Sisters, for one of the OPs' sister's birthday.

 

Expelled prostitute Maddalena returns to her home island Vulcano (Salina in disguise) and moves in with her sister Maria. A handsome fisherman becomes first Maria's, then Maddalena's catch.

 

A revenge film à la lettre, but not as you may think. Anna Magnani was cast as the lead for her lover Rossellini's Stromboli (Terra di Dio) (1950), and – after him having set eyes on Ingrid Bergman – was ditched in the latter's favour. While Rossellini fawned over the blonde, Magnani shot “her” film on a neighbouring volcanic island, blowing her former beau's efforts out of the water.

World AIDS Day: conquering fear.

“J’ai mal, mais la douleur me rassure. Son souvenir me donne du plaisir.”

An uptight, white accountant in odds with himself, sees a Black masseur at a Turkish bathhouse. Antoine experiences a relieve – an atonement – through the pain, and forms a bond with the man. After an injury, Antoine must learn to come to terms with his fears. Based one Tennessee Williams' Desire and the Black Masseur (One Arm and Other Stories, 1948).

 

“A scientist is not like a politician who can answer every question.”

– Japanese Bar' Ucyū-ken' Madam Ohana

Takes place on the night of November 26-27, 1940.

“Mister Moldovan, this is not for the first time that a criminal case is entrusted to you. It is precisely your political objectivity that made us choose you.”

– Alexandru Dincă

“I pledge allegiance to the flag–the white flag. I pledge allegiance to the flag of America. When they say “black” or “negro,” it means you’re not an American. I pledge allegiance to your flag. Not that I have to, but just for the hell of it I pledge allegiance. I pledge allegiance to the flag of the United States of America. The white flag, with no stripes, no stars. It is a prestige badge worn by a profitable minority.”

– Charles Mingus

A heartfelt reunion scene*

“Oh, it's you.”

– Margaret Wheeler, welcoming the viewers to this curious retelling of her life's events

Through an unexplained muddle, the Wheeler and the Rylatt girls were mixed up at the maternity ward. One of the mothers, Mrs Wheeler, had a hunch something was off. Her girl was suspiciously long and skinny, unlike the one that was entrusted to her. Over the years and to Mrs Rylatt's increasing chagrin, Mrs Wheeler kept in touch with that woman from the maternity ward. And was proven to be correct. This film is one breezy yet tense reunion scene. Heartwarming, awkward, and – like all that's nostalgia – slightly surreal.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.