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La Belle et la Bête [Beauty and the Beast] (Jean Cocteau + René Clément, 1946)
Nov
28
Giving Tuesday
The most beautiful flower, a rose, in La Bête's enchanted garden. DP: Henri Alekan.
Just before leaving home for a business trip, a father asks his three daughters what he can bring them as a return gift. The eldest two ask for silly, extravagant things. A monkey! A parrot! The youngest simply wishes the most beautiful flower which the father finds in an enchanted garden, guarded by a terrible beast. And will pay for with his life unless he gives his youngest away to the beast, to die in his place.
– Can such miracles really happen?
– You and I are living proof.
#Cocteau and Clément's La Belle et la Bête is of course based on Gabrielle-Suzanne Barbot de Villeneuve's fairy-tale, which on its turn was based on the classic myth of Cupid and Psyche.
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L'udienza [The Audience] (Marco Ferreri, 1972)
Nov
14
Amedeo (Enzo Jannacci), a young man with heavy rimmed glasses wrapped in heavy, flowery drapes as if it's a toga, eating late at night. There's an opened can on one of his plates. A sad looking stuffed toy dog hangs out. DP: Mario Vulpiani.
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L'enfant sauvage [The Wild Child] (François Truffaut, 1970)
Nov
14
Young Readers Day
Victor, the Wild Boy of Aveyron (Jean-Pierre Cargol), reads letters from a board under supervision of Dr. Jean Itard (Truffaut). DP: Néstor Almendros.
One of the most elaborately recorded “feral child” cases is that of the Wild Boy of Aveyron. In the year 1800, after few fruitless attempts to bound him to civilisation, a young boy left the forests of Saint-Sernin-sur-Rance and settled in. The child's primal appearance and lack of speech labeled him an idiot. However, in the era of Enlightenment, the question of nurture versus nature was a pressing one. Studies on Victor began.
“I'm glad that you came home. Do you understand? This is your home. You're no longer a wild boy, even if you're not yet a man.”
– Dr. Itard
Truffaut explores L'enfant sauvage right when the idea of the noble savage seemed to lock on with counterculture. With #Truffaut as Victor's tutor Itard in front of the camera, directly guiding amateur child actor (and “gipsy”) Cargol, the film not only reimagines Victor's fate, but reenacts Western presumed enlightenment over The Other.
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Les enfants terribles [The Terrible Children] (Jean-Pierre Melville, 1950)
Nov
13
World Orphans Day
The siblings – children on the cusp of adulthood, played by adults – sharing a bed. Elisabeth (Nicole Stéphane) points up towards the ceiling with one arm wrapped around her brother Paul's (Edouard Dermithe) neck. Both wear dressing gowns. DP: Henri Decaë.
With their mother bedridden, Elisabeth (Nicole Stéphane) nurtures her snowball-fight-injured brother Paul (Edouard Dermithe) back to health.
“Their heritage of instability, extravagant caprice, and natural elegance was their paternal portion.”
– Jean Cocteau, Les enfants terribles (1929)
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Moi, un noir [I, a Negro] (Jean Rouch, 1958)
Oct
16
National Eddie Day
A young woman looks over her shoulder, smiling. DP: Jean Rouch.
Some of the leads play out their hopes and dreams and are named after famous actors from Western films. Petit Touré is #EddieConstantine.
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Werckmeister harmóniák (Béla Tarr, 2000)
Sep
26
Shamu The Whale Day
A man in a dark hat and coat approaches the whale. The huge creature lays in an enormous open wooden crate in the middle of a town square. DPs: Patrick de Ranter, Miklós Gurbán, Erwin Lanzensberger, Gábor Medvigy, Emil Novák & Rob Tregenza.
“All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign.”
– János Valuska
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Vampyr, ou l'étrange aventure de David Gray (Carl Theodor Dreyer, 1932)
Sep
25
World Dream Day
Allan Grey (Julian West) sees himself in a coffin in a dream. DPs: Rudolph Maté & Louis Née.
“This is the tale of the strange adventures of the young Allan Gray, who immersed himself in the study of devil worship and vampires. Preoccupied with superstitions of centuries past, he became a dreamer for whom the line between the real and the supernatural became blurred. His aimless wanderings led him late one evening to a secluded inn by the river in a village called Courtempierre.”
– title card
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Céline et Julie vont en bateau: Phantom Ladies Over Paris [Celine and Julie Go Boating] (Jacques Rivette, 1974)
Sep
17
National Women's Friendship Day
Celine (Juliet Berto) leans into Julie (Dominique Labourier) in the back of a car. DP: Jacques Renard.
“It doesn't hurt to fall off the moon.”
– Julie
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Muhammad Ali, the Greatest [Float Like a Butterfly, Sting Like a Bee] (William Klein, 1974)
Sep
4
Mouthguard Day
A randomly picked screenshot showing Muhammad Ali fighting George Foreman. Each and every scene of a William Klein film is a photograph. DPs: Étienne Becker, William Klein, Richard Suzuki & Patrice Wyers.
“I done wrestled with an alligator, I done tussled with a whale; Handcuffed lightning, thrown thunder in jail; Only last week, I murdered a rock, injured a stone, hospitalized a brick; I’m so mean I make medicine sick.”
– Muhammad Ali
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Il grande silenzio [The Great Silence] (Sergio Corbucci, 1968)
Aug
26
horse
A man in a heavy fur coat (Bruno Corazzari) is eating at a small table when Silenzio (Jean-Louis Trintignant) enters the small establishment. Outside the landscape is covered in snow. DP: Silvano Ippoliti.
– What do you want?
– We just want that horse of yours.
– You want my horse, there's an awful lot of ya. What are you gonna do with just one horse, anyhow?
– Eat it. We're gonna feed off that beast for at least a week.