settima

drama

Belle (André Delvaux, 1973)

Nov

28

Belle (1973)

Belle (Adriana Bogdan) in front of her cabin on the moors. DPs: Ghislain Cloquet & Charles Van Damme.

Un comisar acuză [A Police Inspector Calls] (Sergiu Nicolaescu, 1974)

Nov

26

1940

Un comisar acuză (1974)

DP: Alexandru David.

Takes place on the night of November 26-27, 1940.

“Mister Moldovan, this is not for the first time that a criminal case is entrusted to you. It is precisely your political objectivity that made us choose you.”

– Alexandru Dincă

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

21

Mix-Up ou Meli-melo (1986)

One of the daughters, here as a child, with one of their mothers. DP: Emile Navarro.

A heartfelt reunion scene*

“Oh, it's you.”

– Margaret Wheeler, welcoming the viewers to this curious retelling of her life's events

Through an unexplained muddle, the Wheeler and the Rylatt girls were mixed up at the maternity ward. One of the mothers, Mrs Wheeler, had a hunch something was off. Her girl was suspiciously long and skinny, unlike the one that was entrusted to her. Over the years and to Mrs Rylatt's increasing chagrin, Mrs Wheeler kept in touch with that woman from the maternity ward. And was proven to be correct. This film is one breezy yet tense reunion scene. Heartwarming, awkward, and – like all that's nostalgia – slightly surreal.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

The Criminal [The Concrete Jungle] (Joseph Losey, 1960)

Nov

21

chow time

The Criminal (1960)

A prison space. Two tough looking guys in dark clothing appear to savour their meals. One of them is holding a book. DP: Robert Krasker.

 

A Face in the Crowd (Elia Kazan, 1957)

Nov

21

1956

A Face in the Crowd (1957)

Variety blares L. R.'S BLOOPER TOPS UNK DON'S. It's Wednesday, November 21, 1956. DPs: Gayne Rescher & Harry Stradling Sr..

“I'm not just an entertainer. I'm an influence, a wielder of opinion, a force… a force!”

– Lonesome Rhodes

Ciao Manhattan (John Palmer + David Weisman, 1972)

Nov

21

1971

spoiler warning: click to toggle image Ciao Manhattan (1972)
spoiler warning: click to read

A newspaper, partially obscured blares “[…], Andy's Star of '65, Is Dead at 28”. The article mentions she (Edie/Susan) died “a week ago today”, making the newspaper's date November 21. DPs: John Palmer & Kjell Rostad.

“It's sort of like a mockery, in a way, of reality, because they think everything is smiles and sweetness and flowers, when there is something bitter to taste. And to pretend there isn't is foolish.”

– Susan

Women in Love (Ken Russell, 1969)

Nov

18

Women in Love (1969)

Bates and Reed in post-jostle bliss, bathing in the fireplace's glow (via). DP: Billy Williams.

A memorable fire or fireplace scene*

“Oh, my God, Gerald! Shall I die?”

– Gudrun Brangwen

Oddly, one barely remembers the fireplace.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

18

1936

Mix-Up ou Meli-melo (1986)

Mother and daughter in one of the surreal reenactment scenes. DP: Emile Navarro.

A bit – occasionally a lot – Greenaway without the room for interpretation. Lovely though and impossible to make in this overly self-aware selfie universe.

The Walking Dead (Michael Curtiz, 1936)

Nov

16

The Walking Dead (1936)

John Ellman (Karloff), dead man walking. DP: Hal Mohr.

“You take away my life and offer me a favor in return. That's what I call a 'bargain'.”

– John Ellman

The Big Combo (Joseph H. Lewis, 1955)

Nov

15

1946

The Big Combo (1955)

A man's hand holds up a photo negative of a black-and-white picture, showing two men and a woman, and the date 11-15-46 underneath. DP: John Alton.

“I'm trying to run an impersonal business. Killing is very personal. Once it gets started, it's hard to stop.”

– Mr. Brown