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Ormen: Berättelsen om Iréne [Ormen / The Serpent] (Hans Abramson, 1966)
Jan
29
Lunar New Year – 巳
The German poster. An illustration of a nude woman with a serpent's head. DP: Mac Ahlberg.
Snakes (巳) in celebration of Lunar New Year.
Ormen is an adaptation of the first two chapters of the novel Berättelsen om Iréne (Stig Dagerman, 1945).
In an army barrack, a sergeant is bitten by a snake. A soldier hides the animal in his bag in order to blackmail his superior. Iréne – who works in the same barrack's mess and is the soldier's lover – pushes her mother off a train during a quarrel about the daughter's lack of morals.
Dagerman's novel is a metaphor of Sweden's uncomfortable position in a post-WW2 world (it had declared itself neutral, which by default made it complicit in helping the Nazis). Due to its violence and nudity, outside its homecountry the film adaptation mostly played porn theatres.
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The Man Who Laughs (Paul Leni, 1928)
Jan
29
1690
A hand-painted carnival banner reading “URSUS ye Philosopher presents THE LAUGHING MAN. Don't fail to see GWYNPLAINE who was deserted at ye age of ten on ye night of ye 29th of January 1690 by ye Villainous Comprachicos on ye coast of Cornwall. This little boy has grown up and is now known as THE LAUGHING MAN”. DP: Gilbert Warrenton.
“What a lucky clown you are! You don't have to wipe off your laugh.”
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The Phantom of the Opera (Rupert Julian, Lon Chaney, Ernst Laemmle + Edward Sedgwick, 1925)
Jan
28
Gaslights
An enormous gaslit chandelier dangles over the Paris Opéra audience's heads. DPs: Milton Bridenbecker, Virgil Miller & Charles Van Enger.
Gaslights for the first recorded public street lighting powered by gas, demonstrated in Pall Mall, London, on 28 January, 1807. The introduction of gaslight had a major influence on theatre and opera, including the new Paris Opera (1875), which was lit by no less than 960 gas jets. Thanks to the brilliant light, stage actors could tone down their mannerisms and stage makeup.
“Feast your eyes. Glut your soul on my accursed ugliness.”
– The Phantom
However, in the dark dungeons under the Opéra lives a pitiful creature, doomed to dwell in darkness. His makeup, provided by The Man of a Thousand Faces, Lon Chaney, was both grotesque and eerily real .
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O 5º Poder [O Quinto Poder / The Fifth Power] (Alberto Pieralisi, 1962)
Jan
27
television
A woman, fainted in front of a large television set. A man tries to revive her while another reaches out in concern. DP: Özen Sermet.
Turn on your television on the day* in 1926 John Logie Baird demonstrated the first working TV.
An unknown foreign agent manipulates Brazil's radio en television antennas to emit subliminal messages to the oblivious population. Slowly, society descends into violent chaos.
O 5º Poder precedes Ray Nelson's story Eight O'Clock in the Morning by one, and John Carpenter's adaptation They Live by 26 years. But what's much more fascinating is this film's place in Brazilian history: right between Professor Baskarán's – hypnotist Carlos Pedregal – televised mass hypnosis experiments from 1958, and the violent coup of 1964.
In how far was the population primed for this revolt? And how much, are you?
* In reality this was on January 26, 1926.
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Οι παράνομοι [Oi paranomoi / The Outlaws] (Nikos Koundouros, 1958)
Jan
26
Survival Day
One of the convicts and the woman. DP: Giovanni Varriano.
Convicts: a convict settlement in Sydney Cove on January 26, 1788 marks what is considered the founding of Australia.
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Orlando (Sally Potter, 1992)
Jan
24
Billy Zane's birthday
Orlando (Tilda Swinton) and Shelmerdine (Billy Zane) in intimate embrace. DPs: Aleksey Rodionov & Andrew Speller.
A [favourite] Billy Zane film for his birthday (1966).
“This future of yours Shelmerdine, when it's gonna begin? Today? Or, is it always tomorrow?”
– Orlando
As ordered by Queen Elizabeth I (Quentin Crisp), nobleman Orlando remains young and traverses exotic scenery, civilisations, time, and gender.
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دایره مینا [Dayereh mina / The Cycle] (Dariush Mehrjui, 1977)
Jan
23
National Blood Donor Month
Poor looking men seen squatting on the floor, one arm attached to a blood bottle. In the middle of the floor a man in a lab coat with numerous empty bottles on a pristine white table. DP: Houshang Baharlou.
Someone gives blood for National Blood Donor Month (USA). A young man who accompanies his sick father to a hospital decides to donate blood for much needed money.
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Macario (Roberto Gavaldón, 1960)
Jan
22
National Poverty in America Awareness Month
Macario (Ignacio López Tarso) passes a Día de los Muertos altar, stacked high with candles, human skulls and bones, and cempasúchil (marigolds), whose fragrant and colour lead the Dead back to their family on this revered day. DP: Gabriel Figueroa.
Macario, poor and hungry, wishes to eat a whole turkey all by himself on Día de los Muertos. When he finally has the opportunity, he is interrupted three times: by the Devil, by God, and by Death. With one of them, he shares his meal.
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Blue Velvet (David Lynch, 1986)
Jan
19
lights
Ben (Dean Stockwell) miming Roy Orbison's In Dreams with a work light for a microphone. DP: Frederick Elmes.
“A candy-colored clown they call the sandman
Tiptoes to my room every night
Just to sprinkle stardust and to whisper
'Go to sleep, everything is alright'”
– Roy Orbison, In Dreams (1963)
David Lynch at his finest Anger, and Stockwell at his peak. The work light was improvised when Lynch noticed Stockwell handling it between shoots.
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کلوزآپ ، نمای نزدیک [Klūzāp, nemā-ye nazdīk / Close-Up] (Abbas Kiarostami, 1990)
Jan
19
Hossain Sabzian on the back of a motorcycle on a busy tree-lined, four lane street. He's holding a large potted rose-red dahlia. DP: Ali Reza Zarrindast.
– Is there anything I can do for you?
– You could make a film about my suffering.