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Vulcano [Volcano] (William Dieterle, 1950)
Dec
2
sisters
Sisters Maria (Geraldine Brooks) and Maddalena (Anna Magnani) Natoli. Lobbycard for the US market. DP: Arturo Gallea.
Sisters, for one of the OPs' sister's birthday.
Expelled prostitute Maddalena returns to her home island Vulcano (Salina in disguise) and moves in with her sister Maria. A handsome fisherman becomes first Maria's, then Maddalena's catch.
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Noir et blanc (Claire Devers, 1986)
Dec
1
World AIDS Day
“J’ai mal, mais la douleur me rassure. Son souvenir me donne du plaisir.”
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Surma hinda küsi surnutelt [Ask the Dead About the Price of Death] (Kaljo Kiisk, 1977)
Dec
1
1924
A woman wearing a crochet skull cap and an ominous look on her face. DP: Jüri Sillart.
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宇宙人東京に現わる [Uchūjin Tōkyō ni arawaru / Warning from Space] (Kōji Shima, 1956)
Nov
30
1955
“A scientist is not like a politician who can answer every question.”
– Japanese Bar' Ucyū-ken' Madam Ohana
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Hexen bis aufs Blut gequält [Mark of the Devil] (Michael Armstrong + Adrian Hoven, 1970)
Nov
28
cheese
A very young, very pretty Udo Kier seated at a dinner table. There are various fruits on a platter and Udo's eating cheese. His outfit suggests the 18th century. DP: Ernst W. Kalinke.
“I accuse you of having trampled on the cross, of having ridden to the Sabbath, of throwing the Holy Cross of our Saviour into manure so that the skies grew dark, and the rain fell upon the earth!”
– Albino
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Belle (André Delvaux, 1973)
Nov
28
Belle (Adriana Bogdan) in front of her cabin on the moors. DPs: Ghislain Cloquet & Charles Van Damme.
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Un comisar acuză [A Police Inspector Calls] (Sergiu Nicolaescu, 1974)
Nov
26
1940
DP: Alexandru David.
Takes place on the night of November 26-27, 1940.
“Mister Moldovan, this is not for the first time that a criminal case is entrusted to you. It is precisely your political objectivity that made us choose you.”
– Alexandru Dincă
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Mix-Up ou Meli-melo (Françoise Romand, 1986)
Nov
21
One of the daughters, here as a child, with one of their mothers. DP: Emile Navarro.
A heartfelt reunion scene*
“Oh, it's you.”
– Margaret Wheeler, welcoming the viewers to this curious retelling of her life's events
Through an unexplained muddle, the Wheeler and the Rylatt girls were mixed up at the maternity ward. One of the mothers, Mrs Wheeler, had a hunch something was off. Her girl was suspiciously long and skinny, unlike the one that was entrusted to her. Over the years and to Mrs Rylatt's increasing chagrin, Mrs Wheeler kept in touch with that woman from the maternity ward. And was proven to be correct. This film is one breezy yet tense reunion scene. Heartwarming, awkward, and – like all that's nostalgia – slightly surreal.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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The Criminal [The Concrete Jungle] (Joseph Losey, 1960)
Nov
21
chow time
A prison space. Two tough looking guys in dark clothing appear to savour their meals. One of them is holding a book. DP: Robert Krasker.
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A Face in the Crowd (Elia Kazan, 1957)
Nov
21
1956
Variety blares L. R.'S BLOOPER TOPS UNK DON'S. It's Wednesday, November 21, 1956. DPs: Gayne Rescher & Harry Stradling Sr..
“I'm not just an entertainer. I'm an influence, a wielder of opinion, a force… a force!”
– Lonesome Rhodes