settima

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A Face in the Crowd (Elia Kazan, 1957)

Nov

21

1956

A Face in the Crowd (1957)

Variety blares L. R.'S BLOOPER TOPS UNK DON'S. It's Wednesday, November 21, 1956. DPs: Gayne Rescher & Harry Stradling Sr..

“I'm not just an entertainer. I'm an influence, a wielder of opinion, a force… a force!”

– Lonesome Rhodes

Ciao Manhattan (John Palmer + David Weisman, 1972)

Nov

21

1971

spoiler warning: click to toggle image Ciao Manhattan (1972)
spoiler warning: click to read

A newspaper, partially obscured blares “[…], Andy's Star of '65, Is Dead at 28”. The article mentions she (Edie/Susan) died “a week ago today”, making the newspaper's date November 21. DPs: John Palmer & Kjell Rostad.

“It's sort of like a mockery, in a way, of reality, because they think everything is smiles and sweetness and flowers, when there is something bitter to taste. And to pretend there isn't is foolish.”

– Susan

München-Berlin Wanderung [Walking from Munich to Berlin] (Oskar Fischinger, 1927)

Nov

20

München-Berlin Wanderung (1927)

A bunch of Buben take a moment to pose between troublemaking. DP: Oskar Fischinger.

A journey or road trip*

 

Four weeks in four minutes, spanning decades in its disruptive form.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? [20th of November] (1937)

Nov

20

1936

20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? (1937)

Soldiers in silhouette. Disclaimer: I am not 100% sure this still is from the correct film. DP: anonymous.

A documentary made by the Confederación Nacional del Trabajo in honour of anarchist Buenaventura Durruti, who was murdered on November 20, 1936.

“Fascism is not to be debated, it is to be destroyed.”

– Buenaventura Durruti

El escapulario [The Scapular] (Servando González, 1968)

Nov

20

El escapulario (1968)

Padre Andrés (Enrique Aguilar). DP: Gabriel Figueroa.

Shoot (Barbara Burden, 1971)

Nov

19

1971

Shoot (1971)

Dunlap aiming at Burden at F Space, Santa Ana, California (via). DP: Barbara Burden.

“At 7:45 p.m. I was shot in the left arm by a friend.”

– Chris Burden

Women in Love (Ken Russell, 1969)

Nov

18

Women in Love (1969)

Bates and Reed in post-jostle bliss, bathing in the fireplace's glow (via). DP: Billy Williams.

A memorable fire or fireplace scene*

“Oh, my God, Gerald! Shall I die?”

– Gudrun Brangwen

Oddly, one barely remembers the fireplace.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

18

1936

Mix-Up ou Meli-melo (1986)

Mother and daughter in one of the surreal reenactment scenes. DP: Emile Navarro.

A bit – occasionally a lot – Greenaway without the room for interpretation. Lovely though and impossible to make in this overly self-aware selfie universe.

Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind [We Who Dwell in the Mountains Cannot Be Blamed for Being There] (Fredi M. Murer, 1974)

Nov

17

Wir Bergler in den Bergen sind eigentlich nicht schuld, daß wir da sind (1974)

A mountain man smokes his pipe, accompanied by a sow and a toddler in a wooden playpen. The Alps are all around them (via). DP: Iwan P. Schumacher.

A movie set in the woods or mountains*

“Anderntags hat man sofort getauft, weil jede Mutter lieber ein «Gotteskindli» auf die Arme nahm.”

– Gisler-Arnold Babette, midwife (via)

Murer describes the people from Switzerland's gorges in three movements, along the lines of a symphony

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

The Walking Dead (Michael Curtiz, 1936)

Nov

16

The Walking Dead (1936)

John Ellman (Karloff), dead man walking. DP: Hal Mohr.

“You take away my life and offer me a favor in return. That's what I call a 'bargain'.”

– John Ellman