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Sep
30
International Translation Day
“This mirror reflected a painting… with words. Chinese idiograms. 'The she-crane calls in the shadow. Her cheek answers.'”
– Alice Campos
Alice, the always fantastically brooding Florinda Bolkan, works as a translator when all of sudden she loses her job and finds herself on the small island of Garma. People tell her she has been there before, recently, but she knows this is not possible.
Some English-language posters try to sell Le orme as an action-ridden sci-fi giallo, but oh boy leave that perception behind and you're in for one unsettling treat! Le orme can be placed somewhere between Don't Look Now and that other Alice film, Chabrol's Alice ou la dernière fugue. Drifting and elegant, distant and claustrophobic.
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La strega in amore [The Witch] (Damiano Damiani, 1966)
Sep
27
We, the viewer, sit at the head of a long table. Two women at the tall ends of the table stop eating to look at us. It's ominous. DP: Leonida Barboni.
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ノーライフキング [No raifu kingu / No Life King] (Jun Ichikawa, 1989)
Sep
23
Nintendo – 1889
Makoto and his friends play with their video game console (via). DP: Osame Maruike.
Home video games: Nintendo was founded on this day in 1889.
It's the late 80s and Japan is in the midst of an economic and technological bubble. Like so many kids, Makoto (litt. “truth”) and his friends are obsessed with their game console. In anticipation of the release of the fourth instalment of their favourite game, rumours start doing the rounds. Some cartridges are cursed with the “No Life King”, meaning players who cannot complete the game, will die. The curse appears to spill over into the boys' real world. What if when you die in the game, you really really die…?
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ტარიელ მკლავაძის მკვლელობის საქმე [Tariel Mklavadzis mkvlelobis saqme / The Hero of Our Time] (Ivane Perestiani, 1925)
Sep
21
wine
A dark eyed woman lurks from behind a white horse, while holding a glass of wine. DP: Aleksandr Digmelov.
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Het gangstermeisje [A Gangstergirl] (Frans Weisz, 1966)
Sep
20
Sophia Loren – 1934
Cast and crew study a map of Rome (via). DP: Gérard Vandenberg.
Italy or Sophia Loren for La Loren's birthday (1934).
“Film is kijken naar mensen die kijken.”
– Remco Campert, Het gangstermeisje (1965)
A writer tasked with writing a screenplay based on his novel Het gangstermeisje suffers from writer's block. Some time at his friends' house in France brings the inspiration needed but also a few twists and turns, similar to his book, leading him to Cinecittà.
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Smrt si říká Engelchen [Death Is Called Engelchen] (Ján Kadár + Elmar Klos, 1963)
Sep
19
ER – 1994
Pavel (Jan Kačer) recovering face-down in his hospital bed. DP: RudolfMilič.
An emergency room: ER debuts on this date in 1994.
A paralysed Czechoslovak partisan recovering from a shot in the back in an emergency ward, feverishly remembers the events that brought him to that moment. He particularly remembers Engelchen, the SS Sturmbannführer who killed his best friend and massacred the local villagers.
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Guide [The Guide] (Vijay Anand, 1965)
Aug
20
fasting
A scruffy looking Raju (Dev Anand) wearing the orange shawl of a holy man. DP: Fali Mistry.
Ramadan [on the ninth month of the Islamic calendar, not mid-August]: someone atones or fasts*
“These people have faith in me, and I have faith in their faith.”
– Swami Ji
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Le Horla [The Horla] (Jean-Daniel Pollet, 1966)
Aug
19
violet
The narrator enters a violet-blue room via a lavender-purple corridor (via). DP: Jean-Jacques Rochut.
Violet: a building or structure *
“Is it the form of the clouds, or the tints of the sky, or the colours of the surrounding objects which are so changeable, which have troubled my thoughts as they passed before my eyes? Who can tell?”
– Guy de Maupassant, Le Horla, 1887 (via)
Objects and rooms have distinct colours ranging from the deepest blues and violets to a pale lavender, a muted silver and shocks of yellow. The usage of colour in Le Horla is striking throughout and reminds me of how Van Gogh's paintings became increasingly colourful as his madness enveloped him.
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Nineteen Eighty-Four (Rudolph Cartier, 1954)
Aug
18
indigo
Winston Smith (Peter Cushing). We only see his frail looking back with the identifier KZ-6090, and his name SMITH W.
Indigo, in food or fashion*
“He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended. “
– George Orwell, Nineteen Eighty-Four (1949) (via)
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Lola Montès (Max Ophüls, 1955)
Aug
14
Bavaria
Celebrating Oktoberfest [in September/October] and the Bavarian royals [rip]: a royal character or family*
“The painter takes his time. He doesn't like her dress. He doesn't like her gloves. One day he asks her if she dares pose for him – all in pink. She dares! And the king, enraptured by her pose, offers her a palace!”
– circus master
Maria Dolores Porriz y Montez, Countess von Landsfeld, Lola Montès for short, now a circus attraction, once the mistress to Ludwig I, King of Bavaria. While her fellow circus performers play Lola's former lovers, the ringmaster tells her story.