Something nuclear on International Chernobyl Disaster Remembrance Day

 

In a state of delirium, engineer Prokop chases his stolen chemical formula, worried it may be used for mass destruction

 

With the experience of yet another world war, and two devastating applications of science biggest terror, Karel Čapek's 1922 novel Krakatit [“Krakatoa”] anticipated and moulded the decades to come.

 

And R.U.R. is now, just around the corner.

“Because, in the way I see it, the killer could only be one of two types. Either a person who was seized by a sudden impulse and in all probability has no police record, or else, a sex maniac.”

Takes places between April 25th, 1974 and November 25th, 1975, during the Revolução dos Cravos.

A World War I film: a day in recognition of the forced deportations and genocide in Armenia, 1915 — 1923.

“Parfois ils disent que nos images sont esthétiques, mais nous disons que les images esthétiques sont des images hautement étiques. Pour nous éthique et esthétique marchent ensemble. Re-filmer signifie re-signifier.”

– Yervant Gianikian and Angela Ricci Lucchi in conversation with Daniele Dottorini, 2007 (via)

Re-purposed propaganda reels show citizens – displaced, dehumanised – turned into prisoners of war, and finally into corpses.

And January 9.

“Dry your eyes, baby; it's out of character.”

– Devlin

A Shakespearean play or quote for the Bard's (assumed) birthday (1564).

Sweet love, renew thy force; be it not said Thy edge should blunter be than appetite, Which but to-day by feeding is allay’d, To-morrow sharpen’d in his former might:

So, love, be thou; although to-day thou fill Thy hungry eyes even till they wink with fullness, To-morrow see again, and do not kill The spirit of love with a perpetual dulness.

Let this sad interim like the ocean be Which parts the shore, where two contracted new Come daily to the banks, that, when they see Return of love, more blest may be the view;

Or call it winter, which, being full of care, Makes summer’s welcome thrice more wish’d, more rare.

– William Shakespeare, sonnet 56 (Fair Youth)

Accompanied by Coil's brooding lust and Judi Dench's solemn recital of 14 of Shakespeare's sonnets, men cross dreamlike landscapes and dark desires.

A film set in a hotel, or involving Elvis Presley, on the date Heartbreak Hotel topped the charts in 1956.

“I love to see myself in Technicolor.”

Once home to the stars, Hollywood's crumbling Montecito Hotel is now populated by drug dealers, prostitutes and the Tinseltown hopeful — extras hoping for that big break. They play the bit parts of their own re-enacted lives and dreams – some imagined, some real – whatever that may mean in Hollywood.

Eggs for Easter Sunday.

“The walls of the room seemed to hold stories untold, whispering in the quiet.”

– Doris Lessing, The Memoirs of a Survivor (1974)

In a dystopian Britain, D (Julie Christie) survives while taking care of a sullen teenage girl, and visiting a mirage behind the walls.