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Beyond a Reasonable Doubt (Fritz Lang, 1956)
Dec
18
late late night dinner
Dolly Moore (Barbara Nichols) and girlfriends amuse themselves over late late-night dinner. DP: William E. Snyder.
– This guy's got a lot of class.
– Yeah? If he's got so much class, what's he doin' with you?
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La battaglia di Algeri [The Battle of Algiers] (Gillo Pontecorvo, 1966)
Dec
18
Arabic Language Day
Petit Omar (Mohamed Ben Kassen) reading out a letter to Ali La Pointe (Brahim Hadjadj) in the قصبة, (Cashbah). If it were not for the leads' jeans and sneakers, this scene could be in any century. DP: Marcello Gatti.
“The first section's dead. There's no one left. We lost contact with the second. The third is reorganizing. All that's left is the fourth. It's enough to start over with.”
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گاو [Gaav / The Cow] (Dariush Mehrjui, 1969)
Dec
27
چای
Two man sit against a white plastered, adobe wall. As one plays the setar, the other accepts a glass of chaii (black tea) from a square hole in the wall. DP: Fereydon Ghovanlou.
“I'm not Hassan. I'm his cow.”
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少年 [Shōnen / Boy] (Nagisa Ōshima, 1969)
Dec
17
Freebie: National Insurance Awareness Day
The boy waiting next to a buzy road. DPs: Seizō Sengen & Yasuhiro Yoshioka.
Freebie: National Insurance Awareness Day (USA) redux.
A boy (Bin Amatsu), helps out his father and stepmother's insurance money scam by pretending to be injured in traffic.
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Ánimas Trujano (El hombre importante) [The Important Man] (Ismael Rodríguez, 1961)
Dec
16
Underdog Day
Now very important Ánimas Trujano [Toshirō Mifune] holding his Juana (Columba Domínguez). DP: Gabriel Figueroa.
Underdog Ánimas Trujano is dead set on becoming his town's next mayordomio, the wealthy, respected man in charge of funding one of Oaxaca's major religious festivals. He does find a way, a terrible one, and does get the respect and riches he wishes for. But even with all the money and praise in the world, Ánimas' continuous down his well-trodden path of gambling away the riches bestowed, and cheating on his long-suffering wife.
It took me a moment to get comfortable with the casting of Japanese movie legend Toshirō Mifune as the titular important man (also see Noé Murayama in Rodríguez's Los hermanos Del Hierro from 1961, but from that moment on, Ánimas Trujano feels as universal as any great cinematic experience should be.
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La perle [The Pearl] (Henri d'Ursel, 1929)
Dec
15
National Wear Your Pearls Day
A giddy Kissa Kouprine as the jewellery salesgirl. A pearl necklace jauntily dangles from her suspender. DP: Marc Bujard.
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Punishment Park (Peter Watkins, 1971)
Dec
13
U.S. National Guard Birthday
A European camera crew follows a diverse group of American minor dissidents – pacifists, feminists, communists – who are given the choice to spend decades in federal prison, or three days in Bear Mountain Punishment Park, chased by National Guardsmen and law enforcement officers. If they manage to capture the American flag, they're free to go.
“America is as psychotic as it is powerful and violence is the only goddamn thing that will command your attention.”
– Defendant Lee Robert Brown
While the washed-out 16mm footage and references to #Nixon may tell you otherwise, Punishment Park remains a gut-punching portrait of a timeless America.
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Ascenseur pour l'échafaud [Elevator to the Gallows] (Louis Malle, 1958)
Dec
13
croissants
Mr Tavernier (Maurice Ronet) taking a bite out of a croissant while dialling a number in a lively French café. A blonde behind him shows an interest. DP: Henri Decaë.
“Have you seen Mr Tavernier tonight?”
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楢山節考 [Narayama-bushi kō / The Ballad of Narayama] (Keisuke Kinoshita, 1958)
Dec
11
International Mountain Day
Tatsuhei (Teiji Takahashi) with his mother Orin (Kinuyo Tanaka) in a bamboo carrier on his back. She's combing his hair. Around them the mountain range. DP: Hiroshi Kusuda.
“This winter… I'm going to the mountain. My mother went to the mountain, as did the mother-in-law of our home. So I have to go too.”
– Orin
In Keisuke Kinoshita's highly stylised 楢山節考, the arguably cruel (and most likely fictional) practice – of 姥捨て [ubasute, abandoning an old woman] – is superbly abstracted. Narration, dramatic lighting, colour filters and very obviously a soundstage underline that what we're watching is not a film, but a kabuki play.
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Laura (Otto Preminger + Rouben Mamoulian, 1944)
Dec
11
Laura Hunt (Gene Tierney) interrupts arsine newspaper columnist Waldo Lydecker (a delicious Clifton Webb) with her designs during his lunch. DPs: Joseph LaShelle & Lucien Ballard.
“I don't use a pen. I write with a goose quill dipped in venom.”
– Waldo Lydecker