settima

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To Lavoisier, Who Died in the Reign of Terror (Michael Snow, 1991)

Mar

6

chemistry

To Lavoisier, Who Died in the Reign of Terror (1991)

Shot from below through a glass pane, a man pushes a sulphur-yellow substance around.

Chemistry: Dimitri Mendeleev presented his version of the periodic table on this date in 1869. He claimed to have had a dream in which he envisioned a table in which all the chemical elements were arranged according to their atomic weight (via).

Antoine Lavoisier (1743-1794) was a French chemist who gave the first accurate scientific explanation of the mysteries of fire. He also provided the law of conservation of matter which states that matter can be neither created or destroyed.n His work and this film are situated between modern chemistry and alchemy. The film stages a drama of abstraction and theoretical realism. Everyday life seen photo-chemically and musically. The film is a materialist projected-image conversion of matter.”

– Michael Snow, via

The film stock was chemically altered, giving it an dreamlike quality.

Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)

Mar

5

Crispus Attucks – 1770

Io la conoscevo bene (1965)

Adriana (Stefania Sandrelli) seen through her apartment window. Rome is reflected in her face. DP: Armando Nannuzzi.

A wasteful act: Crispus Attucks, (arguably) the first American victim in the American Revolution, dies on March 5th, 1770.

“She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”

– The Writer

An ambitious but aimless girl – she wants to be loved, and to be a model, a proto-Edie – mills about her day.

 

Sublimely shot, we see Adriana through glass panes, in reflections, in an off-focal plane, in other people's words.

უჟმური [Ujmuri / Мрачная равнина / Cheerless] (Nutsa Gogoberidze, 1934)

Mar

3

Florida – 1845

უჟმური (1934)

A young woman, dress and arms covered in swamp water, raises a muddy shotgun. DP: Shalva Apaqidze.

A swamp or The Everglades on the date that Florida became the 27th state in 1845.

 

The swamp dwellers' trust in shaman Uzhmuri, the Queen of Frogs, prohibits the authorities from draining the wetlands in their fight against malaria.

The City of the Dead (John Llewellyn Moxey, 1960)

Mar

3

The City of the Dead (1960)

Nan Barlow (Venetia Stevenson), exploring. DP: Desmond Dickinson.

– Burn witch, burn witch, burn!

– Dig that crazy beat, man.

สัตว์วิกาล [Sud Vikal / Vampire] (Apichatpong Weerasethakul, 2008)

Mar

2

Dr. Seuss' birthday

สัตว์วิกาล (2008)

Applying blood to attract the Nok Phii. It's cold. DP: Chaisiri Jiwarangsan.

Imaginary animals or food for Theodor “Dr.” Seuss Geisel's birthday (1904).

“I like the settings where the lights and desire cross path. The desire to communicate with the invisibles in the darkness, or in memory, or in the future. It's always related to cinema and we as insects that are drawn to lights.”

– Apichatpong Weerasethakul, via

Villagers in the north of Thailand reported a rare sighting of a male and female Nok Phii, an elusive species of bird that feeds on animals' blood. It is unknown if the sighting was reliable, and if this vampire does, or ever did, exist.

The Falls (Peter Greenaway, 1980)

Mar

1

US Constitution – 1781

The Falls (1980)

A blonde wearing a floppy hat with peach-coloured ribbons and bird feathers attached to it, sits in front of three small whiteboards with study material such as pictures of waterfalls and pilots. Next to her a little fuse box, and on it a small, white fake bird and an orange-yellow egg. DPs: Mike Coles & John Rosenberg.

An important list in remembrance of the ratification of the Constitution of the United States on March 1, 1781.

“I have often thought it was very arrogant to suppose you could make a film for anybody but yourself… I like to think of The Falls as my own personal encyclopaedia Greenaway-ensis.”

– Peter Greenaway, via

Ninety-two people, all with a surname starting with f-a-l-l, survive unexpected catastrophes known as VUEs (Violent Unknown Events). These individuals experienced curious ailments, such as mutations of evolving into a bird-like form, speaking new languages, and becoming immortal.

 

This film, a list, describes them all.

Kuhle Wampe oder: Wem gehört die Welt? [Kuhle Wampe or Who Owns the World?] (Slatan Dudow, 1932)

Feb

28

unemployment

Kuhle Wampe oder: Wem gehört die Welt? (1932)

The unemployed at Kuhle Wampe, with Hertha Thiele's Anni front and center. People's states vary between still clinging on to better times up to destitute. DP: Günther Krampf.

Someone quits something or is unemployed: the abdication of Pope Benedict XVI in 2013.

“[Kuhle Wampe] gives witness to the true face of a struggling, suffering nation. Made by four thousand unemployed people, it never aims to be a work of art but simply aims to portray […] workers whose youthful energy is going to waste.”

– Marcel Carné, via

Kuhle Wampe, Berlin slang that means something like “empty stomach”, is the name of a real-world, improvised encampment for the unemployed at the Müggelsee. Here we find a family who lost everything after the death of one of them.

 

This late-Weimar, brechtian film was quickly banned by the German government.

First Man Into Space [Satellite of Blood] (Robert Day, 1959)

Feb

28

1958

First Man Into Space (1959)

A newspaper headline for February 28, 1958 reading THE HIGHEST MAN IN THE WORLD. DP: Geoffrey Faithfull.

“The conquest of new worlds always makes demands of human life. And there will always be men who will accept the risk.”

Even: As You and I (Roger Barlow, Harry Hay + LeRoy Robbins, 1937)

Feb

27

Even: As You and I (1937)

A film editor struggling with a long strip of celluloid. DP: Hy Hirsh.

憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)

Feb

26

1936

憂國 (1966)

Reiko (Yoshiko Tsuruoka) walking through her lover's blood, her kimono drenched. DP: Kimio Watanabe.

Covers February 26–28, 1936.

”'I know how you feel,' Reiko says quietly. 'And I will follow you wherever you go.'”

– intertitles