-au-104-Jusqu-au-3-mai-2009-3157948" rel="nofollow">designed</a> by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from <a href="https://write.underworld.fr/settima/playtime-1967" rel="nofollow">Playtime (1967)</a>.</h5>

<blockquote><p>– A house like yours must be such a job!
– Oh, a leaf! Ah, yes it&#39;s a chore.
– Admit it, you love it.</p></blockquote>

<h5 id="in-similar-absurd-fashion-guadalupe-acedo-cleaning-lady-works-her-way-through-rem-koolhaas-maison-à-bordeaux-1998-in-bêka-and-lemoine-s-koolhaas-houselife-2008-too-steep-are-the-stairs-too-leaky-everything-else-levelheaded-she-does-her-thing-a-small-beacon-of-romantic-practicality-in-a-world-of-absurd-efficiency" id="in-similar-absurd-fashion-guadalupe-acedo-cleaning-lady-works-her-way-through-rem-koolhaas-maison-à-bordeaux-1998-in-bêka-and-lemoine-s-koolhaas-houselife-2008-too-steep-are-the-stairs-too-leaky-everything-else-levelheaded-she-does-her-thing-a-small-beacon-of-romantic-practicality-in-a-world-of-absurd-efficiency">In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas&#39; <em>Maison à Bordeaux</em> (1998) in Bêka and Lemoine&#39;s <em>Koolhaas Houselife</em> (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.</h5>

<p> 
</p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-grey-colours-jacquestati-jeanpierrezola-adrienneservantie-lucienfrégis-bettyschneider-franckbarcellini-alainromans-norbertglanzberg-jeanbourgoin-architecture-modernism-absurdism-comedy-satire-slapstick-france-italy-1950s-div" id="bales2025filmchallenge-grey-colours-jacquestati-jeanpierrezola-adrienneservantie-lucienfrégis-bettyschneider-franckbarcellini-alainromans-norbertglanzberg-jeanbourgoin-architecture-modernism-absurdism-comedy-satire-slapstick-france-italy-1950s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:grey" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">grey</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:JacquesTati" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JacquesTati</span></a> <a href="/settima/tag:JeanPierreZola" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanPierreZola</span></a> <a href="/settima/tag:AdrienneServantie" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AdrienneServantie</span></a> <a href="/settima/tag:LucienFr%C3%A9gis" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LucienFrégis</span></a> <a href="/settima/tag:BettySchneider" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BettySchneider</span></a> <a href="/settima/tag:FranckBarcellini" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FranckBarcellini</span></a> <a href="/settima/tag:AlainRomans" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlainRomans</span></a> <a href="/settima/tag:NorbertGlanzberg" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NorbertGlanzberg</span></a> <a href="/settima/tag:JeanBourgoin" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanBourgoin</span></a> <a href="/settima/tag:architecture" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">architecture</span></a> <a href="/settima/tag:modernism" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">modernism</span></a> <a href="/settima/tag:absurdism" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">absurdism</span></a> <a href="/settima/tag:comedy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">comedy</span></a> <a href="/settima/tag:satire" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">satire</span></a> <a href="/settima/tag:slapstick" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">slapstick</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:1950s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1950s</span></a> ★★★★☆ ♥︎</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-5jwk</guid>
      <pubDate>Fri, 29 Aug 2025 14:30:00 +0200</pubDate>
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      <title>Bed Peace [John and Yoko: The Bed-In] (John Lennon + Yoko Ono, 1969)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-0bx1</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Bed Peace [John and Yoko: The Bed-In] (John Lennon + Yoko Ono, 1969)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;27/div&#xA;div class=&#34;occasion&#34;&#xA;white/div&#xA;div class=&#34;img&#34;&#xA;Bed Peace (1969)/div&#xA;div class=&#34;caption&#34;&#xA;John and Yoko in their bed, dressed in all-white, framed by flowers. DP: Nicholas D. Knowland./div&#xA;div class=&#34;txt&#34;&#xA;description&#xA;White, in food or fashion&#xA;&#xA;  &#34;Remember love, remember love&#xA;  Love is what it takes to dream&#34;&#xA;  ### – Yoko Ono, Remember Love (1969)&#xA;&#xA;While the press expected the newlyweds&#39; &#34;bed-in&#34; to be a scandalous nude affair, the two lovers showed up in all-white – like angels, as John put it. Surrounded by journalists and friends, John and Yoko imaged peace.&#xA;&amp;nbsp;&#xA;/description&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #white #colours #JohnLennon #YokoOno #MurrayTheK #AlCapp #KyokoOnoCox #AllenGinsberg #DickGregory #AllenKlein #JonasMekas #TimothyLeary #TomSmothers #NicholasDKnowland #documentary #interview #art #peace #Montréal #UK #1960s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="bed-peace-john-and-yoko-the-bed-in-john-lennon-yoko-ono-1969-div" id="bed-peace-john-and-yoko-the-bed-in-john-lennon-yoko-ono-1969-div">Bed Peace [John and Yoko: The Bed-In] (John Lennon + Yoko Ono, 1969)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="27-div" id="27-div">27</div></h1>

<p><div class="occasion"></p>

<h2 id="white-div" id="white-div">white</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/qvCdBxpG/0827-Bed-Peace-1969.jpg" alt="Bed Peace (1969)"></div>
<div class="caption"></p>

<h6 id="john-and-yoko-in-their-bed-dressed-in-all-white-framed-by-flowers-dp-nicholas-d-knowland-div" id="john-and-yoko-in-their-bed-dressed-in-all-white-framed-by-flowers-dp-nicholas-d-knowland-div">John and Yoko in their bed, dressed in all-white, framed by flowers. DP: Nicholas D. Knowland.</div></h6>

<p><div class="txt">
</p>

<h5 id="white-in-food-or-fashion" id="white-in-food-or-fashion">White, in food or fashion*</h5>

<blockquote><p>“Remember love, remember love
Love is what it takes to dream”</p>

<h3 id="yoko-ono-remember-love-1969" id="yoko-ono-remember-love-1969">– Yoko Ono, <em>Remember Love</em> (1969)</h3>
</blockquote>

<h5 id="while-the-press-expected-the-newlyweds-bed-in-to-be-a-scandalous-nude-affair-the-two-lovers-showed-up-in-all-white-like-angels-as-john-put-it-surrounded-by-journalists-and-friends-john-and-yoko-imaged-peace" id="while-the-press-expected-the-newlyweds-bed-in-to-be-a-scandalous-nude-affair-the-two-lovers-showed-up-in-all-white-like-angels-as-john-put-it-surrounded-by-journalists-and-friends-john-and-yoko-imaged-peace">While the press expected the newlyweds&#39; “bed-in” to be a scandalous nude affair, the two lovers showed up in all-white – like angels, as John put it. Surrounded by journalists and friends, John and Yoko imaged peace.</h5>

<p> 
</p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-white-colours-johnlennon-yokoono-murraythek-alcapp-kyokoonocox-allenginsberg-dickgregory-allenklein-jonasmekas-timothyleary-tomsmothers-nicholasdknowland-documentary-interview-art-peace-montréal-uk-1960s-div" id="bales2025filmchallenge-white-colours-johnlennon-yokoono-murraythek-alcapp-kyokoonocox-allenginsberg-dickgregory-allenklein-jonasmekas-timothyleary-tomsmothers-nicholasdknowland-documentary-interview-art-peace-montréal-uk-1960s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:white" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">white</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:JohnLennon" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JohnLennon</span></a> <a href="/settima/tag:YokoOno" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YokoOno</span></a> <a href="/settima/tag:MurrayTheK" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MurrayTheK</span></a> <a href="/settima/tag:AlCapp" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlCapp</span></a> <a href="/settima/tag:KyokoOnoCox" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KyokoOnoCox</span></a> <a href="/settima/tag:AllenGinsberg" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AllenGinsberg</span></a> <a href="/settima/tag:DickGregory" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DickGregory</span></a> <a href="/settima/tag:AllenKlein" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AllenKlein</span></a> <a href="/settima/tag:JonasMekas" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JonasMekas</span></a> <a href="/settima/tag:TimothyLeary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TimothyLeary</span></a> <a href="/settima/tag:TomSmothers" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TomSmothers</span></a> <a href="/settima/tag:NicholasDKnowland" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NicholasDKnowland</span></a> <a href="/settima/tag:documentary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">documentary</span></a> <a href="/settima/tag:interview" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">interview</span></a> <a href="/settima/tag:art" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">art</span></a> <a href="/settima/tag:peace" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">peace</span></a> <a href="/settima/tag:Montr%C3%A9al" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Montréal</span></a> <a href="/settima/tag:UK" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">UK</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-0bx1</guid>
      <pubDate>Wed, 27 Aug 2025 15:30:00 +0200</pubDate>
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      <title>Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade,...</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-0c4x</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;24/div&#xA;div class=&#34;occasion&#34;&#xA;black/div&#xA;div class=&#34;img&#34;&#xA;Les Vampires (1915)/div&#xA;div class=&#34;caption&#34;&#xA;A signed promotional photograph of Irma Vep (Musidora) in her iconic black catsuit. DPs: Georges Guérin &amp; Manichoux./div&#xA;div class=&#34;txt&#34;&#xA;description&#xA;Black, in food or fashion&#xA;&#xA;  &#34;It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.&#34;&#xA;  ### – Musidora&#xA;&#xA;Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora&#39;s screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.&#xA;&amp;nbsp;&#xA;/description&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #black #colours #LouisFeuillade #Musidora #ÉdouardMathé #MarcelLévesque #JeanAymé #FernandHerrmann #StaciaNapierkowska #GeorgesGuérin #Manichoux #SilentFilm #vamps #serial #drama #thriller #crime #mystery #Paris #France #1910s/div&#xA;/section ]]&gt;</description>
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<div class="title"></p>

<h4 id="les-vampires-the-vampires-or-the-arch-criminals-of-paris-louis-feuillade-1915-1916-div" id="les-vampires-the-vampires-or-the-arch-criminals-of-paris-louis-feuillade-1915-1916-div">Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="24-div" id="24-div">24</div></h1>

<p><div class="occasion"></p>

<h2 id="black-div" id="black-div">black</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/43bghFMx/0824-Vampires-1915.png" alt="Les Vampires (1915)"></div>
<div class="caption"></p>

<h6 id="a-signed-promotional-photograph-of-irma-vep-musidora-in-her-iconic-black-catsuit-dps-georges-guérin-manichoux-div" id="a-signed-promotional-photograph-of-irma-vep-musidora-in-her-iconic-black-catsuit-dps-georges-guérin-manichoux-div">A signed promotional photograph of Irma Vep (Musidora) in her iconic black catsuit. DPs: Georges Guérin &amp; Manichoux.</div></h6>

<p><div class="txt">
</p>

<h5 id="black-in-food-or-fashion" id="black-in-food-or-fashion">Black, in food or fashion*</h5>

<blockquote><p>“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”</p>

<h3 id="musidora" id="musidora">– Musidora</h3>
</blockquote>

<h5 id="possibly-the-first-and-definitely-the-most-iconic-catsuit-in-cinema-is-worn-by-musidora-as-irma-vep-in-les-vampires-skintight-and-scandalous-musidora-s-screen-presence-in-the-serial-further-cemented-the-popularity-of-the-vamp-https-en-wikipedia-org-wiki-femme-fatale-and-set-the-scene-for-many-man-eaters-to-come" id="possibly-the-first-and-definitely-the-most-iconic-catsuit-in-cinema-is-worn-by-musidora-as-irma-vep-in-les-vampires-skintight-and-scandalous-musidora-s-screen-presence-in-the-serial-further-cemented-the-popularity-of-the-vamp-https-en-wikipedia-org-wiki-femme-fatale-and-set-the-scene-for-many-man-eaters-to-come">Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in <em>Les Vampires</em>. Skintight and scandalous, Musidora&#39;s screen presence in the serial further cemented the popularity of the <a href="https://en.wikipedia.org/wiki/Femme_fatale" rel="nofollow"><em>vamp</em></a> and set the scene for many man-eaters to come.</h5>

<p> 
</p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-black-colours-louisfeuillade-musidora-édouardmathé-marcellévesque-jeanaymé-fernandherrmann-stacianapierkowska-georgesguérin-manichoux-silentfilm-vamps-serial-drama-thriller-crime-mystery-paris-france-1910s-div" id="bales2025filmchallenge-black-colours-louisfeuillade-musidora-édouardmathé-marcellévesque-jeanaymé-fernandherrmann-stacianapierkowska-georgesguérin-manichoux-silentfilm-vamps-serial-drama-thriller-crime-mystery-paris-france-1910s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:black" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">black</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:LouisFeuillade" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LouisFeuillade</span></a> <a href="/settima/tag:Musidora" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Musidora</span></a> <a href="/settima/tag:%C3%89douardMath%C3%A9" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ÉdouardMathé</span></a> <a href="/settima/tag:MarcelL%C3%A9vesque" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MarcelLévesque</span></a> <a href="/settima/tag:JeanAym%C3%A9" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanAymé</span></a> <a href="/settima/tag:FernandHerrmann" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FernandHerrmann</span></a> <a href="/settima/tag:StaciaNapierkowska" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">StaciaNapierkowska</span></a> <a href="/settima/tag:GeorgesGu%C3%A9rin" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GeorgesGuérin</span></a> <a href="/settima/tag:Manichoux" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Manichoux</span></a> <a href="/settima/tag:SilentFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SilentFilm</span></a> <a href="/settima/tag:vamps" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">vamps</span></a> <a href="/settima/tag:serial" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">serial</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:thriller" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">thriller</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:mystery" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">mystery</span></a> <a href="/settima/tag:Paris" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Paris</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1910s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1910s</span></a></div></h5>

<p></section></p>
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      <pubDate>Sun, 24 Aug 2025 15:30:00 +0200</pubDate>
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      <title>The Black Tower (John Smith, 1985—1987)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-75ng</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;The Black Tower (John Smith, 1985—1987)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;22/div&#xA;div class=&#34;occasion&#34;&#xA;black/div&#xA;div class=&#34;img&#34;&#xA;The Black Tower (1987)/div&#xA;div class=&#34;caption&#34;&#xA;The black tower, visible from behind a brick wall (via)../div&#xA;div class=&#34;txt&#34;&#xA;Black: a building or structure&#xA;&#xA;  &#34;I first noticed it in Spring last year. […] It was from [my home] that I first saw it—its crest protruding over the roofs on the other side of the road. Surprised that I hadn’t noticed it before, I wondered what it was and then forgot about it for several weeks.&#34;&#xA;  ### – narrator&#xA;&#xA;A man becomes aware of a formerly unnoticed black tower. Surely it&#39;s nothing, yet as the weeks pass, its looming presence takes over.&#xA;&amp;nbsp;&#xA;The black tower was a real structure, first noticed by filmmaker John Smith when he moved to East London. The building, actually the upper part of a hospital&#39;s water tower, was painted pitch black, and on sunny days appeared to be a cutout in the sky. By framing the shots in such a way that only part of the surroundings is visible, and editing them in a narrative framework, Smith creates a new context suggesting movement. This style of montage called creative geography, or artificial landscape, was developed by Lev Kuleshov and enables filmmakers to expand existing material and narrative into something that usually is only available to prose poetry.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #black #colours #JohnSmith #AnnaHatt #DennisHardy #mystery #psychogeography #ShortFilm #ExperimentalFilm #London #UK #1980s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="the-black-tower-john-smith-1985-1987-div" id="the-black-tower-john-smith-1985-1987-div">The Black Tower (John Smith, 1985—1987)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="22-div" id="22-div">22</div></h1>

<p><div class="occasion"></p>

<h2 id="black-div" id="black-div">black</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/pTfpCVm7/0822-Black-Tower-1987.jpg" alt="The Black Tower (1987)"></div>
<div class="caption"></p>

<h6 id="the-black-tower-visible-from-behind-a-brick-wall-via-https-johnsmithfilms-com-selected-works-the-black-tower-div" id="the-black-tower-visible-from-behind-a-brick-wall-via-https-johnsmithfilms-com-selected-works-the-black-tower-div">The black tower, visible from behind a brick wall (<a href="https://johnsmithfilms.com/selected-works/the-black-tower/" rel="nofollow">via</a>)..</div></h6>

<p><div class="txt"></p>

<h5 id="black-a-building-or-structure" id="black-a-building-or-structure">Black: a building or structure*</h5>

<blockquote><p>“I first noticed it in Spring last year. […] It was from [my home] that I first saw it—its crest protruding over the roofs on the other side of the road. Surprised that I hadn’t noticed it before, I wondered what it was and then forgot about it for several weeks.”</p>

<h3 id="narrator" id="narrator">– narrator</h3>
</blockquote>

<h5 id="a-man-becomes-aware-of-a-formerly-unnoticed-black-tower-surely-it-s-nothing-yet-as-the-weeks-pass-its-looming-presence-takes-over" id="a-man-becomes-aware-of-a-formerly-unnoticed-black-tower-surely-it-s-nothing-yet-as-the-weeks-pass-its-looming-presence-takes-over">A man becomes aware of a formerly unnoticed black tower. Surely it&#39;s nothing, yet as the weeks pass, its looming presence takes over.</h5>

<p> </p>

<h5 id="the-black-tower-was-a-real-structure-first-noticed-by-filmmaker-john-smith-when-he-moved-to-east-london-the-building-actually-the-upper-part-of-a-hospital-s-water-tower-was-painted-pitch-black-and-on-sunny-days-appeared-to-be-a-cutout-in-the-sky-by-framing-the-shots-in-such-a-way-that-only-part-of-the-surroundings-is-visible-and-editing-them-in-a-narrative-framework-smith-creates-a-new-context-suggesting-movement-this-style-of-montage-called-creative-geography-or-artificial-landscape-https-en-wikipedia-org-wiki-creative-geography-was-developed-by-lev-kuleshov-https-write-underworld-fr-settima-section-class-boxinfo-markdown-1-x2n7-and-enables-filmmakers-to-expand-existing-material-and-narrative-into-something-that-usually-is-only-available-to-prose-poetry" id="the-black-tower-was-a-real-structure-first-noticed-by-filmmaker-john-smith-when-he-moved-to-east-london-the-building-actually-the-upper-part-of-a-hospital-s-water-tower-was-painted-pitch-black-and-on-sunny-days-appeared-to-be-a-cutout-in-the-sky-by-framing-the-shots-in-such-a-way-that-only-part-of-the-surroundings-is-visible-and-editing-them-in-a-narrative-framework-smith-creates-a-new-context-suggesting-movement-this-style-of-montage-called-creative-geography-or-artificial-landscape-https-en-wikipedia-org-wiki-creative-geography-was-developed-by-lev-kuleshov-https-write-underworld-fr-settima-section-class-boxinfo-markdown-1-x2n7-and-enables-filmmakers-to-expand-existing-material-and-narrative-into-something-that-usually-is-only-available-to-prose-poetry">The black tower was a real structure, first noticed by filmmaker John Smith when he moved to East London. The building, actually the upper part of a hospital&#39;s water tower, was painted pitch black, and on sunny days appeared to be a cutout in the sky. By framing the shots in such a way that only part of the surroundings is visible, and editing them in a narrative framework, Smith creates a new context suggesting movement. This style of montage called <a href="https://en.wikipedia.org/wiki/Creative_geography" rel="nofollow">creative geography, or artificial landscape</a>, was developed by <a href="https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-x2n7" rel="nofollow">Lev Kuleshov</a> and enables filmmakers to expand existing material and narrative into something that usually is only available to prose poetry.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-black-colours-johnsmith-annahatt-dennishardy-mystery-psychogeography-shortfilm-experimentalfilm-london-uk-1980s-div" id="bales2025filmchallenge-black-colours-johnsmith-annahatt-dennishardy-mystery-psychogeography-shortfilm-experimentalfilm-london-uk-1980s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:black" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">black</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:JohnSmith" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JohnSmith</span></a> <a href="/settima/tag:AnnaHatt" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AnnaHatt</span></a> <a href="/settima/tag:DennisHardy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DennisHardy</span></a> <a href="/settima/tag:mystery" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">mystery</span></a> <a href="/settima/tag:psychogeography" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">psychogeography</span></a> <a href="/settima/tag:ShortFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShortFilm</span></a> <a href="/settima/tag:ExperimentalFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ExperimentalFilm</span></a> <a href="/settima/tag:London" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">London</span></a> <a href="/settima/tag:UK" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">UK</span></a> <a href="/settima/tag:1980s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1980s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <pubDate>Fri, 22 Aug 2025 16:00:00 +0200</pubDate>
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      <title>Månen är en grön ost [The Moon Is a Green Cheese] (Mai Zetterling, 1977)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-ck21</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Månen är en grön ost [The Moon Is a Green Cheese] (Mai Zetterling, 1977)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;21/div&#xA;div class=&#34;occasion&#34;&#xA;violet/div&#xA;div class=&#34;img&#34;&#xA;Månen är en grön ost (1977)/div&#xA;div class=&#34;caption&#34;&#xA;A woman in a violet dress and sunhat, plays a harp in the middle of a lake (via). DP: John Bulmer./div&#xA;div class=&#34;txt&#34;&#xA;description&#xA;Violet in food or fashion. If in doubt, pick a title with ALL the colours of the rainbow!&#xA;&amp;nbsp;&#xA;During their stay in the family summer house, two sisters imagine themselves as adults, once for every colour of the rainbow.&#xA;&amp;nbsp;&#xA;/description&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #violet #colours #MaiZetterling #IngvarBoman #LarsEdström #EwaFröling #JillPurce #KatarinaStrandmark #AndersSöderlund #WalterSöderlund #HåkanWallbom #RogerWallis #JohnBulmer #fantasy #Sweden #1970s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="månen-är-en-grön-ost-the-moon-is-a-green-cheese-mai-zetterling-1977-div" id="månen-är-en-grön-ost-the-moon-is-a-green-cheese-mai-zetterling-1977-div">Månen är en grön ost [The Moon Is a Green Cheese] (Mai Zetterling, 1977)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="21-div" id="21-div">21</div></h1>

<p><div class="occasion"></p>

<h2 id="violet-div" id="violet-div">violet</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/3N4BjxQY/0821-M-nen-r-en-gr-n-ost-1977.jpg" alt="Månen är en grön ost (1977)"></div>
<div class="caption"></p>

<h6 id="a-woman-in-a-violet-dress-and-sunhat-plays-a-harp-in-the-middle-of-a-lake-via-https-ozu-teapot-tumblr-com-post-652195874452226048-m-c3-a5nen-c3-a4r-en-gr-c3-b6n-ost-the-moon-is-a-green-cheese-is-related-post-1-notes-dp-john-bulmer-div" id="a-woman-in-a-violet-dress-and-sunhat-plays-a-harp-in-the-middle-of-a-lake-via-https-ozu-teapot-tumblr-com-post-652195874452226048-m-c3-a5nen-c3-a4r-en-gr-c3-b6n-ost-the-moon-is-a-green-cheese-is-related-post-1-notes-dp-john-bulmer-div">A woman in a violet dress and sunhat, plays a harp in the middle of a lake (<a href="https://ozu-teapot.tumblr.com/post/652195874452226048/m%C3%A5nen-%C3%A4r-en-gr%C3%B6n-ost-the-moon-is-a-green-cheese?is_related_post=1#notes" rel="nofollow">via</a>). DP: John Bulmer.</div></h6>

<p><div class="txt">
</p>

<h5 id="violet-in-food-or-fashion-if-in-doubt-pick-a-title-with-all-the-colours-of-the-rainbow" id="violet-in-food-or-fashion-if-in-doubt-pick-a-title-with-all-the-colours-of-the-rainbow">Violet in food or fashion. If in doubt, pick a title with ALL the colours of the rainbow!*</h5>

<p> </p>

<h5 id="during-their-stay-in-the-family-summer-house-two-sisters-imagine-themselves-as-adults-once-for-every-colour-of-the-rainbow" id="during-their-stay-in-the-family-summer-house-two-sisters-imagine-themselves-as-adults-once-for-every-colour-of-the-rainbow">During their stay in the family summer house, two sisters imagine themselves as adults, once for every colour of the rainbow.</h5>

<p> 
</p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-violet-colours-maizetterling-ingvarboman-larsedström-ewafröling-jillpurce-katarinastrandmark-anderssöderlund-waltersöderlund-håkanwallbom-rogerwallis-johnbulmer-fantasy-sweden-1970s-div" id="bales2025filmchallenge-violet-colours-maizetterling-ingvarboman-larsedström-ewafröling-jillpurce-katarinastrandmark-anderssöderlund-waltersöderlund-håkanwallbom-rogerwallis-johnbulmer-fantasy-sweden-1970s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:violet" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">violet</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:MaiZetterling" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MaiZetterling</span></a> <a href="/settima/tag:IngvarBoman" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">IngvarBoman</span></a> <a href="/settima/tag:LarsEdstr%C3%B6m" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LarsEdström</span></a> <a href="/settima/tag:EwaFr%C3%B6ling" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EwaFröling</span></a> <a href="/settima/tag:JillPurce" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JillPurce</span></a> <a href="/settima/tag:KatarinaStrandmark" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KatarinaStrandmark</span></a> <a href="/settima/tag:AndersS%C3%B6derlund" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AndersSöderlund</span></a> <a href="/settima/tag:WalterS%C3%B6derlund" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WalterSöderlund</span></a> <a href="/settima/tag:H%C3%A5kanWallbom" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HåkanWallbom</span></a> <a href="/settima/tag:RogerWallis" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RogerWallis</span></a> <a href="/settima/tag:JohnBulmer" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JohnBulmer</span></a> <a href="/settima/tag:fantasy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">fantasy</span></a> <a href="/settima/tag:Sweden" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Sweden</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a></div></h5>

<p></section></p>
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      <pubDate>Thu, 21 Aug 2025 23:32:00 +0200</pubDate>
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      <title>Le Horla [The Horla] (Jean-Daniel Pollet, 1966)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-l538</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Le Horla [The Horla] (Jean-Daniel Pollet, 1966)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;19/div&#xA;div class=&#34;occasion&#34;&#xA;violet/div&#xA;div class=&#34;img&#34;&#xA;Le Horla (1966)/div&#xA;div class=&#34;caption&#34;&#xA;The narrator enters a violet-blue room via a lavender-purple corridor (via). DP: Jean-Jacques Rochut./div&#xA;div class=&#34;txt&#34;&#xA;Violet: a building or structure &#xA;&#xA;  &#34;Is it the form of the clouds, or the tints of the sky, or the colours of the surrounding objects which are so changeable, which have troubled my thoughts as they passed before my eyes? Who can tell?&#34;&#xA;  ### – Guy de Maupassant, Le Horla, 1887 (via)&#xA;&#xA;Objects and rooms have distinct colours  ranging from the deepest blues and violets to a pale lavender, a muted silver and shocks of yellow. The usage of colour in Le Horla is striking throughout and reminds me of how Van Gogh&#39;s paintings became increasingly colourful as his madness enveloped him. &#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #violet #purple #colours #JeanDanielPollet #GuyDeMaupassant #LaurentTerzieff #JeanJacquesRochut #ShortFilm #drama #mystery #monologue #BookAdaptation #France #1960s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="le-horla-the-horla-jean-daniel-pollet-1966-div" id="le-horla-the-horla-jean-daniel-pollet-1966-div">Le Horla [The Horla] (Jean-Daniel Pollet, 1966)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="19-div" id="19-div">19</div></h1>

<p><div class="occasion"></p>

<h2 id="violet-div" id="violet-div">violet</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/BQX34CYJ/0819-Horla-1966-2.png" alt="Le Horla (1966)"></div>
<div class="caption"></p>

<h6 id="the-narrator-enters-a-violet-blue-room-via-a-lavender-purple-corridor-via-https-www-premiere-fr-film-le-horla-0-dp-jean-jacques-rochut-div" id="the-narrator-enters-a-violet-blue-room-via-a-lavender-purple-corridor-via-https-www-premiere-fr-film-le-horla-0-dp-jean-jacques-rochut-div">The narrator enters a violet-blue room via a lavender-purple corridor (<a href="https://www.premiere.fr/film/Le-Horla-0" rel="nofollow">via</a>). DP: Jean-Jacques Rochut.</div></h6>

<p><div class="txt"></p>

<h5 id="violet-a-building-or-structure" id="violet-a-building-or-structure">Violet: a building or structure *</h5>

<blockquote><p>“Is it the form of the clouds, or the tints of the sky, or the colours of the surrounding objects which are so changeable, which have troubled my thoughts as they passed before my eyes? Who can tell?”</p>

<h3 id="guy-de-maupassant-le-horla-1887-via-https-web-archive-org-web-20110216183054-http-etext-lib-virginia-edu-etcbin-toccer-new2-id-maustor-sgm-images-images-2fmodeng-data-2ftexts-2fenglish-2fmodeng-2fparsed-tag-public-part-4-division-div1" id="guy-de-maupassant-le-horla-1887-via-https-web-archive-org-web-20110216183054-http-etext-lib-virginia-edu-etcbin-toccer-new2-id-maustor-sgm-images-images-2fmodeng-data-2ftexts-2fenglish-2fmodeng-2fparsed-tag-public-part-4-division-div1">– Guy de Maupassant, <em>Le Horla</em>, 1887 (<a href="https://web.archive.org/web/20110216183054/http://etext.lib.virginia.edu/etcbin/toccer-new2?id=MauStor.sgm&amp;images=images%2Fmodeng&amp;data=%2Ftexts%2Fenglish%2Fmodeng%2Fparsed&amp;tag=public&amp;part=4&amp;division=div1" rel="nofollow">via</a>)</h3>
</blockquote>

<h5 id="objects-and-rooms-have-distinct-colours-ranging-from-the-deepest-blues-and-violets-to-a-pale-lavender-a-muted-silver-and-shocks-of-yellow-the-usage-of-colour-in-le-horla-is-striking-throughout-and-reminds-me-of-how-van-gogh-s-paintings-became-increasingly-colourful-as-his-madness-https-psychiatryonline-org-doi-pdf-10-1176-appi-ajp-2017-17030368-enveloped-him" id="objects-and-rooms-have-distinct-colours-ranging-from-the-deepest-blues-and-violets-to-a-pale-lavender-a-muted-silver-and-shocks-of-yellow-the-usage-of-colour-in-le-horla-is-striking-throughout-and-reminds-me-of-how-van-gogh-s-paintings-became-increasingly-colourful-as-his-madness-https-psychiatryonline-org-doi-pdf-10-1176-appi-ajp-2017-17030368-enveloped-him">Objects and rooms have distinct colours  ranging from the deepest blues and violets to a pale lavender, a muted silver and shocks of yellow. The usage of colour in <em>Le Horla</em> is striking throughout and reminds me of how Van Gogh&#39;s paintings became increasingly colourful as his <a href="https://psychiatryonline.org/doi/pdf/10.1176/appi.ajp.2017.17030368" rel="nofollow">madness</a> enveloped him.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-violet-purple-colours-jeandanielpollet-guydemaupassant-laurentterzieff-jeanjacquesrochut-shortfilm-drama-mystery-monologue-bookadaptation-france-1960s-div" id="bales2025filmchallenge-violet-purple-colours-jeandanielpollet-guydemaupassant-laurentterzieff-jeanjacquesrochut-shortfilm-drama-mystery-monologue-bookadaptation-france-1960s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:violet" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">violet</span></a> <a href="/settima/tag:purple" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">purple</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:JeanDanielPollet" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanDanielPollet</span></a> <a href="/settima/tag:GuyDeMaupassant" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GuyDeMaupassant</span></a> <a href="/settima/tag:LaurentTerzieff" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LaurentTerzieff</span></a> <a href="/settima/tag:JeanJacquesRochut" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanJacquesRochut</span></a> <a href="/settima/tag:ShortFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShortFilm</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:mystery" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">mystery</span></a> <a href="/settima/tag:monologue" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">monologue</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <pubDate>Tue, 19 Aug 2025 15:00:00 +0200</pubDate>
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      <title>Nineteen Eighty-Four (Rudolph Cartier, 1954)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-gsd4</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Nineteen Eighty-Four (Rudolph Cartier, 1954)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;18/div&#xA;div class=&#34;occasion&#34;&#xA;indigo/div&#xA;div class=&#34;img&#34;&#xA;Nineteen Eighty-Four (1954)/div&#xA;div class=&#34;caption&#34;&#xA;Winston Smith (Peter Cushing). We only see his frail looking back with the identifier KZ-6090, and his name SMITH W./div&#xA;div class=&#34;txt&#34;&#xA;description&#xA;Indigo, in food or fashion&#xA;&#xA;  &#34;He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended. &#34;&#xA;  ### – George Orwell, Nineteen Eighty-Four (1949) (via)&#xA;&#xA;/description&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #indigo #colours #RudolphCartier #GeorgeOrwell #PeterCushing #AndréMorell #YvonneMitchell #DonaldPleasence #ArnoldDiamond #JohnHotchkis #SciFi #drama #dystopia #TVMovie #BookAdaptation #UK #1950s/div&#xA;/section ]]&gt;</description>
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<div class="title"></p>

<h4 id="nineteen-eighty-four-rudolph-cartier-1954-div" id="nineteen-eighty-four-rudolph-cartier-1954-div">Nineteen Eighty-Four (Rudolph Cartier, 1954)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="18-div" id="18-div">18</div></h1>

<p><div class="occasion"></p>

<h2 id="indigo-div" id="indigo-div">indigo</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/90sYKqVH/0818-Nineteen-Eighty-Four-1954.jpg" alt="Nineteen Eighty-Four (1954)"></div>
<div class="caption"></p>

<h6 id="winston-smith-peter-cushing-we-only-see-his-frail-looking-back-with-the-identifier-kz-6090-and-his-name-smith-w-div" id="winston-smith-peter-cushing-we-only-see-his-frail-looking-back-with-the-identifier-kz-6090-and-his-name-smith-w-div">Winston Smith (Peter Cushing). We only see his frail looking back with the identifier KZ-6090, and his name SMITH W.</div></h6>

<p><div class="txt">
</p>

<h5 id="indigo-in-food-or-fashion" id="indigo-in-food-or-fashion">Indigo, in food or fashion*</h5>

<blockquote><p>“He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended. “</p>

<h3 id="george-orwell-nineteen-eighty-four-1949-via-https-www-george-orwell-org-1984-0-html" id="george-orwell-nineteen-eighty-four-1949-via-https-www-george-orwell-org-1984-0-html">– George Orwell, <em>Nineteen Eighty-Four</em> (1949) (<a href="https://www.george-orwell.org/1984/0.html" rel="nofollow">via</a>)</h3>
</blockquote>

<p></p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-indigo-colours-rudolphcartier-georgeorwell-petercushing-andrémorell-yvonnemitchell-donaldpleasence-arnolddiamond-johnhotchkis-scifi-drama-dystopia-tvmovie-bookadaptation-uk-1950s-div" id="bales2025filmchallenge-indigo-colours-rudolphcartier-georgeorwell-petercushing-andrémorell-yvonnemitchell-donaldpleasence-arnolddiamond-johnhotchkis-scifi-drama-dystopia-tvmovie-bookadaptation-uk-1950s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:indigo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">indigo</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:RudolphCartier" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RudolphCartier</span></a> <a href="/settima/tag:GeorgeOrwell" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GeorgeOrwell</span></a> <a href="/settima/tag:PeterCushing" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PeterCushing</span></a> <a href="/settima/tag:Andr%C3%A9Morell" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AndréMorell</span></a> <a href="/settima/tag:YvonneMitchell" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">YvonneMitchell</span></a> <a href="/settima/tag:DonaldPleasence" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DonaldPleasence</span></a> <a href="/settima/tag:ArnoldDiamond" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ArnoldDiamond</span></a> <a href="/settima/tag:JohnHotchkis" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JohnHotchkis</span></a> <a href="/settima/tag:SciFi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SciFi</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:dystopia" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">dystopia</span></a> <a href="/settima/tag:TVMovie" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TVMovie</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:UK" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">UK</span></a> <a href="/settima/tag:1950s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1950s</span></a></div></h5>

<p></section></p>
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      <pubDate>Mon, 18 Aug 2025 18:59:20 +0200</pubDate>
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      <title>Le camion [The Lorry] (Marguerite Duras, 1977)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-rz89</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Le camion [The Lorry] (Marguerite Duras, 1977)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;16/div&#xA;div class=&#34;occasion&#34;&#xA;indigo/div&#xA;div class=&#34;img&#34;&#xA;Le camion (1977)/div&#xA;div class=&#34;caption&#34;&#xA;His Saviem, possibly an SM170. DP: Bruno Nuytten./div&#xA;div class=&#34;txt&#34;&#xA;description&#xA;Indigo: a building or structure &#xA;&#xA;  Him: It’s a film?&#xA;  Her: It would have been a film.&#xA;&#xA;A truck, both the narrative structure and his (Depardieu&#39;s character) material representation. She – the director – and he – the lead actor – do a read-though while discussing her script. A communist truck driver picks up a female hitchhiker. They discuss the landscape, the cosmos, pointlessness, communism of course. All the while, the indigo truck plods on.&#xA;&amp;nbsp;&#xA;/description&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #indigo #colours #MargueriteDuras #GérardDepardieu #LudwigVanBeethoven #BrunoNuytten #drama #RoadMovie #communism #dialogue #trucks #France #1970s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="le-camion-the-lorry-marguerite-duras-1977-div" id="le-camion-the-lorry-marguerite-duras-1977-div">Le camion [The Lorry] (Marguerite Duras, 1977)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="16-div" id="16-div">16</div></h1>

<p><div class="occasion"></p>

<h2 id="indigo-div" id="indigo-div">indigo</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/v81pgRh3/0816-Camion-1977.png" alt="Le camion (1977)"></div>
<div class="caption"></p>

<h6 id="his-saviem-https-en-wikipedia-org-wiki-saviem-possibly-an-sm170-https-www-renaultoloog-nl-trucks-english-htm-dp-bruno-nuytten-div" id="his-saviem-https-en-wikipedia-org-wiki-saviem-possibly-an-sm170-https-www-renaultoloog-nl-trucks-english-htm-dp-bruno-nuytten-div">His <a href="https://en.wikipedia.org/wiki/Saviem" rel="nofollow">Saviem</a>, possibly an <a href="https://www.renaultoloog.nl/trucks-english.htm" rel="nofollow">SM170</a>. DP: Bruno Nuytten.</div></h6>

<p><div class="txt">
</p>

<h5 id="indigo-a-building-or-structure" id="indigo-a-building-or-structure">Indigo: a building or structure*</h5>

<blockquote><p>Him: It’s a film?
Her: It would have been a film.</p></blockquote>

<h5 id="a-truck-both-the-narrative-structure-and-his-depardieu-s-character-material-representation-she-the-director-and-he-the-lead-actor-do-a-read-though-while-discussing-her-script-a-communist-truck-driver-picks-up-a-female-hitchhiker-they-discuss-the-landscape-the-cosmos-pointlessness-communism-of-course-all-the-while-the-indigo-truck-plods-on" id="a-truck-both-the-narrative-structure-and-his-depardieu-s-character-material-representation-she-the-director-and-he-the-lead-actor-do-a-read-though-while-discussing-her-script-a-communist-truck-driver-picks-up-a-female-hitchhiker-they-discuss-the-landscape-the-cosmos-pointlessness-communism-of-course-all-the-while-the-indigo-truck-plods-on">A truck, both the narrative structure and his (Depardieu&#39;s character) material representation. She – the director – and he – the lead actor – do a read-though while discussing her script. A communist truck driver picks up a female hitchhiker. They discuss the landscape, the cosmos, pointlessness, communism of course. All the while, the indigo truck plods on.</h5>

<p> 
</p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-indigo-colours-margueriteduras-gérarddepardieu-ludwigvanbeethoven-brunonuytten-drama-roadmovie-communism-dialogue-trucks-france-1970s-div" id="bales2025filmchallenge-indigo-colours-margueriteduras-gérarddepardieu-ludwigvanbeethoven-brunonuytten-drama-roadmovie-communism-dialogue-trucks-france-1970s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:indigo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">indigo</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:MargueriteDuras" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MargueriteDuras</span></a> <a href="/settima/tag:G%C3%A9rardDepardieu" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GérardDepardieu</span></a> <a href="/settima/tag:LudwigVanBeethoven" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LudwigVanBeethoven</span></a> <a href="/settima/tag:BrunoNuytten" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BrunoNuytten</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:RoadMovie" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RoadMovie</span></a> <a href="/settima/tag:communism" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">communism</span></a> <a href="/settima/tag:dialogue" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">dialogue</span></a> <a href="/settima/tag:trucks" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">trucks</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-rz89</guid>
      <pubDate>Sat, 16 Aug 2025 17:15:00 +0200</pubDate>
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      <title>Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-g5cc</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;15/div&#xA;div class=&#34;occasion&#34;&#xA;cerulean/div&#xA;div class=&#34;img&#34;&#xA;Trois couleurs: Bleu (1993)/div&#xA;div class=&#34;caption&#34;&#xA;Julie (Juliette Binoche) in a blue wallpapered room, observes blue beads suspended in front of a window with a cerulean sky and ocean behind it. Throughout the story, her clothing changes from white, to black, to the darkest charcoal blue, to Prussian blue. DP: Slawomir Idziak./div&#xA;div class=&#34;txt&#34;&#xA;Cerulean, or blue: in food or fashion&#xA;&#xA;  &#34;I&#39;m just fine. I have everything here. I have the TV. You can see the whole world&#34;&#xA;  ### – the mother&#xA;&#xA;How could I not pick at least one instalment of Kieślowski&#39;s Trois couleurs trilogy. Here&#39;s blue, the liberté of the tricolor. Blue occurs as the sky to fall through, the room without life, and the cloth that binds.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #blue #colours #KrzysztofKieślowski #JulietteBinoche #BenoîtRégent #FlorencePernel #ZbigniewPreisner #SlawomirIdziak #romance #drama #trilogy #TroisCouleurs #TrzyKolory #Paris #France #Poland #Switzerland #1990s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="trois-couleurs-bleu-three-colors-blue-krzysztof-kieślowski-1993-div" id="trois-couleurs-bleu-three-colors-blue-krzysztof-kieślowski-1993-div">Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="15-div" id="15-div">15</div></h1>

<p><div class="occasion"></p>

<h2 id="cerulean-div" id="cerulean-div">cerulean</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/W4D5wSCn/0815-Trois-couleurs-Bleu-1993.png" alt="Trois couleurs: Bleu (1993)"></div>
<div class="caption"></p>

<h6 id="julie-juliette-binoche-in-a-blue-wallpapered-room-observes-blue-beads-suspended-in-front-of-a-window-with-a-cerulean-sky-and-ocean-behind-it-throughout-the-story-her-clothing-changes-from-white-to-black-to-the-darkest-charcoal-blue-to-prussian-blue-https-en-wikipedia-org-wiki-prussian-blue-dp-slawomir-idziak-div" id="julie-juliette-binoche-in-a-blue-wallpapered-room-observes-blue-beads-suspended-in-front-of-a-window-with-a-cerulean-sky-and-ocean-behind-it-throughout-the-story-her-clothing-changes-from-white-to-black-to-the-darkest-charcoal-blue-to-prussian-blue-https-en-wikipedia-org-wiki-prussian-blue-dp-slawomir-idziak-div">Julie (Juliette Binoche) in a blue wallpapered room, observes blue beads suspended in front of a window with a cerulean sky and ocean behind it. Throughout the story, her clothing changes from white, to black, to the darkest charcoal blue, to <a href="https://en.wikipedia.org/wiki/Prussian_blue" rel="nofollow">Prussian blue</a>. DP: Slawomir Idziak.</div></h6>

<p><div class="txt"></p>

<h5 id="cerulean-https-en-wikipedia-org-wiki-cerulean-or-blue-in-food-or-fashion" id="cerulean-https-en-wikipedia-org-wiki-cerulean-or-blue-in-food-or-fashion"><a href="https://en.wikipedia.org/wiki/Cerulean" rel="nofollow">Cerulean</a>, or blue: in food or fashion*</h5>

<blockquote><p>“I&#39;m just fine. I have everything here. I have the TV. You can see the whole world”</p>

<h3 id="the-mother" id="the-mother">– the mother</h3>
</blockquote>

<h5 id="how-could-i-not-pick-at-least-one-instalment-of-kieślowski-s-trois-couleurs-trilogy-here-s-blue-the-liberté-of-the-tricolor-blue-occurs-as-the-sky-to-fall-through-the-room-without-life-and-the-cloth-that-binds" id="how-could-i-not-pick-at-least-one-instalment-of-kieślowski-s-trois-couleurs-trilogy-here-s-blue-the-liberté-of-the-tricolor-blue-occurs-as-the-sky-to-fall-through-the-room-without-life-and-the-cloth-that-binds">How could I not pick at least one instalment of Kieślowski&#39;s <em>Trois couleurs</em> trilogy. Here&#39;s blue, the <em>liberté</em> of the tricolor. Blue occurs as the sky to fall through, the room without life, and the cloth that binds.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-blue-colours-krzysztofkieślowski-juliettebinoche-benoîtrégent-florencepernel-zbigniewpreisner-slawomiridziak-romance-drama-trilogy-troiscouleurs-trzykolory-paris-france-poland-switzerland-1990s-div" id="bales2025filmchallenge-blue-colours-krzysztofkieślowski-juliettebinoche-benoîtrégent-florencepernel-zbigniewpreisner-slawomiridziak-romance-drama-trilogy-troiscouleurs-trzykolory-paris-france-poland-switzerland-1990s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:blue" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">blue</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:KrzysztofKie%C5%9Blowski" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KrzysztofKieślowski</span></a> <a href="/settima/tag:JulietteBinoche" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JulietteBinoche</span></a> <a href="/settima/tag:Beno%C3%AEtR%C3%A9gent" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BenoîtRégent</span></a> <a href="/settima/tag:FlorencePernel" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FlorencePernel</span></a> <a href="/settima/tag:ZbigniewPreisner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ZbigniewPreisner</span></a> <a href="/settima/tag:SlawomirIdziak" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlawomirIdziak</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:trilogy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">trilogy</span></a> <a href="/settima/tag:TroisCouleurs" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TroisCouleurs</span></a> <a href="/settima/tag:TrzyKolory" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TrzyKolory</span></a> <a href="/settima/tag:Paris" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Paris</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:Poland" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Poland</span></a> <a href="/settima/tag:Switzerland" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Switzerland</span></a> <a href="/settima/tag:1990s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1990s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-g5cc</guid>
      <pubDate>Fri, 15 Aug 2025 15:30:00 +0200</pubDate>
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      <title>Il fiore delle mille e una notte [Arabian Nights] (Pier Paolo Pasolini, 1974)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-s497</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Il fiore delle mille e una notte [Arabian Nights] (Pier Paolo Pasolini, 1974)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;13/div&#xA;div class=&#34;occasion&#34;&#xA;cerulean/div&#xA;div class=&#34;img&#34;&#xA;Il fiore delle mille e una notte (1974)/div&#xA;div class=&#34;caption&#34;&#xA;The entrance of the Shah Mosque as seen in the film. The seven colours of the tile work are reflected in the extras&#39; costumes. DP: Giuseppe Ruzzolini./div&#xA;div class=&#34;txt&#34;&#xA;Cerulean, or blue: a building or structure&#xA;&#xA;  &#34;Eh, i sogni a volte insegnano male, Dùnya, perché la verità intera non è mai in un solo sogno, la verità intera è in molti sogni.&#34;&#xA;  ### &#xA;&#xA;One of the many exotic locations is the مسجد شاه, [Masjed-e Shah, or Shah Mosque]) in Iran with its otherworldly blue and blue-adjacent tiles.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #cerulean #blue #colours #PierPaoloPasolini #NinettoDavoli #FrancoCitti #FrancoMerli #TessaBouché #InesPellegrini #ElisabettaGenovese #EnnioMorricone #GiuseppeRuzzolini #TrilogiaDellaVita #fantasy #drama #BookAdaptation #Esfahan #Italy #France #1970s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="il-fiore-delle-mille-e-una-notte-arabian-nights-pier-paolo-pasolini-1974-div" id="il-fiore-delle-mille-e-una-notte-arabian-nights-pier-paolo-pasolini-1974-div">Il fiore delle mille e una notte [Arabian Nights] (Pier Paolo Pasolini, 1974)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="13-div" id="13-div">13</div></h1>

<p><div class="occasion"></p>

<h2 id="cerulean-div" id="cerulean-div">cerulean</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/RhT37PDs/0813-Fiore-delle-mille-e-una-notte-1974.jpg" alt="Il fiore delle mille e una notte (1974)"></div>
<div class="caption"></p>

<h6 id="the-entrance-of-the-shah-mosque-as-seen-in-the-film-the-seven-colours-of-the-tile-work-are-reflected-in-the-extras-costumes-dp-giuseppe-ruzzolini-div" id="the-entrance-of-the-shah-mosque-as-seen-in-the-film-the-seven-colours-of-the-tile-work-are-reflected-in-the-extras-costumes-dp-giuseppe-ruzzolini-div">The entrance of the Shah Mosque as seen in the film. The seven colours of the tile work are reflected in the extras&#39; costumes. DP: Giuseppe Ruzzolini.</div></h6>

<p><div class="txt"></p>

<h5 id="cerulean-https-en-wikipedia-org-wiki-cerulean-or-blue-a-building-or-structure" id="cerulean-https-en-wikipedia-org-wiki-cerulean-or-blue-a-building-or-structure"><a href="https://en.wikipedia.org/wiki/Cerulean" rel="nofollow">Cerulean</a>, or blue: a building or structure*</h5>

<blockquote><p>“Eh, i sogni a volte insegnano male, Dùnya, perché la verità intera non è mai in un solo sogno, la verità intera è in molti sogni.”</p></blockquote>

<h5 id="one-of-the-many-exotic-locations-is-the-مسجد-شاه-masjed-e-shah-or-shah-mosque-https-en-wikipedia-org-wiki-shah-mosque-isfahan-in-iran-with-its-otherworldly-blue-and-blue-adjacent-tiles" id="one-of-the-many-exotic-locations-is-the-مسجد-شاه-masjed-e-shah-or-shah-mosque-https-en-wikipedia-org-wiki-shah-mosque-isfahan-in-iran-with-its-otherworldly-blue-and-blue-adjacent-tiles">One of the many exotic locations is the <a href="https://en.wikipedia.org/wiki/Shah_Mosque_(Isfahan)" rel="nofollow">مسجد شاه, [Masjed-e Shah, or Shah Mosque]</a> in Iran with its otherworldly blue and blue-adjacent tiles.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-cerulean-blue-colours-pierpaolopasolini-ninettodavoli-francocitti-francomerli-tessabouché-inespellegrini-elisabettagenovese-enniomorricone-giusepperuzzolini-trilogiadellavita-fantasy-drama-bookadaptation-esfahan-italy-france-1970s-div" id="bales2025filmchallenge-cerulean-blue-colours-pierpaolopasolini-ninettodavoli-francocitti-francomerli-tessabouché-inespellegrini-elisabettagenovese-enniomorricone-giusepperuzzolini-trilogiadellavita-fantasy-drama-bookadaptation-esfahan-italy-france-1970s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:cerulean" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">cerulean</span></a> <a href="/settima/tag:blue" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">blue</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:PierPaoloPasolini" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PierPaoloPasolini</span></a> <a href="/settima/tag:NinettoDavoli" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NinettoDavoli</span></a> <a href="/settima/tag:FrancoCitti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FrancoCitti</span></a> <a href="/settima/tag:FrancoMerli" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FrancoMerli</span></a> <a href="/settima/tag:TessaBouch%C3%A9" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TessaBouché</span></a> <a href="/settima/tag:InesPellegrini" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">InesPellegrini</span></a> <a href="/settima/tag:ElisabettaGenovese" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ElisabettaGenovese</span></a> <a href="/settima/tag:EnnioMorricone" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EnnioMorricone</span></a> <a href="/settima/tag:GiuseppeRuzzolini" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GiuseppeRuzzolini</span></a> <a href="/settima/tag:TrilogiaDellaVita" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TrilogiaDellaVita</span></a> <a href="/settima/tag:fantasy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">fantasy</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:Esfahan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Esfahan</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-s497</guid>
      <pubDate>Wed, 13 Aug 2025 15:30:00 +0200</pubDate>
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