@settima@zirk.us
1943-1997 ['43 – '97] (Ettore Scola, 1997)
Oct
16
1943
The boy (Francesco Cencioni) on the run in a locked down town. DP: Carlo Tafani.
Könnyű testi sértés [Tight Quarters] (György Szomjas, 1983)
Oct
16
Csaba (Károly Eperjes) and Miklós (Péter Andorai) in their reluctantly shared apartment. Every frame is claustrophobically filled with people, including the television. DP: Ferenc Grunwalsky.
– The Paris Court of Appeals, meeting on October 15, 1959, pursuant to the charges against Dominique Marceau. – With a girl like that, truth may be the best defense for once.
La vérité [The Truth] (Henri-Georges Clouzot, 1960)
Oct
15
1959
Gilbert (Sami Frey) and Dominique (Brigitte Bardot). DP: Armand Thirard.
The day of the court case. Numerous other dates are mentioned, all in flashbacks.
0課の女 赤い手錠 [Zeroka no onna: Akai wappa / Zero Woman: Red Handcuffs] (Yukio Noda, 1974)
Oct
15
1937
Rei (Miki Sugimoto) wielding the long red chain of her handcuffs. DP: Yoshio Nakajima.
狂った一頁 [Kurutta ichipėji / A Page of Madness] (Teinosuke Kinugasa, 1926)
Oct
14
silent cinema
A masked inmate (Eiko Minami) dances. The shot of the dancer is superimposed over a shot of her cel's bars, putting the viewer in the position of the husband witnessing – or is he hallucinating – an inescapable nightmare (via). DP: Kōhei Sugiyama.
A [favourite] silent horror film*
Incomplete and, despite the generally accepted popular Occidental opinion, not a horror film. Oh, to have seen this narrated by Musei Tokugawa…
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
“One can meet only god at such hour.”
駅 [Eki / Station] (Yasuo Furuhata, 1981)
Oct
12
Eiji Mikami (Ken Takakura) and Kiriko (Chieko Baishō) watching TV in her quiet bar. She sings along with her favourite song. DP: Daisaku Kimura.
Set 278 days before the start of the Tokyo Olympics.
“Mr. Everyman explains how to look like a Japanese and thus impress those wild and not very civilized people. Mrs. Everyman replies that for savages, they look remarkably civilized. Meanwhile, Mr. Everyman, seeing more people looking even more Japanese, is reassured. Mrs. Everyman sees soldiers parading in European uniform. She smiles ironically. But now a number of typical Japanese walk into the house. Her irony disappears. And Mr. Everyman is not ashamed to admit… he is mystified.”
Le mystère Koumiko [不思議なクミコ / The Koumiko Mystery] (Chris Marker, 1965)
Oct
11
1964
The film covers multiple days. Koumiko thinks on October 17. DP: Chris Marker.
– narrator
“Here lies
Pierre MOLINIER
born on 13 April 1900 died around 1950
he was a man without morals
he was proud of it and gloried in it
No need to pray for him.”
Satan bouche un coin (Jean-Pierre Bouyxou + Raphaël Marongiu, 1968)
Oct
10
In an autoerotic display, Androgyne (Pierre Molinier) fondles a woman (Janine Delannoy) wearing one of his masks that echoes Molinier's deceased sister (via). DPs: Jean-Pierre Bouyxou, Raphaël Marongiu & Loïc Picard.
A [favourite] color [horror] film*
– Pierre Molinier, mock-epitaph (via, NSFW as goes without saying)
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
– You expect me to eat that? – Americans live on ketchup and milk. I'm a whiz at geography.
Le passager de la pluie [Rider on the Rain] (René Clément, 1970)
Oct
10
Mélancolie 'Mellie' Mau (Marlène Jobert) and Col. Harry Dobbs (Charles Bronson), dancing. DP: Andréas Winding.
